Samuel Johnson Manipulation

You are living if you have hit rock bottom and soared through the skies; you are not living if you have only walked on level land. Samuel Johnson is multi-subject 1700 English writer known through his impeccable articulation of words, shown most famously though his letters.With the utilization dazzling diction, extended sentences, and _, Samuel Johnson illustrated stories and opinions as the sorcerer of language. His innate ability to depict how brutal but yet beautiful life is countlessly proven through his literature. By the profound manipulation of such scholarly techniques, Johnson embedded a sense of mind in his readers about the perception of living, that one could not argue: “the world is like a grand staircase, some are going up and

Instead, he repeatedly applied generic pronouns (my relation and he) and specific synonyms, to eliminate any importance of the individual & create a sense of coldness & resentment he now feels towards this antagonist. In result, he primed the embodiment of melancholy events that should and does happen in anyone’s life. In addition, he further illustrated the emotions that also changed with this relationship. The introductory sentence immediately created a solemn mood, when Johnson wrote “(the prostitute) was now completely depressed...” with the later a fulfillment of “tenderness & gratitude” this person also felt. With these juxtaposing mental state of minds, Johnson made the audience completely intrigued and compelled with this event. Through the fixed exclamation of moods this individual likewise felt, the reader was able to recognize the progression of emotions felt. Furthermore, this precise usage of diction allocated the many perceptual dispositions, one should experience in his or her lifetime. Finally, with also switching the point of views concluding this excerpt, Johnson created a sense of how deeply & severely this event was traumatizing. Amidst the brilliant enunciation of language this 1700 writer proclaimed, he conjointly employed elevated and purely intentional diction, to form a piece worthy of epitomizing the opposing situations of