Salman Rushdie's Haroun And The Sea Of Stories

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Recommended: Importance of stories in haroun and the sea of stories

In Salman Rushdie's 5th novel, Haroun and the Sea of Stories, the main character named Haroun questioned his father, “What's the use of stories that aren't even true?” In this Essay I will show you why I believe Rushdie does successfully answer this question; It is all in these three points. Stories bring joy to people, stories can deliver wisdom, lastly, stories bring new ideas together to make even better ideas. This essay is how Rushdie indirectly answers the central conflict of a book. Rashid loves what he does, he goes around to sad cities, with sad people, and sad landscapes to tell stories that bring joy and a sense of redemption for an hour or two. Although it may not seem like a lot for Rashid, it is well known to the public, “that if you could get Rashid’s magic tongue on your side then your troubles were over. (20)” I believe this means if you were lucky enough to hear Rashid's wonderful words, you could be blessed with happiness for a while. This itself justifies the reason to have …show more content…

They adore the stories he tells and ends up believing them or at least tries to believe everything and anything he says, “everyone had complete faith in Rashid. (19)” Because of this, some political figure try to bribe Rashid to support them in his stories, “The politicos needed Rashid to help them win the people’s votes. They lined up outside his door with their shiny faces and fake smiles and bags of hard cash. (20)” Now you may wonder why this makes stories useful. To be honest, this exact situation really does not prove much. Although it does prove one thing; that people will take advice from Rashid. If Rashid sneaks some truly amazing advice into his made up stories, he could potentially protect people from misfortune. This shows us that an unreal story could be useful because they can bring people something beyond joy. It has the possibility to save someone's life. How's that for use

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