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Imagination in Coleridge's poetry
Critique rime of the ancient mariner
Nature in literature
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Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” details the story of a cursed mariner, framed in a conversation with a man on his way to a wedding. Rising from Coleridge’s own experience, he ties in various themes exposing the reader to death, consequences of actions, and an interest in the unknown. Coleridge shows his audience the consequences of actions by creating a clear connection between the physical and spiritual world, hoping to show people the importance of preserving and respecting the God given world.
Twice before the Mariner begins his narrative, Coleridge introduces the idea of a connection between the physical and spiritual world. Before he even begins the main frame narrative, he opens his story with a section written
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As the Mariner looks down at the sea snakes, he unknowingly blesses them by admiring “their beauty and […] happiness” (306). By blessing these creatures, the Mariner spiritually reaches out into something unseen and much bigger than himself, allowing his heart that was “dry as dust” to have life once again, “A spring of love gusht from my heart, / And I blessed them unaware!” (306). At this moment, the Albatross that was tied around his neck, symbolizing his curse of spiritual death, breaks free and falls into the sea. The spiritual effects of his blessing are immediately obvious for he states, “The self same moment I could pray;” (306). Furthermore, the blessing of these creatures sets into affect various things that continue to change the Mariner’s fortune. For several days, he had gone with neither rest nor water. Once he blesses the snakes, he was finally “sent […] gentle sleep from Heaven” and the previously empty buckets on deck were filled by rain, allowing him to drink. This could be further interpreted that after several days of spiritual death, the Mariner finally receives the spiritual rest he needs as well as the life bringing water that a spiritual connection brings any man. Out of nowhere spirits flood the ship, reanimating the dead bodies of his crew. Though his men do not truly come back to life, this shows that his blessing even brought life to …show more content…
Coleridge manages to communicate to his audience that decisions do not just affect the person making them, and the affects are not bound to the realm in which they are made. It affects their spirit, their friends, their families, and anything else interacting in their environment. Even in the end, it is clear that the Mariner is not fully relieved of all curses; instead he must roam the world telling his story. In life, it is just as obvious that one may never see the full effect of any given decision. In a spiritual sense, man is always called to something bigger than himself. And in submitting to God’s plan, people step into a story that is so timeless that no decision seems like it would matter, but so personal, that every action will have eternal effects. Since this is true, it is vital that each decision is made with an eternal mindset, knowing that at any moment, there is an impact on an eternal
4).Lastly, the two spirits that came to him and spared his life to return southward were supernatural. The ancient Mariner said, "I heard, and in my soul discerned/ Two voices in the air" (lines 97-98). The Mariner described two spirits as mist and snow having a discussion about the ancient Mariner and what he had done to the Albatross.
The importance of religion during the Romantic period was massive. The people of this time period often turned to religion when faced with unexplainable events. In an academic journal reviewing Coleridge’s poem, Christopher Stokes says, “(The poem) Focuses on the irrational moral order presented in the poem and its foundation in the Christian doctrine of original sin” (Stokes 1). Coleridge’s work is essentially a large prayer by having the Mariner learn through experience within his journey. At the beginning of part III the Mariner could not speak because he was so thirsty. The inability to speak comes from the punishment the Mariner received for his actions or in the Christian view, sins. In addition to speaking the Mariner also was cursed with the loss of ability to pray. The Mariner had to deal with the lack of water in the poem. The Mariner was forced to find a way out of the drought when he said, “With throats unslaked, with black lips baked,/ We could nor laugh nor wail;/ Through utter drought all dumb we stood!/ I bit my arm, I sucked the blood,/ And cried, A sail! a sail!” (Co...
The audience is then informed that suddenly, because ‘The glorious Sun uprist’ the shipmates’ form the conclusion that it was indeed ‘the bird // That (had) brought the fog and mist’. Like the marginal notes state, by siding with the Mariner, these sailors have ‘(made) themselves accomplices in the crime’. This fickle nature of these shipmate’s could be seen as a sly attempt made by Coleridge to be satirical, challenging authority by bringing to light the fact that everybody is always looking for somebody to blame for the misfortune of the world, however we cannot know who really is to
To them it seemed that within this albatross God sent wind to let the ship start moving. Another reason might be is that it also brought fog and rain when it appeared. Also, some of the Christian morals or lens in the poem is that in the end the mariner teaches the lesson within him sins that he has committed. For example, he says that he enjoys praying, and instructs an appreciation and respect for God, God’s creatures, and all of nature. Further, his killing of the Albatross, a great sin and crime, can be seen as an allegorical representation of the Christian stories. Some examples of these representations
A close reading of The Rime of the Ancient Mariner will reveal that the Ancient Mariner-who is at once himself, Coleridge and all humanity-having sinned, both incurs punishment and seeks redemption; or, in other words, becomes anxiously aware of his relation to the God of Law (as symbolized by the Sun), and in his sub-consciousness earnestly entreats the forgiveness of the God of Love (represented by the Moon-symbol).
Samuel Taylor Coleridge's poem "The Rime of the Ancient Mariner," written in 1797, has been widely discussed throughout literary history. Although critics have come up with many different interpretations of this poem, one idea that has remained prevalent throughout these discussions is the apparent religious symbolism present throughout this poem. "The Ancient Mariner" contains natural, gothic, and biblical symbolism; however, the religious and natural symbolism, which coincide with one another, play the most important roles in this poem (Piper 43). It is apocalyptic and natural symbolism that dominates the core of this poem (43).
The catalyst for the emergence of Christian symbolism occurs when the mariner commits a sin by murdering one of God’s creatures. By killing the albatross, he inevitably brings about a series of trials amongst himself and those aboard the ship. Though the significance of this sin is first unseen by the mariner, supernatural forces quickly condemn his actions as a severe crime against nature. With no real reason, the mariner kills the albatross and soon realizes the magnitude of his actions. Viewed beyond simply a good luck charm, “At length did cross an Albatross, Through the fog it came; As if it had been a Christian soul, We hailed it in God’s name” (ll. 63-6). The idea of the Albatross representing Jesus Christ is a direct parallel in the Christian religion. The death of the Albatross is reminiscent of the death of Jesus in that both died as a result of another’s sin and betrayal of God’s word. Similar accounts of betrayal are portrayed ...
“The man hath penance done, And penance more will do” (Coleridge). This quote is stated from Coleridge 's poem, exhibits the guilt of the Mariner after slaying the albatross. The Mariner 's own sense of guiltiness is enhanced through the aftermath he faces in the physical world, as a result of the powers of the metaphysical world. That is, the powers of the spirits in the poem, allow for severe contrasts in the physical world, which in relation to the Mariner 's sense of guilt, are reflective of his own unsettled mind. “...more horrible than that...I saw that curse, And yet I could not die” (Coleridge). “She sent the gentle sleep from Heaven, That slid into my soul” (Coleridge). The Mariner feels responsible for his crew 's suffering (along with himself) as the penalty for killing the innocent Albatross. The Mariner is punished by being forced to watch his crew be released and knowing he must suffer further (he must suffer alone): "The souls did from their bodies fly, They fled to bliss or woe! And every soul, it passed me by, Like the whizz of my cross-bow” (Coleridge). This starts with the Mariner 's deprivation of natural elements through the deprivation of food and water. "Water, water, every where, Nor any drop to drink" (Coleridge). The Mariner and his ship crew are made to bear the heat of the sun when the ship comes to a halt, the breeze stops and intensifies the sun 's heat. "Down dropt the breeze, the sails dropt down..." "All in a hot and copper sky, The bloody sun at noon" (Coleridge). The Ancient Mariner also is punished mentally by the spiritual world. The Ancient Mariner 's physical and mental punishment continues and he becomes the living dead. The Mariner is forced to feel the ceaseless pain and has the constant urge to tell others (who he knows must hear his story)
The first way and probably the most drastic in which the spirits punished the Mariner were through the actions of Mother Nature. As soon as the bird was killed the wind that propelled the ship became still. It wasn’t long before the Mariner realized the consequences of his actions, “for all averred, I had killed the bird that made the breeze to blow.”, then suddenly “down dropped the breeze, the sails dropped down, Twas sad as sad could be; and we did speak only to break the silence of the sea!” (35). Since the Albatross was a gift from t...
It is impossible to believe that Coleridge was not thinking of the mysterious wind that blows on the Mariner, without any awareness of the wind as a Biblical symbol of the Holy Spirit. Coleridge could also not associate the murder of the albatross with the crucifixion of Jesus Christ. The reader is told that the Polar Spirit "loved the bird that loved the man who shot him with his bow." It is doubtful that someone with Coleridge's Christian background and faith could fail to see here an analogy with God who loved his son, who loved the men that killed him. Another example of symbolism is the fact that the albatross is hung around the Mariner's neck like a crucifix.
Have you ever heard a story from an older person and your mind was blown with what you have just heard? Well in The Rime of the Ancient Mariner by Samuel Coleridge an old mariner told a boy a story that blew the boys mind. Have you ever seen dead people come back to life? Well in The Rime of the Ancient Mariner people came back to help the old mariner after he realized something. In The Rime of the Ancient Mariner by Samuel Coleridge there is three messages that Samuel Coleridge wants people to realize.
Coleridge contributes his Christian beliefs within allusions of Jesus Christ being represented by the albatross. Likewise, he paints the repercussions that came to the Mariner after he killed one of God’s creations. Withal, Coleridge includes the most drastic of consequence that came from killing the albatross, the Mariner’s unknown knowledge of his own death. Additionally, Coleridge includes the despairing sight of the Mariner’s crew’s souls leaving to paradise without him. The sin of killing the albatross was the sin that ruined the Mariner’s life, causing him an eternity of guilt carried forever in his lost
These religious aspects include the connections to the Book of Revelation, connections to Christ, and also important religious events like the blessing of the water snakes. “Beyond the shadow of the ship I watched their rich attire: Blue, glossy green, and velvet black, They coiled and swam; and every track Was a flash of golden fire” (Coleridge 13). One very interesting feature about blessing the water snakes is that Coleridge chose snakes to bless over any other creature. In the Bible, the serpent is a symbol of the Devil, and throughout history, the snake has been an evil creature. Looking back at the blessing, the Mariner seems to not even think about blessing the snakes. This is very similar to how he killed the Albatross, quick and thoughtless. The act and forgiveness both being thoughtless brings the story back to its chief lesson, the unconditional love of God for all of his creation. It does not matter what the reasoning is behind someone’s asking for forgiveness. All that matters to God is that if a sin is committed, the person that committed the sin asks for
However, in the two works by Coleridge, the imagination takes on different roles in each world. In the Ancient Mariner, the imagination is the substance that holds all life together, much like how the millio...
Christianity preaches that life is a trial by which we either pass and go to heaven, or fail and go to purgatory. Also, the human body is a victim of the human thought and action, which is represented by the soul. Therefore, in relation to the ballad, we can refer to the ship as the human body and the Mariner who steers the ship and leads it to destruction as the human soul. This ship led by the Mariner goes through a trial of storm and winds, but fails because of the Mariner. In Christianity, when a person is over with the trial (dies), his body rots away, " for dust you are and to dust you will return," (Genesis 3:16 19), and the soul remains alive, either tortured, or pleased. The ship sinks. However, the Mariner becomes a captive of Life-in-Death (purgatory) and remains perpetually cursed for the mistake he has done.