Robert Davis Historical Evidence Sparknotes

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The film also demonstrated a clear departure from Davis’s historical evidence when Bertrande is not presented as a plaintiff for long in the trial against the imposter Martin. In the film trial, unlike Davis’s account, Bertrande’s double role is not depicted. Instead, Bertrande always backs the imposter as her true husband throughout the trial. “Bertrande never once accuses Arnaud during the trail and she accepts Martin only at the last minute.” What were the motifs then behind backing the imposter? This is regrettably a clear divergence from Davis’s thoroughly researched historical account. Further, this position is a legal impossibility as the case would not have stood on trial had Bertrande not supported the complaint. Instead of sticking …show more content…

Because Davis was conducting a historical monograph she was also able to demonstrate concerns with identity formation. This was so much the case that identity and truth formed the overall motif of Davis’s monograph. The film version, on the other hand, emphasized the roles played by the characters, rather than revealing and depicting their actual identities. Davis’s task of achieving her monograph’s focus – identity – was complex as she was handling a micro-history: the local history of an insignificant event and the biography of unknown, inconsequential peasant, Martin. The local truths of this community, then, must also be considered a significant object of the monograph. A major reference in Davis's work is an article written by Jean de Coras providing a written account of Martin’s trial, which he presided over. Davis stated that she was obliged to write the story after reading the article published by de Coras, as it had a flawless narrative of the events with an added bonus of dramatic appeal. One could not ask for a better primary source. While Davis gave suggestions to Vigne as a historical consultant, he intentionally failed to take her suggestions into account. Most of these suggestions were crucial to a successfully portrayal of the story. One of her remarks was to begin the film “with Coras saying that he had written this story.” In addition, the film completely ignored the presence of Protestant Reformists, a major historical event during Martin’s trial; this is a movement one cannot ignore if looking into the history of the time and place the story is set. Davis’s asserts that “it is possible, even probable, that the new Martin and Bertrande De Rols were becoming more interested in the new religion.” From the monograph, it was clear that the imposter’s fate was influenced by the judge’s

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