The Man With No Name Rhetorical Techniques

1416 Words3 Pages

Christina Nguyen
Jared McCoy (39B)
Rhetorical Analysis
February 20, 2014
Rhetorical Analysis
“What is your name?” William Blake asks.
“My name is Nobody… He who talks loud, saying nothing”
Why do authors or directors decide to give no names or self-refuting names for characters in their films or books? Nobody refers to be called “Nobody” however he is certainly not nobody. As a matter of fact, he is a savior and a guide to a helplessly injured white man. In the film “A Fistful of Dollars,” Clint Eastwood’s character is introduced as “The Man with No Name” and is often being called “Stranger” throughout the film. Perhaps, the viewers do not question his name because Stranger appears as a complete stranger, the townspeople are surprised and …show more content…

Regeneration and violence are common features of the myth of the west, even on the cover of novel, Michael Herr states that Blood Meridian is “a classic American novel of regeneration through violence.” Blood Meridian goes far beyond into the dark depths of humanity and is unquestionably the goriest novel. In this novel, McCarthy manages to capture the history of violence and bloody conflicts between us, the Mexicans and the American Indians. The book is full of violent imagery of murdered and scalped victims. At first, it seems like a runaway kid labeled “the kid” is the protagonist in the book, but as the book progresses, McCarthy builds Judge Holden into a deeply layered man—a man, knowledgeable and intelligent-- a murderer, vicious and manipulative. The judge is a very special and an interesting character that is not frequently appeared in the west. From his appearance to his actions, the judge is the epitome of the darkest, most mysterious and complex character of all in the West. McCarthy smartly reserves to give a short, accurate summary of Judge Holden in the last chapter of the …show more content…

In addition, the fact that almost all the characters in this novel are uneducated and are accustomed to simple language makes the judge appear brighter and more knowledgeable. In one passage, the judge manipulates the other riders by replying a simple question with a long, “scholarly” comment “It is not necessary, he said, that the principals here be in possession of the facts concerning their case, for their acts will ultimately accommodate history with or without their understanding. But it is consistent with notions of right principle that these facts—to the extent that they can be readily made to do so—should find a repository in the witness of some third party” (85). Through cunning manipulation, the judge is able to escape from giving a legit explanation and is capable of confusing the other riders. The Judge’s cleverness is a perfect tool to convert those around him, changing the way they see, think, and feel. Similar to the Judge, Clint Eastwood’s character who is also known as Stranger in A Fistful of Dollars utilizes his intelligence to outsmart the families Baxters and Rojos who compete in hoping of becoming wealthy. Knowing there is an opportunity to obtain some money, Stranger smartly strategizes his plan by picking a fight with the Baxters. Then, he negotiates

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