Ryan Murphy's Auteur Theory

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The auteur theory stems from the idea that a director of a series of films has complete control over the project, more so than the screenwriter of the project. Beyond simply taking control, an auteur makes his or her presence known in one way or another. Whether it is the use of the same actors, music, themes, or characteristics. Nowadays, the auteur theory is not specifically closed of to simply film, it can also be linked to television. Ryan Murphy has made a name for himself in Hollywood by writing, producing and directing numerous television shows that can somehow relate to one another. Because his personal stamp can be found in his works, Ryan Murphy could be described as a modern day auteur.
Andrew Sarris’ Notes On the Auteur Theory …show more content…

African Americans in Murphy’s shows often seem to fall into stereotypical behavior. Glee had Mercedes Jones, The New Normal had Rocky, and Scream Queens currently has Zayday. All of the previously listed are African American female characters who all share the same “sassy black girl” character trope. On one episode of Glee, “Original Song”, the glee club is instructed to write an original song that represents them. Mercedes Jones’ song is titled “Hell to the No” (19:33), which also happens to be her catchphrase throughout the show which is usually delivered with a sassy tone. One of the more recent actresses taking on this role in one of Murphy’s shows is Keke Palmer who plays Zayday on Scream Queens. Palmer’s character takes on a ghetto accent that is missing from every other character on the show. One of her first lines in the shows pilot is, “All y’all ratchet!” (29:34). Not only do most African American females on Murphy’s show share the same personality, they are also usually the only people of color on the …show more content…

Harry M. Benshoff’s America On Film noted, “Black gay and lesbian characters are almost entirely absent from the Hollywood screen, except for the stereotype of the effeminate gay male ‘snap queen’” (Benshoff; 92). This continues to be proven true with Murphy’s work which although features plenty of gay characters, the majority are white. There also seems to be a stereotype when it comes to how Murphy portrays gays in his shows, “American society of an image of what homosexuals supposedly looked and acted like: they were men that acted like women” (Benshoff; 300). During the first few seasons of Glee, Kurt Hummel, the only openly gay character on the show at the time, displayed various feminine qualities. On one episode of the show, “Vitamin D”, the glee club is told to split into a team of boys and a team of girls. Kurt, who felt like he could not relate to the boys team chose to join the girls team only to be told to go back to his place with the men by his teacher (4:10). Throughout all of Glee Kurt is mostly seen around the women of the show. Wherever there is a feminine-type homosexual male, he is bound to have a more masculine partner. Darren Criss played this role for Kurt when he took on the role of Blaine, as did Justin Bartha to Andrew Rannells character in The New Normal another one of Murphy’s sitcoms. Where Rannells character was flamboyant and feminine, Bartha’s character was more

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