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Essay on art in society
Essay on art in society
Essay on art in society
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CHAPTER 3
Personally I find that Kentridges work cements the past which he narrates in the present, I think the artists work is socially engaging because…
It is the act of forgetfulness which Kentridge finds distressing, how such events like (???) can escape from ones memory and the process of forgiveness too is merely ignored. To Kentrige this is makes little to no sense and is therefore a means to him for creating work based upon personal and collective history, as opposed to singularly narrating his own personal history which few South Africans can relate to as he found himself in an unusual position as a white man aware of the atrocities which took place.
By studying Kentridges work, it is now clear that the act of remembering is an important one in order to mover forward, and ensure history does not repeat itself. To accept and acknowledge the past, to make an account of it, to honour it. One could analyse Kentridges works and assume that the artist is stuck in the past and refuses to accept the future, perhaps for fear that nothing will change, that if he does not dedicate his life to the cause that it will be swept away and forgotten like so many challenging times
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In the sense that the artist is dealing with a subject matter loaded with emotion and passion, it would appear futile to analyse his work in a calculated manner. Whilst viewing ‘9 Drawings for projection’ you become invested in the protagonists, empathising with them in scenes and relating to the traumas which they are dealing with. It would be inaccurate to say that a set of rules should be applied to the manner in which we interpret the narrative content of this artists body of work. The emotional reaction which occurs when viewing Kentirdges work is something which can’t be achieved through historical reading of the subject. for it is artworks which
The title of this piece, “Remembered Morning,” establishes what the speaker describes in the stanzas that follow as memory; this fact implies many themes that accompany works concerning the past: nostalgia, regret, and romanticism, for instance. The title, therefore, provides a lens through which to view the speaker’s observations.
Must one forget before one can forgive? Forgiveness involves not holding a sin against a person any longer, but forgiveness is a decision of the will. Since we cannot selectively remove events from our memory, it is impossible to truly forget sins that have been committed against us. Simon Wiesenthal, a Holocaust survivor, in his book The Sunflower, writes of an experience that occurred when he was a prisoner in a concentration camp during the Holocaust. He recounts a day when he was taken from work and lead to the bedside of a dying man. The dying man Karl, a member of the SS, confessed to Simon about his dreadful act for he sought absolution from a Jew. As Karl begs for Wiesenthal to forgive him, Wiesenthal remained silent and walked away. Wiesenthal’s purpose is to argue whether the inhumane acts of the SS should be forgiven. Because
...rt-breaking result of racism in the United States and the subject has made its way into the African American literary tradition. Slave narratives such as Douglass’ Narratives and Negro spirituals such as “I feel like my time ain’t long” and “Many Thousands Gone” have made African American literature true to the history that has been recorded. A present day controversial subject in our society is why can’t people, especially African Americans, forget about slavery and the adversity against African Americans? It is believed that African Americans have progressed and made advancement since that time; however, with writers like Elizabeth Alexander, the past just can’t go away forgotten; especially a past that was as gruesome as that of African Americans. Every single bloody lash, death and groaning happened and as she said we have to “say it plain” that it happened.
Many of these artists' works contain subtle hints to the author's opinion on the subject. By analyzing their central compositional effects, the viewer can obtain a greater appreciation and understanding for the art.
... the Durer landscapes seen in Giulio Campagnola’s Saturn. Campbell’s analysis of poesia is a strong illustration of the examination of works in the field of Art History. Art historians obviously study the physical marks and meanings of a piece of work, but also need to critically analyze the influences and historical context of the time period to get a stronger understanding of the artist and his intentions. As a good art historian, Campbell has taken apart the elements of different images and tied in extrinsic factors, like contemporary events and works, to create a bigger picture.
Spending time looking at art is a way of trying to get into an artists’ mind and understand what he is trying to tell you through his work. The feeling is rewarding in two distinctive ways; one notices the differences in the style of painting and the common features that dominate the art world. When comparing the two paintings, The Kneeling Woman by Fernand Leger and Two Women on a Wharf by Willem de Kooning, one can see the similarities and differences in the subjects of the paintings, the use of colors, and the layout
Over the decades, art has been used as a weapon against the callousness of various social constructs - it has been used to challenge authority, to counter ideologies, to get a message across and to make a difference. In the same way, classical poetry and literature written by minds belonging to a different time, a different place and a different community have somehow found a way to transcend the boundaries set by time and space and have been carried through the ages to somehow seep into contemporary times and shape our society in ways we cannot fathom.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
History and memory are depicted through human attitudes and behaviours. The way that History is shaped and represented impacts on our response to events of the past and memory is vital to this equation in order to fully understand history and appreciate the past. The representation of History and memory in Mark Baker's 'The Fiftieth Gate' (TFG) justifys Yossl, Genia and Baker's attitudes and behaviours. We are made aware of this through character, literary techniques and the structural frame in bakers journey through memory and David Olere's painting 'The Massacre Of The Innocents'
is a classic and may be considered his best work. There are times when the
In the poem, Harjo portrays the importance of recalling the past to help shape one’s identity. She uses the repetition of the word “Remember” to remind that while the past may be history, it still is a defining factor in people’s lives (l. 1). This literary technique
/6m÷illions of their very race, but also with the prisoner workers who were-and have been-relentlessly tormented by (the guilt of their actions) (their guilt). This (novel, story, event, etc..) will not soon be forgotten.
Critical thinking is a very important aspect to understanding art. As David Perkins put it in “The Intelligent Eye”, we must avoid “experimental thinking”, a rash, quick way of thinking based on observations and use “reflective intelligence”, a way of thinking in which a viewer takes their time and dissects details and nuances to fully understand a work of art. A majority of viewers will look at a piece of art and come to a quick analysis of it, without much thought. But, according to Perkins, “The more attentive the observation is, the better the opportunity is for deeper learning” (Perkins 14). As Banksy said in Exit Through the Gift Shop, “the reaction to the work of art is the most important thing about it.” Without a reaction or an opinion, the work of art has no meaning. Therefore, in order to trul...
... over time – and the viewer’s personal experience, essentially her history. This gets very near to a common sense perspective – what we look at, and what we think about what we see has much to do with who we are and what we have experienced in life. Thus, art may be described as an interaction between the viewer, influenced by her experiences, with the work of art, inclusive of its history and the stories built up around it over time. When we look at art, we must acknowledge that the image is temporally stretched – there is more to it than meets the eye at present. What we learn from Didi-Huberman’s approach is to give this temporal ‘tension’ its due. Didi-Huberman describes and defends the importance of of how we look at artistic works: images that represent something determinate, while always remaining open to the presentation of something new and different.
The vibrant colors and geometric shapes catch my eye in each of his pieces. Each and every one, because they are so packed with shapes and colors could arise a great amount of interpretations from person to person. Although, with research, the interpretations are more focused and guided. Before research I believed that “Red Oval” was a type of landscape picture in a scrapbook, and after research I still believe that is what the painting is about but it now has meaning. Knowing more about his life, gives the painting meaning and gives the painting emotion which then translates onto the viewer. I believe this emotional attachment is what lures viewers to his beautiful