Requiem For A Dream Essay

This research paper focuses on describing a significant analysis of the cinematic techniques used by Darren Aronofsky, the director of the film Requiem for a Dream (2000), to ensure adequate conveyance of message to the prospect audience. The paper centers on five primary cinematic techniques: mise-en-scene, cinematography, narrative, editing, as well as sound and music. The film Requiem for a Dream (2000) amounted to the director’s second property film – after Pi, which came out in 1998 – and also his rank as an auteur commenced to advance from that incidence. The film encompasses significant anecdotes pertaining to Aronofsky engaging in a skipping task with Marlon Wayans along the Coney Island’s boardwalk or even purchasing ice cream in the

Pictures amount to the significant features of a movie. Aronofsky modifies mise-en-scene in Requiem for a Dream quite practically. Every aspect of the lighting up of the set, and also the camera shots establish an immense feeling for the audience. Viewers accompany the main characters, Harry Goldfarb, Sarah Goldfarb, Tyrone C. Love, and Marion Silver via their intensive drug addictions as well as their dreams’ demise. A significantly stressful feeling emerges via Aronofsky’s choice of oddly and dark colored lighting. Additionally, Sarah Goldfarb (an overweight, aged woman) lives alone and bears addiction of watching infomercials and also TV game-shows. Several scenes, which feature Sarah, face lighting by the flashing TV screen (fluorescent kitchen lights), and the sporadic lighting accruing to the sunny outdoors (Selby 28). Scenes centering on Harry, Tyrone, and Marion are typically lit by streetlights, green, blue, and red lights. Much of the film’s scenery was free from manipulation. Additionally, the scenery whose establishment targeted at the movie was rather low-key and did not distract from the content. Universally, the mise-en-scene dominant in Requiem for a dream is significantly compelling and exceeds the execution of the task of fomenting feelings pertaining to its

However, the film also contradicts the theory since it entails several narrative devices – accelerated or parallel montages, flashbacks, daydreams, and hallucinations. Nonetheless, the film bears a distasteful and unconventional termination where a distinct equilibrium is attained yet this analogy disappoints the audience’s expectation of an optimistic resolution. Moreover, the film’s setting is utilized as a metaphor pertaining to the utilization of drugs in the film’s course (Selby 12). There are several frequent bombardment montages running all over the film to show how the characters eventually become slaves especially to their addictions and dreams. The ultimate montage is relatively reminiscent since the characters are all bearing something inhabiting their mouth. This analogy is further symbolic of the characters’ inner emotions. Additionally, the parallel montage is practical as it denotes the content’s climax of commotion as the cadence