The art institution I have chosen to write about within this paper was the Rodman Hall Art Centre located near Downtown St. Catharines. Rodman Hall, in my opinion, serves the purpose of bringing an art culture to a region that does not have much option when it comes to art institutions. Especially prior to the Marilyn I. Walker School of Fine and Performing Arts opening, there was not many art centers within our region, to my knowledge. Then, once I got into applying to universities and discovering more about Brock, I came across the new and upcoming MIWSFPA and learned that Rodman Hall is under Brock’s ownership. Rodman Hall was built in 1862 by Thomas Rodman Merritt which means that this art institution is 155 years-old (“Historic Rodman Hall“). Considering the age of the building, it is very well preserved and serves a purpose of showing our heritage and culture. When entering the building, one of the first things I noticed was that the original flooring and classic detailing on the ceilings, both were stunning. The old and very large front door of Rodman Hall was beautiful and all the white snow outside definitely made it stand out. …show more content…
I thought I was going to arrive and leave within ten minutes but I ended up spending approximately an hour there. There was so many things to explore and experiences and the overall vibe that I got from the employee was amazing. We were welcomed by a security guard and pointed to where to go (after we mentioned that this was our first time here). We experienced the art by touch, sight, and sound and we were completely immersed within the atmosphere and meaning that the artist meant to create. Many aspects of this centre make me appreciate it as well as the people who continuously keep it running. This paper was a very great experience which made it very easy to write and I enjoyed every part of it. Rodman Hall is a great art centre and I recommend everyone to
The architecture of Goodwin and Stone, which would become the Museum of Modern Art changed the architecture of museums. They were professionals in a new era, with new designs and architectural styles beginning to emerge in not only the homes of wealthy individuals, but professional buildings throughout New York, the United States, and the rest of the world. These architects worked with the growing and popular architectural trends of the time, drafting and constructing a building which would follow along with the modern grandeur of the rest of New York City. They changed the way in which museums would look from there on out. Before the exteriors of museums, were themselves works of art; and in a way the façade of the MOMA was no different, it was a modern building desig...
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
In 1967 the first devoted space for a gallery opened and was managed by the Department of Art and Art History (McMaster Museum of Art, 2014). In 1985 the McMaster Museum of Art became an independent unit within the Faculty of Humanities at McMaster University (McMaster Museum of Art, 2014). The main focus of this museum is to focus on quality, formality, stylistic and historical relationships that build a sense of purpose. In 1999 the Gallery was renamed the Alvin A. Lee Building in honor of President Emeritus Alvin A. Lee as his labors and contributions towards the gallery make it function today (McMaster Museum of Art, 2014). This organization aims to strengthen the connection between art and art history and the relationship it can have with learning, exploring and pleasure. There have been three areas that the museum aims to develop and they include Canadian art, early 20th century German Expressionist art and modern European art (McMaster Museum of Art,
41 Cooper Square, the new academic building for The Cooper Union, aspires to manifest the character, culture and vibrancy of both the 150 year-old institution and of the city in which it was founded. Dedicated to Peter Cooper’s vision that education leads to civic, cultural and practicable enrichment, the institution has subsequently grown to become a renowned intellectual and cultural center for the City of New York. 41 Cooper Square aspires to reflect the institution’s stated goal to create an iconic building – one that reflects its values and aspirations as a center for advanced and innovative education in Art, Architecture and Engineering.
Upon entering the de Young, it’s a very large and gaping minimalistic hallway. White walls, ashen colored flooring, and very open spacing definitely set me up for the search for some fantastic modern art. I first enter the 20th Century and Contemporary Art exhibit, hoping to find some pieces that intrigue me in one of my more favored artistic genres. There’s two pieces that solidly catch my interest-- Colours by Ken Price and Backstage Curtain by Lia Cook-- that I figured I would use for this, but I explored on in the museum anyway. I go upstairs to the Art in America to the 20th Century exhibit, not expecting to find anything visually stimulating
Friday, September 8th I attended the opening reception of the Brauer Art Museum. The opening primarily featured Frank Dudley’s paintings involving the Indiana Dunes, which happen to be located a mere twenty minutes away from the museum. Being that the subject of Dudley’s pieces happens to be so close to the university, it offered an extremely unique opportunity to observe fine art of a place that is easily accessible, and a place that most people are probably at least slightly familiar with.
Bold colors, lively people, and brilliant art maneuvered its way into Lubbock, Texas. The Frist Friday Art Trail took place off of Avenue K, primarily at LHUCA, but also at several surrounding buildings. The audience consisted mostly of students and adults, however some children accompanied their families. I was expecting LHUCA to be quiet, yet there was actually a lot of talking, laughing, and free wine drinking. The upbeat audience formed an active, exuberant, and enthusiastic atmosphere. I found my two pieces of artwork at LHUCA. The curator of the exhibits at LHUCA is Linda Cullum. One of my pieces came from the Christine DeVitt Exhibition Hall, showing James Koskinas. My second piece came from the
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
Inside La Salle Art Museum is many unique and interesting pieces of art. There are pieces from the Renaissance Era to the 21st century. The wide selection of art is very interesting. The painting that really grasped my attention was the painting of two men and one woman on what looks like a bus. There is another person in the painting, but their face is not depicted. Seems like a dull picture at first, but when seeing the picture and looking at it for some time you will begin to notice how unique it is.
There are many ways to explore and discover the aspects of Ralph Rapson Hall and how these are studied and viewed, not only from the eyes of a student but from the past architects throughout history. Those aspects can be interpreted through the feelings evoked from a space, the cohesiveness of two spaces conjoined, and the differences between additive and divisive plans. Architecture and society has changed in a drastic way since the works of Vitruvius and through these changes many of his ideas no longer apply to modern day architecture. Furthermore, Rapson Hall can still fall under the criteria of many different ideals of the past and the modern.
American abract work has became more acceptable for some artists who all had something in common. It gave artist their own emotional them of how he or she feel. Most of the Abstract Expressinism matured in the early 1900s and it came to be more personal to them. By the 1940s most artist has left their styles behind and also learned much from their early work. It also encouraged them create something new that he or she has never done before. It also made it easier for them blend more colors and add more colors to their work to creat a new theme or colors all away around. Most European modernists began to come to New York in the 1930s and 40s to escape a upheaval and war. New York was a things for artists to become famous and show their artwork.
For my Museum Visit Assignment, I chose a museum that I’ve longed to visit since the day I entered New York for the first time, The Metropolitan Museum of Art, or simply known as “The Met”. From afar, I was able to identify the shape of the building as a late-European architecture. Lucky enough, when I asked one of the staff members at the museum about the architecture of the building, they said that one of the contributing architects was Richard Morris Hunt, who is known for the “Beaux-Arts” architecture around the New York and other states. Enchantingly enough, it’s really only the façade and the entrance that define Beaux-Art. As I journeyed through the different eras and cultures, the design seemed to change. From a European entrance to a brick wall, hosting the tales of the Egyptian art that was displayed, to the entrance of a Siheyuan architected room that made me feel like a trespasser, walking through someone’s house without an invitation. While walking through most of the stairways, I could tell that there was nothing special about them, even when entering the Modern and Contemporary Art section, I realized that like the other historical eras, the design of the room resembled the style of art, both being modern and contemporary.
This year we have been studying natural forms, this has involved using many new and different materials and techniques.
Witherbee, A. (2013). Counterpoint: Education, the Masses, and Art. Points Of View: Arts Funding, 6. Retrieved April 19,2014 , from http://search.ebscohost.com/login.aspx?direct=true&db=pwh&AN=12421040&site=pov-live
Although The Institute of Contemporary Arts (ICA) of Boston was the only place dedicated to contemporary art for more than 50 year, it is having trouble growing into a pillar of the art industry (Reavis, 2010, pg.1). The main problem is the organization’s powerless leadership. According to Peter Northouse (2015), leaders must possess an effective influencing power in order to motivate followers (pg.47). The leaders prior to Jill Medvedow failed to get the local community fondly interested in contemporary art or an environment that showcases it. Therefore, there are no investors, donors, or patrons breaking down the door to fund or see the exhibits presented in the old