Rhetorical Analysis Of 'Gravity'

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Rhetorical Analysis of “Gravity”
So You Think You Can Dance has brought many of the most controversial subjects and statements to the forefront, through dance, which would have never been addressed on such a public platform otherwise. The show has shed light on many of the taboo subjects in our culture, such as biracial dating, mental illness, and drug addiction. For twelve seasons, each and every season becomes more progressive as America does. It is a televised dance competition series, and many of its stunning performances, including “Gravity” from season 5, can be found on YouTube. This piece about addiction hits the spotlight in the summer of 2009, and it receives all around rave reviews from the judges. The So You Think You Can Dance performance of “Gravity” choreographed by Mia Michaels and performed by Kupono Aweau and Kayla …show more content…

Her artistic choices range from her music choice, and costume designs and makeup, all contributing to her goal for each character. Michaels uses the song “Gravity” by Sara Bareilles to enhance her choreography’s purpose. It’s a slow and smooth song with lots of swells in the volume and tempo. This song choice is ideal for her portrayal of addiction because of the unexpected soft and comforting sound the song has. An addict will often feel less tense and comforted even after using a drug, just as the music is comforting. Both are unexpected. Also enhancing the performance is the strong and emotional lyrics: “Something always brings me back to you, it never takes too long” (Bareilles). These, along with others, are appropriate to describe the relationship an addict has with his or her addiction. It is impossible for Radomski to get away from Aweau. She wants to be “set free” and out of Aweau’s “gravity”, but the unavoidable attraction is too hard for her to leave as she is always forcefully pulled back

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