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The american dream in early american literature
The american dream in early american literature
The american dream in early american literature
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In Jack Kerouac's On The Road, Sal Paradise is a man who was fed up with his life and what was expected of him. He was no longer content to sit around and allow society to dictate to him whom he should be and how he should act. It was at this time in his life that Sal met Dean Moriarty who saw that he was ripe for influence. Sal didn't necessarily know exactly what he wanted, but he knew he needed change. Dean became his "guru" in that Sal knew that Dean would teach him about life and lead him on great adventures that would help him discover the world around him and what he wanted out of it. Sal was ready for something more. He comes to this realization while riding on the bus with Dean through the Lincoln Tunnel.
."..I was beginning to get the bug like Dean... He was conning me and I knew it... and he knew I knew..., but I didn't care and we got along fine... I began to learn from him as much as he probably learned from me." (pg. 4)
It was here Sal understood that, good, bad, present, or absent, Dean would greatly affect his life.
Sal and his eclectic crew of friends decide that if they really do want more out of life, and they truly want answers to their questions, a journey is necessary. They go on an excursion across America looking for something more significant than what society had thrust upon them. This merry band is tired of society's version of "normal." They knew they didn't fit into the social order as it was. So they went in search of their own "norms", their own "American dream", and their own place in the world. Sal and his friends went in search of "IT."
Kerouac guides the reader to the understanding that "IT" can be different for everyone. Sal began his search for "IT" because he was restless in ...
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Sal wanted answers so badly that he was willing to ask a complete stranger for them.
I agree with Kerouac in that when a person comes to a fork in the road of their life, they begin to analyze their very being in order to find their correct path. They will search high and low for a resolution to whatever dilemma they may have. Sal, Dean, and even the rest of the crew face this in On The Road. They are searching for answers, and they are searching for "IT." Sometimes a journey can leave you wanting for more. In Dean's case, he never found his exact "IT." He ran himself ragged looking for answers but they never came to fruition. But, if people are lucky, when they go on their search they will be like Sal Paradise and find what they are looking for. They will find a place in the world, a person or family to love, or their own version of the American Dream.
Kerouac also reflects on the futile trap of materialism. Japhy discusses "all that crap they didn't really want anyway such as refrigerators, TV sets, cars, at least fancy new cars, certain hair oils and deodorants and general junk you finally always see a week later in the garbage anyway, all of them imprisoned in a system of work, produce, consume, work, produce, consume.
But life is not a fairytale. Standing there lonely, having no job is our Sammy. This is when Sam realizes his path, the true way to become mature. The moment when “Lengel sighs and begins to look very patient:” Sammy, you don’t want to do this to your mom and dad” (Updike) hold him back a little bit, we can feel the regret in his heart. But he cannot go back anymore, decision has been made. He gives up his last chance; from now on, he’s on his own. Sammy finally understands that it is responsible behavior but not playing “adult-like” game that will make him a true
The narrative begins in the unassuming, yet ardent voice that carries the reader throughout his life story. He makes his plan...
of the American Dream. They travel west hoping to escape less than perfect lives and pursue success in
coming in search of gold and everlasting youth, there has been a mystique about the land to which Amerigo Vespucci gave his name. To the Puritans who settled its northeast, it was to be the site of their “city upon a hill” (Winthrop 2). They gave their home the name New England, to signify their hope for a new beginning. Generations of immigrants followed, each a dreamer bringing his own hopes and aspirations to the green shores. The quest was given a name – the American Dream; and through the ages, it has been as much a symbol of America as the lady in the harbor, a promise of America’s riches for all who dare to dream and strive to fulfill their ambitions. Dreamers apotheosized fellow dreamers like Rockefeller and Carnegie, holding them to be the paradigm from which all could follow. But behind the meretricious dream lies the cold reality. A country built upon survival of the fittest has no sympathy for those who serve as the steppingstones for others’ success. For every person who reaches the zenith, there are countless others trapped in the valleys of despair by their heedless dash to reach the top. Playwrights Arthur Miller and Lorraine Hansberry memorialize the failures in their works Death of a Salesman and A Raisin in the Sun. Their central dreamers, Miller’s Willy Loman and Hansberry’s Walter Lee Younger, like children at a candy shop window, are seduced by that success which can be seen so clearly, yet is so unreachable. Ardent followers of the hype of America, they reveal that, far from being a positive motivator, the Ame...
The Joads, after they are forced to vacate their farm in Oklahoma, decide to pack all of their belongings and make the voyage to California, where there is supposedly so much work that everyone can make a living. But along the way, they quickly run into trouble. They have little money, an unreliable vehicle, a truckload of people to feed, and miles to go before they reach their destination. The Joads quickly discover something that becomes a major theme throughout the book: cooperating with others to achieve a common goal is sometimes necessary for surviva...
At the end Deanie ends or marrying a good man she met when she was in the psychiatric hospital. That 's exactly what she wanted but she wanted and thought it was going to be Bud, her lover of high school. Bud wanted a sweet girl to help him with his ranch and wanted and thought it would be Deanie. But, it ends up being someone else who he marries and has children with when Deanie was gone. They get what they wanted but it 's not with who they wanted to be
Richard is thirsty for new knowledge, wanting to expand his brain. Growing up as black during the 1920s gives Richard limited opportunities to get a strong, secure education, so he is always looking for new ways to obtain knowledge. Richard’s local library prohibited blacks to check out books, so Richard asked a white coworker to borrow his library card. Richard forges a note saying that Richard is just picking up books for his coworker to read. He would become entranced with the books he read, but thought no other black person read like him, this made him stop reading for awhile. After a couple of days past with him not reading, “A vague hunger would come over me for books.” (Wright 357) Richard is always hungry for books, like an addiction, if he stops reading for a couple of days he will just end up wanting to read more. Richard is hungry for a new life as well. Richard read a paper that described a modern world. He yearned to live in that world that was almost alien to him, “I hungered for a different life.” (Wright 187) Richard is dissatisfied with his own life he longs for one he just read on a paper. He states that the modern world is, “merely stories” but his desire to get away from his current life convinces him that they are real. Richards hunger for knowledge and a new life is as powerful, if not more powerful than a craving
It eluded us then, but that’s no matter-tomorrow we will run faster, stretch out our arms further.....And one fine morning-”. A central theme of the novel I think, is the idea that people aren’t satisfied with what they have, they are always going further and further, never knowing when to stop, and always striving for that bright star that “seemed so close that he could hardly fail to grasp it.”
The stories suggest we shouldn’t be spending so much time trying to get to the “Happy Ending”, and we should be more concerned about what’s going on in the middle. The majority of us are that typical person living the typical life, and perhaps Atwood is suggesting that we strive for more.
Each character in the novel has their own interpretation of the ‘American Dream – the pursuit of happiness’ as they all lack happiness due to the careless nature of American society during the Jazz Age. The American Dreams seems almost non-existent to those whom haven’t already achieved it.
...ing them how they should behave, and what they should feel. A sense of self is bigger than what one person or group of people can tell you; it is found from within. Salinger, Plath, and Heller capture ambiguity on a personal level; their characters must look within themselves and beyond the ambiguity to discover who they are. They could easily accept what society tells them, but they would be embarking on a journey of misery. They must be strong enough to resist what others tell them about war, themselves, and everyone else. The experiences are truly unique, even if they are painful. They reveal the journey of self.
...allowed to reach her American Dream without being frowned upon by others. Materialism, and the fears of judgment, are restrictions for these characters that keep them from reaching their true happiness and American Dreams.
Now that Sammy has chosen to become a juvenile delinquent, he realizes "how hard the world was going to be" for him in the future. He has left a life of safety and direction for one of the complete opposite, and he must be willing to accept the responsibilities of his actions, no matter the consequences.
Portraying the characters rejection to conformity, American literature illustrates the distinctive following of one's own standards. From what has been analyzed previously, the authors are trying to display a message of change through the characters words and actions. Many times it is apparent that the characters are in there times of most comfort when they are acting in such that makes them their own being, stepping aside from the standards of the rest of society. Writers try to express the importance of stepping outside of that comfort zone in order to grow and develop as a human being. How will one ever know who they are if they conform to be what everyone is told to be? The biggest advocate of rejecting the norms of America is Chris McCandless.