Sentences
In The Rime of the Ancient Mariner, Samuel Taylor Coleridge’s Alliteration “The fair breeze blew, the white foam flew, The furrow followed free;” the wind is described.
Frost’s Allusion in the Nothing Gold Can Stay,supports the theme on nature and happiness by saying “So Eden sank to grief, So dawn goes down to day.Nothing gold can stay.”
In the nursery The Star by Taylor, the poet uses Apostrophe when the child states “Twinkle,twinkle, little star,How I wonder what you are.” to address the imaginary star.
In Stopping by Woods on a Snowy Evening, Frost’s Assonance “He gives his harness bells a shake,To ask if there is some mistake.The only other sound’s the sweep” describe the woods.
Frost's poem Mending wall uses Black Verse when
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In London by Flint, the poet uses Cadence in the middle of the poem to reveal the fall of the tone of “Nor the quietness;It is not the hopping,Of the little birds.”
In I’M Nobody! Who Are You?, Dickson Caesura’s “I’m nobody! ||Who are you?” creates an effect on the uneven rhythm in the flow of sound.
Donne’s poem The Flea states “Oh stay! three lives in one flea
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Alfred Prufrock, Eliot’s Dramatic Monologue “And indeed there will be time To wonder, ‘Do I dare?’ and, ‘Do I dare?’Time to turn back and descend the stair,”to describe the insecurities of the man.
Henry Averell Gerry’s Cambridge Elegy, gives the reader the sense that the speaker is reading an Elegy after “I hardly know how to speak to you now, you are so young now, closer to my daughter's age than mine.”
Shakespeare poem Sonnet 18 helps the reader understand his lovers beauty with the End-stopped Line “Rough winds do shake the darling buds of May,And summer’s lease hath all too short a date….”
In the Shakespearean Sonnet, English Sonnet, “From fairest creatures we desire increase,That thereby beauty’s rose might never die.But as the riper should by time decease,His tender heir might bear his memory:” which is written in an iambic pentameter to give his message.
In Endymion, John Keats’s Enjambment “Pass into nothingness but still will keep
A bower quiet for us, and asleep” give the flow to each next
The poem states that everything eventually comes to an end and that not even gold can remain unchanged. The poem explains this theme with many metaphors about everything that’s coming to an end. Freeman explains that “Even the poem's rhymes contribute to this sense of inevitability: Nature's gold we (or She) cannot hold; the flower lasts only an hour; the post flower leaf is like Eden's grief; the coming of day means that dawn's gold cannot stay”(2). The poem explains that everything has a natural cycle and that nothing lasts forever. When the poem states “nothing can stay gold”, Frost looks back at the flower and the time of day and implies that it all comes to an end.
The poem is broken down into fourteen stanzas each containing four lines. There is no structured ryme, rather lines and stanzas flow into each other to form sentences. The words are short and simple, carefully chosen to convey deep sentiments in one or two syllables. For example, Boland writes “And still no page/ scores the low music/ of our outrage” (42-44) None of the words in this stanza are more than two syllables yet the clipped tone expresses her indignation at the way women have been relegated to second class people over the course of history.
Adding on to the previous paragraph, Frost in the poem “Nothing Gold Can Stay” Frost uses an allusion in “So Eden sank to grief So dawn goes down to day Nothing gold can stay”(lines 6-8). This is an allusion because it refers to the story of Adam and Eve in which both are in paradise but are soon thrown out after giving in to temptation. This helps to convey the
Robert Frost is considered by many to be one of the greatest poets of the twentieth century. Frost’s work has been regarded by many as unique. Frost’s poems mainly take place in nature, and it is through nature that he uses sense appealing-vocabulary to immerse the reader into the poem. In the poem, “Hardwood Groves”, Frost uses a Hardwood Tree that is losing its leaves as a symbol of life’s vicissitudes. “Frost recognizes that before things in life are raised up, they must fall down” (Bloom 22).
The Tragic Impermanence of Youth in Robert Frost's Nothing Gold Can Stay In his poem "Nothing Gold can Stay", Robert Frost names youth and its attributes as invaluable. Using nature as an example, Frost relates the earliest green of a newborn plant to gold; its first leaves are equated with flowers. However, to hold something as fleeting as youth in the highest of esteems is to set one's self up for tragedy. The laws of the Universe cast the glories of youth into an unquestionable state of impermanence.
“Sonnet Eighteen” was one of the first of the Sonnets to become very well known. It “sets a fearful problem in turning it into prose”, because it is so straight forward and easy to comprehend (Rowse 39). Throughout this poem, the reader will acknowledge that Shakespeare “finds the human beauty “more lovely” and more lasting than nature’s” (Kastan 10). In the Sonnet, Shakespeare is comparing a woman to a summer’s day. He uses imagery to differentiate the harshness of summer and beauty of the woman. The audience can see the speaker’s perspective of youth and beauty throughout the lines in the
The theme of love and beauty is explored in all of these sonnets. With “Shall I compare thee to a summer’s day?” Shakespeare is speaking about how her beauty will last forever even though he compares his lover to summer he states that her beauty will be much longer than summer because,
In Sonnet number one-hundred sixteen Shakespeare deals with the characteristics of a love that is “not time’s fool”, that true love that will last through all (Ln: 9). This sonnet uses the traditional Shakespearian structure of three quatrains and a couplet, along with a standard rhyme scheme. The first and third quatrains deal with the idea that love is “an ever-fixed mark”, something that does not end or change over time (Ln: 5). Shakespeare illustrates this characteristic of constancy through images of love resisting movemen...
In Shakespeare’s Sonnet 18, also known as “Shall I compare thee to a summer’s day?” represents and discusses the love and beauty of his beloved. Also, the speaker refers to his love more sweet, temperate, and fair than all the beauty that he can see in nature. He also speaks how the sun can be dim and that nature’s beauty is random: “And often is his gold complexion dimm’d / And every fair from fair sometimes declines” (6-7). At the end of the poem the speaker explains that they beauty of the person that is being mentioned is not so short because, his love with live as long as people are still reading this sonnet. The beauty of his beloved with last longer than nature, because although nature is beautiful flowers and other things still have to die: “So long as men can breathe or eyes can see / so long lives this and this gives life to thee” (13-14) Also, the speaker is comparing his love to a summer’s day, but does not really say anything specific or that the qualities given to his beloved are more superior to a summer’s day, which can allow the reader to understand that his beloved can stay young, beautiful, and never going to die.
In this sonnet, Shakespeare is creating a mental picture of spring and summer to compare against his loved one. He uses the fact that fine and beautiful days are the creation of nature, and nature is constantly changing all the time. Fine days never stay the same: 'rough winds' or the sun obscured by clouds, 'and often is his gold complexion dim'd', can easily mar a fine day. He talks about these negative factors of change in the first eight lines, and Shakespeare then uses these ideas to claim that his loved one will always remain untarnished, speaking of how 'thy eternal summer shall not fade' and how his loved one has lasting qualities that will outshine death: 'Nor shall death brag thou wandr'st in his shade' These thoughts come to a confident, final... ... middle of paper ... ...
She is known for creating radical novels, which stuck discord in many of its early readers, and writing highly respected sonnets. Similar to Behn, Smith also captures the inner thoughts of not just women, but all human beings in the sonnet “Written at the Close of Spring” and juxtaposes the beauty of the annual spring with the frailty of humanity. In the first stanza of this poem, the speaker uses imagery in order to help readers connect with the beauty and delicacy of spring flowers. In the second stanza, she calls to attention the fact that the spring flowers are dying and, to experience the beauty again, one will have to wait until next spring to enjoy them. In the third stanza, the poem’s focus changes from nature to humanity and asserts that as people age and begins to take part in, “tyrant passion, and corrosive care” (Line 11), youth becomes wasted. The speaker comes to the realization that once youth vanishes, it will forever, unlike the yearly revival of spring. The major fault of this sonnet is that it can be difficult to understand and has several different messages, some of which are not as strong or enlightening as
Nature is an important theme in every frost poem. Nature usually symbolizes age or other things throughout Frost’s poems. In lines 5-10 it says, “Often you must have seen them loaded with ice a sunny winter morning after a rain. They click upon themselves as the breeze rises, and turn many-colored as the stir cracks and crazes their enamel. Soon the sun’s warmth makes them shed crystal shells.” This demonstrates how nature can sometimes symbolize something. Also in lines 29-33 it says, “ By riding them down over and over again until he took the stiffness out of them, and not one but hung limp, not one was left for him to conquer. He learned all there was to learn about not launching too soon.” In lines 44-48 it says, And life is too much like a pathless wood where your face burns and tickles with the cobwebs broken across it, and one eye is weeping from a twig’s having lashed across it open. I’d like to get away from earth for a while.”
In Sonnet 18, Shakespeare employs a Petrarchan conceit to immortalize his beloved. He initiates the extended metaphor in the first line of the sonnet by posing the rhetorical question, "Shall I compare thee to a summer's day?" The first two quatrains of the poem are composed of his criticism of summer. Compared to summer, his lover is "more lovely and more temperate" (2). He argues that the wind impairs the beauty of summer, and summer is too brief (3-4). The splendor of summer is affected by the intensity of the sunlight, and, as the seasons change, summer becomes less beautiful (5-8).
Shakespeare's sonnets are a romantic and charming series of poems. His use of rhyme and passionate, eloquent language serve to illuminate his strong feelings. These techniques were probably the most fluent way for such a writer as him to express the immeasurable love that he obviously felt for his mysterious lady. Examining the numerous ways Shakespeare found to describe it, the reader believes that this love was undoubtedly lasting and authentic. He often made heart-felt comments about his emotions that could also suit lovers in the present day. Because of this, and the fact that people read them yet, Shakespeare's sonnets are timeless and universal, just like the concept of love itself.
Frost was a rural Yankee whose writings reflect everyday experiences-his own experiences, but was one who saw metaphorical dimensions in the everyday things he encountered. These everyday encounters held ground in his subject matter, combined with the rural setting of New England nature, seasons, weather and times of day. Frost’s goal was to write his poetry in such a way that it would cover familiar ground, but in an unfamiliar way or uncommon in expression. Works Cited and Consulted Frost and Nature, www.frostfriends.org.