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Essays on comparison of African and Indian music
History of Indian music essay
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Music has always played an essential role in the human society. Garfias (2004) notes that if we study the societies and cultures around the world and look at all the historical societies of the past, it can be deduced with a high degree of certainty that music has always played an important role in human society.
Music has always played an important role in both Indian and African societies. According to Mbaegbu (2015), “African music is part of the essence of the African”, having functions for “social control, social integration, signaling, for dissemination of information, for inspiring, for entertainment, as means of recreation, for encouragement, for solicitation of supernatural assistance, for reparation and thanksgiving” (p. 180). Concerning Indian music, it has a very long, unbroken tradition- the accumulated heritage of centuries. Music in India has very ancient roots and Indian classical music is one of the oldest musical traditions in the world (Agarwal, Karnick, & Raj, 2013).
“Cyclic time is said to be an important foundation of Indian and African music” (Entsua-Mensah (2015, p. 166).
TIME-LINES
Entsua-Mensah (2015, p. 166) observes that “there appears not to be a similar terminology in African music for rhythmic organization” while referring to the ‘Tala’ of
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Dr. S.K. Saxena (2012, p. 2,3) in his book, ‘The winged form’, describes rhythm as being a material that is “doubtlessly distinctive, and autonomous”. He refers to rhythm as being mnemonic syllables that aim at seizing the manner and character of sounds produced by striking instrumental drums in specific ways, meaningless syllables seeking to be formal analogues of actual sounds (Saxena, 2012, p. 4). Saxena (2012, p. 2) points out that rhythm is autonomous due to the fact that in India, solo rhythmic recitals can still be heard in main music
1. Music is a strictly local expression, rich in variety since each culture expresses affective differences through art, 2. Music is a poetic process--complex, vague, and irrational--based upon borrowed traditional musical materials (melodies, rhythms, forms, etc.), 3. Music is for a religious, elitist-class performer who can understand and appreciate its mysterious nature and power, 4. Music is played softly in intimate gatherings, 5. Music making is the activity of Everyman, exacting the talents of variously trained amateurs who, with industry and practice, decorate their recreation and leisure in moments of social intercourse.
Some scholars theorize that the Middle Passage to the Americas was so traumatic that most African influence was eradicated, and that few traces of Africa exist in African-American music. This “cultural tabulala [sic] rasa” theory is rightfully rejected by many scholars (Wilson 3). The inflow of African people to the New World was brought on by the existence of slavery, and resulted in the creation of a sort of extension of the African continent in a different hemisphere. In his article “The Significance of the Relationship Between [sic] Afro-American Music and West African Music,” music scholar Olly Wilson refutes the tabula rasa theory, and provides extensive examples of the ties that continue to exist between the two distant geographical regions. Another prominent scholar who recognizes the integration of African elements in American musics is Henry Louis Gates, Jr. Though his much deeper and more analytical approach to African musics is divergent from Wilson’s, both scholars acknowledge African diaspora musics and examine them in different ways based on different criteria.
Music is an art and a wonderful gift to human race. It soothes, stimulates and makes us feel happy. It affects our moods in many different ways from lullaby to war cry for changes in the society. Music is actually distinct to different people. Above all, it has a transformational importance that is captured in its art and nature. Music draws our emotions and it has an impact of bridging different cultures across the continents. Slave songs were very vital channels through which all kind of information was conveyed both positive and negative.
Morales, Ed. The Latin Beat: The Rhythms and Roots of Latin Music from Bossa Nova to Salsa and Beyond. Cambridge, Massachusetts: Da Capo, 2003. Print.
Pitched sounds are, however, not of the essence: drum motives are so effective rhythmically precisely because they lack pitch definition. By and large, rhythmic motives are used to endow pitch relationships with identifiable durational characteristics.” Because of this, rhythmic identity is used to establish the motive connections between different time intervals. A great example of this is the opening of Beethoven’s Symphony No. 5 in C Minor Opus 67. This part of this masterpiece serves as an effective element of structural cohesion in the overall scale of this large work.
“Who knows only his own generation remains always a child.” This quote from George Norlin echoes the edification that cultural exposure can offer. How does African dance relate to do modern dance? The two are so heterogeneous in their make-up that one would not think of them as having similarities. The truth, however, is that all dance forms are linked in some way or another; they all strengthen and sharpen each other. Modern dance has its roots in African dance with the emphasis placed on the connection of weight and gravity. Brenda Dixon Gottschild names five aesthetics that are present in African dance. A particular piece that draws attention to the relation of the five aesthetics to modern dance is “Split Sides”, choreographed by Merce Cunningham.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
Classical music is known as light and smooth, also it is heavily emphasized on homophonic melodies, meaning that there is a single melody that every instrument plays. Thus, the significant turning point of classical music in humanity’s social and cultural development is that this type of music first heard became very popular in the 18th century. Classical music created energy, rhythm, and harmonic symphony and from these people advanced more and more and made these elements much better. This turning point not just improved classical music, but other music that evolved from classical music. Also, Classical music is known as one of the first music ever in the nation. When people listen to classical music they can identify the soft rhythm and how peaceful it sounds. According to the article Music Genres as Historical Artifacts, “Classical music in general is an important part of the cultural capital that gains access to scarce economic, educational and occupational resources” (Vlegels). It can be shown that just a certain type of music can give so many elements defining music and educational resources as well; which make it a significant turning point in the cultural or social development. People love music that soothes their heart and mind, and that could get their mind off of all the negativity around
Angeles, Los. (2009). African arts. Volume 28. Published by African Studies Center, University of California.
Music played a very important role in the lives of people is diaspora communities. It served as a reminder for the immigrants of their homeland, which allowed them to proudly express their national and cultural identities. Diaspora refers to an international network of communities linked together by the identification of a common ancestral homeland and culture. People in these communities are no longer living in their homelands, with no guarantee of a return either. (Bakan, 19). Music played a large role in African diaspora communities. This was first started by the slave trades many years ago when slave traders traveled to the coast of West Africa to capture Africans and brought them back to the United States to be slaves on plantations. Slaves were more prone to loose a sense of their own culture because every new aspect of their lives was forced upon them, therefore they were undoubtedly forced to abandon their n...
When presented in its truest form, music has the power to affect human emotion. Hindusthani classical music is rooted in this belief. Some believe that music is an interesting part of natural philosophy that explains the causes and properties of sound. Music is believed to be present in every living and non-living thing. It is manifest through the art of raga. Raga or melody is, above all, an aesthetically pleasing sound. To create it, a musician must follow several guidelines and adhere to a strict framework vis-à-vis form. A musician must also have as his or her aim, to incite a particular emotion in the listener’s mind. In interpreting a raga, a singer must understand these emotions and try to bring them out using the voice. He or she must also practice singing the unique note combinations for many hours. The system is complex, and it takes much practice and deliberation to successfully render a raga – sometimes many years. Once both musician and singer follow the rules laid down in the earlier texts, a raga can be truly beautiful and as Indian classical musicians believe, capable of attaining pleasure and salvation.
Music is found in every know culture, past and present. It is also, already being composed for the future. It is widely varied between all times and places. Since scientists believe that the modern humans arrived in the African culture more than 160,000 years ago, around 50,000 years ago, it is believed that the dispersal of music has been being developed between all cultures in the world. Even the most isolated tribal groups are thought to have had a form of music.
During the course of this semester, the several musical styles that have been discussed and analyzed have displayed various similarities and differences. These differences in certain musical elements have accounted for the distinctiveness and uniqueness of each style of music. The culture behind these countries’ music adds even more to their individualism. Cultural aspects such as religion play a huge role in the music of each country as well. Styles of music in Africa might be more upbeat than certain styles in India, for example. Some cultures use music in religion, while others may not. Aspects such as dance are important factors in all three types of music. Despite the differences and similarities, however, without music, these cultures would perhaps not be as fascinating and unique as they are now.
Music is an essential part of life because of the expression it allows people to have, its entertainment, and its therapeutic ways for the world.
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.