In Toni Cade Bambara's, "The Lesson", the story seems kind of linear when you start reading it. At first, it is just about a girl named Sylvia and her childish, rebellious nature toward Miss Moore. But you later discover that there is much more to this story than you initially expected. The seemingly insignificant quarrels that Sylvia has with Miss Moore have a deeper meaning to it. The resolution of the conflict between Sylvia and Miss Moore shows the struggle Sylvia has regarding whether she should not learn things because it appears like a weakness to her or to learn and accept what Miss Moore is trying to teach her. The conflict between Sylvia and Miss Moore is because of Sylvia's understanding of the division between the rich and the poor. Sylvia lives in a very poor neighborhood so it is assumed that she and her friend get around by stealing things. This is shown when Sugar asks, "Can we steal?" in a serious tone like she's getting the ground rules squared away before she plays. (Bambara, 458) Another example is when Miss Moore tells Sylvia to calculate ten percent of five dollars to tip the cab driver. Sylvia replies, "And I'm stalling to figure out the tip and Sugar say give him a dime. And I decide he don't need it as bad as I do, so later for him." (Bambara, 458) This shows Sylvia's selfish nature, which stems from the ghetto she grew up in. Miss Moore tries to show Sylvia and her friends the division between their poor society and the neighborhood of the people who are in a higher society. She says, "Imagine for a minute what kind of society it is in which some people can spend on a toy what it would cost to feed a family of sex or seven." (Bambara, 461) Sylvia begins to understand and wonder about the division be... ... middle of paper ... ... truth is related to the semiotic mediation of Black existential modalities. Of primary importance are the construction and representation of an organic Black community and the articulation of Black Nationalist ideology. (Butler-Evans 92) I agree with this because this story is based on poverty that some Black people had to live in. Miss Moore tells the truth to the kids about the dispute between the rich and the poor, which is the main lesson of the day. Works Cited Bambara, Toni, Cade. The Lesson. New York: The Continuum Publishing Corporation, 1972. Butler-Evans,Elliott. Race,Gender,and Desire:Narrative Strategies in the Fiction of Toni Cade Bambara,Toni Morrison,and Alice Walker. Philadelphia:Temple UP,1989. Cartwright, Jerome. “Bambara’s ‘The Lesson.’ The Explicator 47.3 (Spring 1989): 61-64. Literature Resource Center. Web. 27 Nov. 2014.
However, what Toni Cade Bambara actually wanted to tell the readers was the importance of an education and the value of thinking, by showing the contrast of educational background between Miss Moore and Sylvia, and the process that Sylvia gets into the knowledge of the world.
Bambara writes, “So right away I'm tired of this and say so. And would much rather snatch Sugar and go to the Sunset and terrorize the West Indian kids and take their hair ribbons and their money too. And Miss Moore files that remark away for next week's lesson on brotherhood, I can tell” (2). From this, we can see that Sylvia knew what she said was wrong and even why it was so. This also happens to be the passage that Cartwright uses to illustrate that the children require more than one lesson on a hot Harlem day; they deserve a thorough education. Cartwright explains “Rather than simply teaching a single lesson, the story is about the value of lessons themselves, the value of learning and thinking”
Mat Johnsons novel, Pym challenges readers not only to view his work with a new set of eyes but also the work of all American literature with the understanding that the idea of Whiteness still has a very strong power over literature today. It is unfortunate that in today’s society, the pathology of Whiteness still holds a very strong presence in literary world. Literature from American authors versus literature from African American authors still continues to be segregated and handled with two different sets of criteria. Johnson’s novel engages in different aspects of the argument presented in Toni Morrison’s work entitled Playing in the Dark: Whiteness and the Literary Imagination. One of the main ideals that Pym engages in is the thought that “…a figuration of impenetrable whiteness … surfaces in American literature whenever Africanist presence is engaged” (29). Through the character Chris Jaynes, Johnson’s novel focuses much attention on the Whiteness seen in the literary world and how it still affects literature today. Mat Johnson’s Pym addresses Morrison’s argument by challenging the reader to identify the pathology of whiteness as well as encourages readers not to only identify the problem but try to find new ways to combat it.
This negative attitude towards Miss Moore is what starts Sylvia’s character, which shows us how young and naïve she really is. At first glance we could perceive Miss Moore’s character as the protagonist and Sylvia’s character as the antagonist of this story. But really Miss Moore isn’t the center character Sylvia’s character is the center of this story, Miss Moore is just a character that starts conflict with Sylva’s character. Sylvia being the narrator
Developing character is something that comes with time. I believe that there are three major things that effect how people develop their character—where they are from, which includes their financial status; how they are raised; and the character of the people that have had the most influence on their lives. Sylvia, in Toni Cade Bambara’s "The Lesson," is very much influenced by all of these factors. Sylvia’s living in the slums and being poor makes her defensive and judgmental. Her parents not being around much leaves her without the attention and discipline that children need to develop to their fullest. Lastly, her friends and Miss Moore also have a great influence on how Sylvia thinks and acts, and lead Sylvia to be observant but also angry and stubborn. All of these characteristics not only determine Sylvia’s personality, but also are the basis for why I think Sylvia will not apply Miss Moore’s lesson.
This novel also looks at social norms overseeing gender in the southern states around the 1960's. White women in the book are valued by the amount of children they can reproduce for the black women to raise. Even though getting a job is difficult for these black woman, the white women have a hard time seeking out a job as well. But these black women sacrifice their lives to be major workhorses surrendering their own families to work for white employers. Aibileen, Minny, and Skeeter confront the roles put upon them by society and receive fulfillmen...
To start off the first difference that I noticed between the stories was the age that the characters matured and the person who taught them. Sylvia is taught a lesson while she is still very young, when reading the text you can assume that Sylvia is between 10 and 13 years old. Sylvia was taught a lesson as child by an adult. The lesson Miss Moore was trying to teach her was that getting an education is key for them to change their lives and have a better future for themselves. On the other hand, in “Sonny’s Blues” the narrator is an adult, and we can assume he is around the age 30 because he has two kid, a wife, and is a school teacher. Unlike In “The Lesson”, the narrator is taught a lesson as an adult, by someone who is younger than him. The lesson that the narrator is taught is that, all the struggles his brother has gone through he expresses them through his
Kimmich, Allison."Alice Walker, Overview." Feminist Writers (1996). Literature Resource Center. 2003. GaleNet. Nicholls State University Library, Thibodaux, Louisiana.
...siting F.A.O. Schwarz awakens in Sylvia an internal struggle she has never felt, and through criticizing Miss Moore, Sylvia distances herself from realizing her poverty. In her responses to the toys, their prices, and the unseen people who buy them, it is evident that Sylvia is confronting the truth of Miss Moore's lesson. As Sylvia begins to understand social inequality, the realization of her own disadvantage makes her angry. For Sylvia, achieving class consciousness is a painful enlightenment. For her to accept that she is underprivileged is shameful for her, and Sylvia would rather deny it than admit a wound to her pride: "ain't nobody gonna beat me at nuthin" (312).
The narrator Sylvia and the children in her impoverished neighborhood are prisoners in a dark cave, which is the society that encompasses ignorance and puppet-handlers. “The Lesson” begins with Sylvia as she talks condescendingly about her neighborhood of Harlem, New York: “Back in the days when everyone was old and stupid or young and foolish and me and Sugar were the only ones just right, this lady moved on our block with nappy hair and proper speech and no makeup. Quite naturally we laughed at her… And we kinda ha...
Toni Morrison. The Oxford Companion to African American Literature. Eds. William L. Andrews, Frances Smith, and Trudier Harris. New York: Oxford UP, 1997.
A world of class and economic distinction emerged on a class of students from Harlem one day while on a trip with their teacher to FAO Schwartz Toy Store. Miss Moore intentionally targets expensive toys that are unobtainable for the children due to financial reasons; she does this in order to expose the children to what life is like for those who do not live in an oppressed community as them. This method of instruction has an impact so far on the children as they begin to contemplate the prices of extravagant items and the lifestyle of those who can afford these items: “Who are
There are many more examples throughout this movie that can be connected or assessed to the many different concepts that was learned. There are many real-life events and these concepts are important because they allow people to see how different types of people and families deal with stress and problems and it is important not to judge or jump to conclusions and maybe take a step back and take time to consider what others may be going
Lubiano, Wahneema. "Morrison, Toni (1931– )." African American Writers. Ed. Valerie Smith. 2nd ed. Vol. 2. New York: Charles Scribner's Sons, 2001. 581-597. Gale Virtual Reference Library. Web. 24 Oct. 2013.
It is not until Celie is an adult that she finally feels content with her life and understands her capacity to be a completely autonomous woman. The concept of racial and gender equality has expanded greatly throughout the twentieth century, both in society and in literature. These changes influence Walker's writing, allowing her to create a novel that chronicles the development of a discriminated black woman. Her main character, Celie, progresses from oppression to self-sufficiency, thereby symbolizing the racial and gender advancements our country has achieved.