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Zeffirelli and Luhrmann's version of Romeo and Juliet
A comparison of two film versions treatment of shakespeare s romeo and juliet by zeffirelli and luhrmann
Romeo and juliet zeffirelli and luhrmann comparison weebly
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Because of the difference in film techniques such as music, camera angles, and lighting Baz Luhrmann’s film version of Shakespeare's Romeo and Juliet captures the overall romantic tone of the balcony scene less than Franco Zeffirelli’s version. Luhrmann’s use of music sets a less romantic tone in the balcony scene than Franco Zeffirelli's film version. Juliet demands Romeo to “swear not by the inconstant moon” (2.2.114), but to swear by himself that their love is real. The dramatic parts of the scene have music in both film versions, however in Zeffirelli’s film version the decrescendo and crescendo allow both Romeo and Juliet to have a more intimate connection. The intimate scenes in both film versions contain soft, mellow music depending on
When Romeo and juliet embrace during the scene Zeffirelli’s music choice allowed the romantic tone be more evident. Romeo and Juliet’s “too rash, too unadvised, too sudden” (2.2.125) love makes their meeting very secretive and childlike. Throughout the scene the music choices caused the important quotes to be dramatic and rushed, but Zeffirelli better makes a use of this film feature to enhance the romance. Luhrmann and Zeffirelli's film versions both have music that are similar, but contrast due to when and how it is used, making Zeffirelli’s version better in conveying a romantic tone.
Moreover, the very different uses of camera angles and lighting in both Zeffirelli and Luhrmann film versions portray Romeo and Juliet in dissimilar ways. In the beginning of the balcony scene Romeo recites that “Juliet is the sun” and she shall “kill the envious moon”(2.2.3-4) which represents his previous love, Rosaline, which conveys more of his love towards her. In Luhrmann’s film version the bottom lighting creates Romeo to be mysterious and secretive in the beginning of the scene. The rear lighting in Zeffirelli’s version was soft and delicate which portrayed Romeo as
Comparison Between Act 3 Scene 1 in Franco Zeferelli's Romeo and Juliet and in Baz Luhrman's Romeo and Juliet
Comparing Zefferelli's production of Romeo and Juliet with Luhrman Production. In this essay I am going to write about the production of Romeo. In Franco Zeffirelli's production of Romeo and Juliet, the setting and language are of a traditional, realistic nature. This is complete.
Romeo and Juliet is a play about two lovers who have to risk their lives in order to demonstrate their love and will to stay together, regardless the feud between their families. By the end, the death of Romeo and Juliet finally bring the reconciliation to these two families. It is fate that the two most shall-not meet people fall in love and it love that eventually won against hatred. Since then, there have been many different versions of Romeo and Juliet, whether it was for film, stage, musicals. These different recontextualised adaptions change the original play by many ways, some modernise the language, environment, props as well as changing the original characteristics of some characters. Out of all the different adaptions of Romeo and Juliet, two stood out the most. One was the Romeo and Juliet (1996) and directed by Baz Luhrmann and the other one was Romeo and Juliet Broadway (2013) play version,
Romeo and Juliet's kissing scenes in the elevator, the alterations of the famous balcony scene in ACT II, scene ii, and Juliet pointing her gun at Friar Lawrence after threatening to commit suicide if she does not get what she wants are minor discrepancies that occur in Baz Luhrmann's production which are not as serious inconsistencies. The discrepancies that take place in Luhrmann's portrayal of the Shakespearean classic are quite different to the play format, primarily because of the modern influence, but all of these discrepancies build up to what is the now the famous "The Tragedy of Romeo and Juliet."
One of the most celebrated plays in history, “Romeo and Juliet”, was written by William Shakespeare in the late 16th century. It is a story about two lovers that have to meet in secret because of an ongoing family feud. Tragically, because of their forbidden love Romeo and Juliet take their lives so they can be together. In 1997, a movie was adapted from the play “Romeo and Juliet”, directed by Baz Lurhmann. However, as alike as the movie and the play are, they are also relatively different.
The pace in which the The film goes very fast and it changes from one location to the next in a sequence of images, which occurs a lot during this recent film. In Franco Zeffirelli’s adaptation of the film, there are very similar. settings as they are both set in Verona but they have a different timescale and time period in which the film was produced. In the beginning of Act two Scene ii (the balcony scene), Romeo.... ...
In the 1968 version of the film, the music in the background was rather casual, and the only sound that was somewhat suspenseful was the church bells ringing in the background. On the other hand, the music in the 2013 version was adding even more suspense to the already suspenseful mood of the scene. However, the 1968 film had a rather tropical background soundtrack with birds chirping and a stream in the background. The 2013 adaptation only had the music and the sound effects as Romeo climbed up to the balcony and hauled himself over the railing.
Romeo and Juliet is a play about two adolescents—Romeo and Juliet from two hostile families fall in love with each other. This prohibited love ultimately turns into a romantic tragedy, in which they commit suicide for each other. Both Franco Zeffirelli’s (1968) and Baz Lurhmann’s (1996) versions retained the dialogues written by William Shakespeare in their movies. However, these two movies are directed in their own unique ways, which have several distinctive differences.
The environment surrounding the star-crossed lovers in the tragedy of Romeo and Juliet can influence audiences who may interpret the scenes in different ways. The audience can be greatly affected in their interpretation of the story by the mise-en-scene, costuming, and the hidden symbolic meaning. This great piece of literature was edited in two unique and intriguing forms, one Zeferelli directed which was filmed in 1968, and the modern version produced in 1996. The different scenes throughout the length of the party were the most influential to me in that I saw how different these movies were directed, and the different meaning I experienced from watching these movies. Focusing on the environment of the scenes and the costuming helped me in my interpretation, because I found hidden symbolism from these two qualities.
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Romeo and Juliet, written by William Shakespeare, is a tragic love story about two young lovers who are forced to be estranged as a result of their feuding families. The play is about their struggle to contravene fate and create a future together. As such, it was only a matter of time before Hollywood would try and emulate Shakespeare’s masterpiece. This had been done before in many films. Prominent among them were, Franco Zeffirelli’s 1968 “Romeo and Juliet” and Baz Luhrmann’s 1996 “William Shakespeare’s Romeo & Juliet.” Both films stay true to the themes of Shakespeare’s original play. However, the modernised Luhrmann film not only maintains the essence of Shakespeare’s writings, Luhrmann makes it relevant to a teenage audience. This is done through the renewal of props and costumes, the reconstruction of the prologue and the upgrading of the setting, whilst preserving the original Shakespearean language. Out of the two, it is Luhrmann who targets Romeo & Juliet to a younger audience to a much larger extent than Zeffirelli.
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
However, in act two, scene two, the mood is altogether more optimistic and Shakespeare uses a lot of light imagery particularly when Romeo is describing Juliet. When he first sees her on the balcony, he compares her to the sun. This clearly conveys Romeo's passion for Juliet as the sun is a giver of life, a brilliant source of light and has connotations of happiness and cheer, which contrasts greatly with Romeo's previous melancholy. Furthermore, Romeo exclaims that Juliet's eyes and cheeks are 'bright and later call her a 'bright angel' which suggests the strength of his admiration for her - to him, she is more of a divine, or spiritual light; a beacon of hope.
Zeffirelli’s ultimate goal for his version of Romeo and Juliet was to capture Shakespeare’s original intentions for the play while targeting the teenage audience of his generation. Luhrmann’s intentions were different however; he changed the way an audience looks at Shakespeare’s masterpiece by modernising the props, costumes, and sets. Obviously, to match film time quotas Zefirelli and Luhrmann has both cut many lines out of the play.
How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can only be described as a masterpiece. I believe that his use of Props, iconography costumes and the settings he has chosen has helped him to make this film such a great success. The settings of each scene have been specifically chosen to create a desired affect.