Dramatic Monologue in Robert Browning’s My Last Duchess and The Bishop Orders His Tomb at Saint Praxed’s Church
The general public knows Robert Browning as the writer of “The Pied Piper” a beloved children’s tale, and the hero of the film The Barrett’s of Wimpole Street. Most recognize him for little else. The literary world recognizes him as one of the most prolific poets of all time. However, his grave in Westminster Abbey stands among the great figures in English history. At his death at age seventy-seven, Robert Browning had produced volumes of poetry. He had risen to the heights of literary greatness. Robert Browning received little acknowledgement for his work until he was in his fifties. “He had been following a blind alley. Now he had reversed his direction, and by so doing, had come in sight of his true destination, the dramatic monologue. In the dedication to Strafford he had correctly analyzed the bent of his genius; it was to treat Action in Character, rather than Character in Action”(Johnson 4). Browning used the dramatic monologues as his artistic vehicle. In “My Last Duchess” and “The Bishop Orders His Tomb at Saint Praxed’s” he presented characters with varying degrees of sympathy or satire as he took incidents from the past and made them come alive through his skillful use of the dramatic monologue.
He rose to his position from rather modest beginnings in the south London village of Camberwell. Browning was born in 1812, to middle-class parents, his father, Robert, Sr., was a clerk for the Bank of England, and had refined artistic literary tastes. His mother Sarah Anne Widedemann, a devout Christian, pursued interests in music and nature. Browning read at age five and composed his first poetry ...
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The use of theme in One Flew Over the Cuckoo’s Nest by Ken Kesey brings upon the ideas of misogyny, sexual repression and freedom, and salvation from an omnipotent oppressor, through the story of Chief Bromden, who lives in an insanity ward. Even from the beginning pages of the novel, the reader is introduced to such characters as Nurse Ratched, or the “Big Nurse,” who is said to be the dictator of the ward and acts upon the ward with the utmost control. Another branch of the theme of oppressors and salvation that relates to Nurse Ratched, as well as Randle McMurphy, is the idea that they are both representatives of figures based in Catholicism. Sexual repression and freedom is seen with the ultimate punishment in the ward, a lobotomy, being stated as equivalent to castration. Both of the operations are seen as emasculating, removing the men’s personal freedom, individuality, and sexual expression, and reducing them to a child-like state. All of these different pieces of the theme relates to a powerful institution that, because of the advances of the time, such as technology and civil rights for women, is causing men to be common workers without distinctive thoughts that must fit the everyday working mold of the 1950s.
From the arguments and supporting evidence presented throughout this essay, it can be established that throughout the novel and poem, both contain similar conformity discourse. The novel ‘One Flew over the Cuckoo’s Nest’, written by Ken Kesey and the poem ‘Advice to Young Ladies’ crafted by A.D. Hope, represent the in comparable ways thus creating a blend of parallel discourse of power, sexuality and religious.
1970, pp. 7-8. Rpt. In The Chelsea House Library of Literary Criticism. New York.:Chelsea House Publishers, 1988.
...sage against conformity, it is only fitting that this novel’s significance be challenged. One Flew Over the Cuckoo’s Nest strikes a balance between amusing and admonishing examples creates its indisputable literary merit. Ken Kesey’s commentary on the perception of insanity is not only a story, but also a symbol for the beauty in being unconventional.
The fundamental theme in Ken Kesey’s One Flew Over the Cuckoo’s Nest involves society's destruction of individuality. People who refuse to conform to the social standards face ridicule and judgment. Kesey develops this theme through his use of mechanical imagery, metaphors, and symbolism. The novel takes place in a mental hospital, the narrator, Chief is a patient in the ward who suffers from vivid hallucinates. When McMurphy, a spirited character arrives at the ward he begins to question the humility of the hospital, his criticisms of the hospital spark a rebellion amongst the other patients. McMurphy teaches the others to think and speak as individuals and to be themselves despite others judgements. As Nurse Ratched sees the usually powerless patients find power in numbers she decides their leader, McMurphy must be eliminated if she wants to maintain control. She eventually has McMurphy lobotomized leaving him in a vegetable state. In the end Chief runs away from the hospital deciding to no longer live his life under the oppressive rule of doctors and nurses. After being inspired by McMurphy’s free thinking ways Chief decides that living a life dictated by society is not a quality life.
Bloom, Harold and Lionel Trilling, eds. Romantic Poetry and Prose. New York: Oxford University Press, 1973.
In the early 1960’s, Ken Kesey worked in the psych ward in a veterans hospital as an aide. During the course of his job, Kesey realized the administrators were giving patients experimental LSD to cope with their mental illnesses. After seeing this being done, he started to wonder, who is mentally stable and what classifies a person as insane (Kesey)? With this in mind Ken Kesey wrote, One Flew Over the Cuckoo’s Nest. This classic novel depicts the image of a psych ward under control by the manipulative, Nurse Ratched. The patients on the ward are lifeless; every waking moment is scheduled and controlled, until one day when a new patient, Patrick McMurphy arrives. Patrick McMurphy brings life back into the patients and helps them push the boundaries. With McMurphy on the ward there becomes a new normal. When answering the question of what normalcy is, Kesey uses character development, symbols, and motifs to give insight of the psychological well-being of others and how it shifts with positive and negative changes.
One Flew Over the Cuckoo’s Nest written by Ken Kesey in 1962. This novel is based on the experience Ken Kesey had during his time working in a mental institution as an orderly. Ken Kesey’s novel is a powerful critique of early 1960’s American society. The three main techniques that Kesey uses to create the Tragic form. In this novel Kesey has used the three main technique to create an inevitable conflict and outcomes that is similar to tragedy. The three main literary techniques that Ken Kesey uses are narrative structure, foreshadowing and symbolism. In this essay I will explore how Kesey uses these three techniques to form the Tragic form and shows how McMurphy gets lobotomized in the end but still wins the war against the Big Nurse.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
In Ken Kesey's One Flew over the Cuckoo's Nest, the author refers to the many struggles people individually face in life. Through the conflict between Nurse Ratched and McMurphy, the novel explores the themes of individuality and rebellion against conformity. With these themes, Kesey makes various points which help us understand which situations of repression can lead an individual to insanity. These points include: the effects of sexual repression, woman as castrators, and the pressures we face from society to conform. Through these points, Kesey encourages the reader to consider that people react differently in the face of repression, and makes the reader realize the value of alternative states of perception, rather than simply writing them off as "crazy."
Ken Kesey in his novel One Flew Over the Cuckoo 's Nest question a lot of things that you think almost everyday. With this famous portrait of a mental institute its rebellious patients and domineering caretakers counter-culture icon Kesey is doing a whole lot more than just spinning a great yarn. He is asking us to stop and consider how what we call "normal" is forced upon each and every one of us. Stepping out of line, going against the grain, swimming upstream whatever your metaphor, there is a steep price to pay for that kind of behavior. The novel tells McMurphys tale, along with the tales of other inmates who suffer under the yoke of the authoritarian Nurse Ratched it is the story of any person who has felt suffocated and confined by our
Browning’s works were the primary model for the basic form of the standard Victorian dramatic monologue which was based around a speaker, listener, and a reader. Browning’s poem “My Last Duchess” became a model for the dramatic monologue form primarily because of the strict approach he took while developing the poem. One of the aspects characteristic of this work is the authors level of consciousness. Each element in “My Last Duchess” is thoughtfully constructed with form and structure in mind. This poem is filled with dramatic principle that satisfied the Victorian period’s demand for an action and drama that were not overtly apparent in the work. In the case of “My Last Duchess” the drama of the poem is how his character, the Duke, is introduced. In dramatic monologues the character’s self is revealed through thoug...
Browning uses irony in conjunction with dramatic monologue to produce a sinister and domineering effect. Irony, much like dramatic monologue, can make the reader question the true underlying meaning of the passage. This brief confusion causes an eeriness to be brought about in the work. In "My Last Duchess," verbal irony is demonstrated when the Duke says to his guests, "even had you skill in speech . . . which I have not"(35-36).
Browning's amazing command of words and their effects makes this poem infinitely more pleasurable to the reader. Through simple, brief imagery, he is able to depict the lovers' passion, the speaker's impatience in reaching his love, and the stealth and secrecy of their meeting. He accomplishes this feat within twelve lines of specific rhyme scheme and beautiful language, never forsaking aesthetic quality for his higher purposes.