Scars that Shape Us

1126 Words3 Pages

The scars of our pasts are said to have established a place among our present, however visible or invisible, and that these scars, through time, are unpeeled before our future selves. The Kite Runner by Khaled Hosseini is about the story of a man, Amir, who relays his life during the times of peace and conflict in Afghanistan, and his life in the United States. It is about the life of a man who tries to escape his shameful past, but is constantly lost and incomplete as a result. As the story revolves around the life of Amir, from childhood to adulthood, Hosseini utilizes first person point of view of Amir, various use of diction, and the symbolism of kites to reveal the underlying message of how the past is a part of whom we were and who we are today. The first point of view utilized in the book allows Amir to accurately relay his emotions and thoughts, including his reasons for trying to forget and run away from the past, and finally his reconciliation with himself. From the very beginning, Amir personally describes a past that he wishes to remove from his life: the death of his mother. He believes that his father “hated [him] a little” (p. 17) for “killing” (p. 17) his mom at childbirth. Amir reasons that his distant relationship between himself and Baba is due to the mother’s death and thus, wishes to cover his “sin” (p. 16) by trying to make his father “forget” (p. 93). Amir’s assumption of his father’s distance shows the high subjectivity of the narrative’s perspective. Amir’s inner conflict with his past is further revealed by his own words as the story progresses. During a kite competition, Amir and his very close “friend” (p. 98) and “servant” (p. 98), Hassan, manage to defeat dozens of other kite flyers and win the compe... ... middle of paper ... ...Valley of Panjsher” (p. 401) on his lips. Amir’s perception of his identity mainly revolved around the kite. Thus, when he banished it from his life, a part of him was lost. Only when he reconciled and accepted the kite back into his life did he feel truly fulfilled in his identity. The scars that Amir tried to hide with long shirts and pants is laid before the world as he recounts the story of his life, from beginning to present. Hosseini uses the intimacy of first person point of view, the interlaying dimensions within diction, and the weight of symbolism to show one is incomplete in identity with self and the world with missing fragments, including scars. Hosseini doesn’t try to cut away the long pants and shorts to humiliate the life of a person, but rather to show him that scars, too, is a part of life, and that its revelation is a step to a beautiful end.

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