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Comment on brownings dramatic monologues
Comment on brownings dramatic monologues
Comment on brownings dramatic monologues
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Writing Assignment – “Fra Lippo Lippi” In Robert Browning’s dramatic monologue “Fra Lippo Lippi” we as the readers are presented with a lot of background information about the speaker itself. This monologue overall subjects a monk/painter of Renaissance Italy. I find this monologue very interesting because of the fact that Browning uses sarcasm and witty personality in his favor at the beginning of the poem. The trait of the authorities being overzealous in the monk’s eyes is what charms the beginning first half of the monologue. For this writing assignment, I will analyze specific lines of 1-60; I believe the monk reveals a lot about himself as a character in the very first half of the poem which is why I find this of significance. While analyzing these specific lines, I will also describe how these lines help us as readers better understand this character in question. In these lines, brother Lippo appears to be before authority figures. While most disobedient citizens who are before the law will admit to their crime or accept it, brother Lippo decides to “talk” his way out of this mishap. Brother Lippo is apparently caught at midnight at a brothel and sees absolutely nothing wrong with this crime. Specifically from lines 5-6, “And here you catch me at an alley’s end, Where sportive ladies leave their doors ajar?” we as readers are able to …show more content…
He mentions Cosimo of the Medici, a well-respected family in Italy and attempts to use their name to his advantage. “Three streets off--he’s a certain..how d’ye call? Master__a…Cosimo of the Medici,” Despite the fact that brother Lippo doesn’t actually know this family he still throws their name around and challenges to shame the authorities with it. I argue that this tell us as the readers that Brother Lippo is also one of imagination and falsification. Brother Lippo can’t be trusted and all of the words that he speaks seem to all be
The start of Robert Walton and the monster’s final conversation, this paragraph near the end of Mary Shelly’s novel Frankenstein uncovers the untold perspective of Victor Frankenstein’s creation. Revealing to Robert that Frankenstein’s misery was not the only casualty of the novel, Shelly’s utilization of the monster’s pain illustrates mankind’s hatred and abandonment of the artificial being. Moreover, directing spiteful words towards Victor Frankenstein, Felix De Lacey, and even himself, the monster’s narration reflects the being’s unresolved emotions that have emerged because of society’s cruelty. Although science fiction, the narrative of Frankenstein’s monster exemplifies the literary reproduction of England’s monarchy deserting its own
held, and he is clearly very controlling in his relationships. Browning's use of the first person narrative in "My Last Duchess" allows the reader to gain insight into the Duke's character and personality. The use of the servant as a listener also allows the reader to see how the Duke interacts with others and how he wants to be perceived. Overall, Browning's use of the first person narrative in his dramatic monologues is a powerful tool in revealing the thoughts and feelings of his characters.
One poet who was found immense success in the last twenty years in Elizabeth Alexander.An African American woman, Alexander published her first collection of poetry in 1995 and has continued to produce outstanding works since then. Elizabeth Alexander is well known for her poems because of the skillful use of techniques such as diction, enjambment, and asyndeton. In addition, Alexander has garnered attention by adhering to traditional topics such as family, motherhood, and love. Yet, her work does not fit all of the conventional expectations of poetry. Alexander defies expectations by the lack of rhyme or consistent structure in her poems. Nevertheless, I personally find Elizabeth Alexander’s poems of witnessing and stream of consciousness
The pursuit of honour by Claudio and Don Pedro is nothing short of obnoxious. All of their endeavors are public and have a serious effect on someone, and that is no accident. Such an egocentric approach is typical for all extrinsically motivated honour seekers, and the consequences of their actions are par for the course. By having all of their endeavors made public, their apparently honourable deeds will be rewarded, regardless of the true effects. Since Claudio and Don Pedro are so preoccupied with the superficial results of their actions, it is not surprising that dramatic misadventures transpire. When Don John suggests to Don Pedro and Claudio that “...[Hero] has been too long a-talking of, the lady is disloyal” (III,ii,89-90), they are faced with a decision. To trust in Don ...
In the poem “The Double Play”, the author uses metaphors, words, and phrases to suggest turning a double play in baseball is like a dance. Some words throughout the poem could be used to connect the idea of a double play being like dancing. One word that could suggest this is, the word used “poised”, “Its flight to the running poised second baseman” (12). Poised in this sense could mean that the player knows what he is doing and has mastered the double play, while a dancer can be poised meaning light and graceful. Another word in this poem that relate to a double play and dancing is the term “pirouettes”, “Pirouettes / leaping, above the slide, to throw” (13-14). The player is described to be doing a pirouette in the double play while in the
Elizabeth Barrett Browning uses great rhetoric throughout her letter to Napoleon III to convey her position on the matter of the banishment of Victor Hugo. Browning uses many rhetorical strategies in the letter. Some of her strongest points in the argument are her ethos, tropes and schemes, and pathos.
In conclusion, biographical information of two poets, the symbols in three poems, the settings in three poems, and the shared theme have been discussed. “How Do I Love Thee?” by Elizabeth Barrett Browning, “Meeting at Night” by Robert Browning, and “Parting at Morning” by Robert Browning have been thoroughly researched.
“Antonio, have you seen my nephew, your son anywhere?” Leonato asked hurriedly. “He is most likely taking care of the music right now, that is what I saw him doing last. I do however have something to tell you that may or not shock you.” Antonio exclaimed in an excited but quiet voice, making sure no one heard him. Leonato adjusted his body to a more calm pose as his nephew was, in fact, taking care of the music so he had nothing to worry about. “And what is this that you wish to tell me?” He asked in a curious, shrill tone. “Well, how do I put this, a servant of mine was strolling through the orchard and heard Claudio and Don Pedro, the prince of Aragon discussing their love for your daughter, more specifically, the prince’s love, there is apparently a plan for the prince to ask her out during the ball tonight.” a smile spread across Leonato’s face, he obviously could not hide the excitement that overcame him.“Are you sure your servant heard him
Thus, Browning’s use of the dramatic monologue form allows him to both deepen and dramatise the action developing within the poems. It is interesting to note that traditionally high-standing members of society narrate many of Browning’s dramatic monologues. Browning utilises the form to expose the frailties of these characters. He reveals the envy of The Duke in “My Last Duchess”; the lust of the monk in “Soliloquy of the Spanish Cloister”; and an excessive amount of greed and pride in “The Bishop [who] Orders His Tomb at Saint Praxed’s Church”. The Duke’s requirements of his wife seem unreasonable, exposing an aspect of instability within his supposedly impeachable character.
These six poems all vary in tone and messages yet all connect to death. Poem at Thirty-Nine explores the feelings the poet had towards her father 's death and looks back on her relationship with him, leading onto how she thinks he would see her now if still alive. Remember requests a lover to remember the speaker when they die, but not so much that it affects their daily life. Do not go gentle into that good night shows the poet lamenting his father 's decreased health and encouraging him to cling to life. Funeral Blues is once more the poet mourning his partner 's death and wants the world to share his grief. Poem shows the poet weighing up an average man 's life, in the end avoiding making a definitive judgement. Death be not proud takes to death directly, saying he has nothing to be proud of, instead being
Browning uses irony in conjunction with dramatic monologue to produce a sinister and domineering effect. Irony, much like dramatic monologue, can make the reader question the true underlying meaning of the passage. This brief confusion causes an eeriness to be brought about in the work. In "My Last Duchess," verbal irony is demonstrated when the Duke says to his guests, "even had you skill in speech . . . which I have not"(35-36).
men, it was often they had a pretty girl beside them. She would act as
Browning's amazing command of words and their effects makes this poem infinitely more pleasurable to the reader. Through simple, brief imagery, he is able to depict the lovers' passion, the speaker's impatience in reaching his love, and the stealth and secrecy of their meeting. He accomplishes this feat within twelve lines of specific rhyme scheme and beautiful language, never forsaking aesthetic quality for his higher purposes.
“The Divine Image” has five ballad stanzas that, with the use of repetition throughout each stanza and a meter that alternates between iambic tetrameter and iambic trimeter, has a hymn-like quality; making the poem seem very simplistic and natural. He pairs repetitive diction with a flowing syntax to charac...
A Comparison of the Dramatic Monologues of Porphyria's Lover and My Last Duchess by Robert Browning