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Representations of indigenous people in film
History of indian cinema essay
History of indian cinema essay
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Recommended: Representations of indigenous people in film
"Reel Injun" by Neil Diamond The portrayal of North American Natives through a century of cinema had evolved further from their real image. It was said that, the cinema was started to film the Indians. They were characterized as “spiritual, noble, and free”. In the Silent Era, they were given a chance to act and direct movies. They're the stars of the shows. It depicts family, unity, brotherhood and only brutal when necessary. But then, as time goes by, their portrayal changed. The Indians were branded as savages. "Stagecoach" was the movie that started it all, it made them look vicious and bad. Then, colonialism started. They were reduced from groups of natives, with different identities and cultures, to just Indians. They were now viewed
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
The film, “In the White Man’s Image” and Sally Jenkins’ narrative, “The Real All Americans” both discussed the controversial issues and historical significance of nineteenth century social policies dealing with cultural integration of Native Americans, yet while “In the White Man’s Image” covered the broad consequences of such policies, it was Jenkins’ narrow focus on the daily lives of students involved that was able to fully convey the complexities of this devastating social policy. Jenkins’ recreated the experiences of students at the Carlisle Indian Industrial School, bringing the reader along with her as students were stripped of culture, language, and family to be remade into a crude imitation of white society. “...Now, after having had my hair cut, a new thought came into my head. I felt I was no more Indian…” (Jenkins, pg 75). Richard Henry Pratt, the creator of the Carlisle Indian Industrial School that became the inspiration and model for many similar institutions across the nation, intended to save a people from complete destruction, yet the unforeseen consequences of his ...
The Man Who Shot Liberty Valance (1962) and The Wild Bunch (1962) are both critically acclaimed western films, regarded as some of the best in their genre. They are both different however in their portrayal of the western myth and the characters therein. This essay will compare and contrast these movies focusing on firstly their depiction of the national identity and mythology of the old west. Secondly, it will look at the differences of the portrayal of different character types, with specific reference to minority groups and women. Finally this essay will look at the two films comments on the development of America and American democracy in the civilising mission of the old west.
In 1939 John Ford masterminded a classical western film by the name of Stagecoach. This film has the integrity of a fine work of art. Being that it could be considered a work of art, the impression left on a viewing audience could differ relying on the audience's demographics. However, it is conceivable to all audiences that Ford delivers a cast of characters that are built on stereotypes and perceptions conjured from 'B' westerns that preceded this film's time. Each character is introduced to the audience in a stereotypical genre, as the film progresses, these stereotypes are broken down and the characters become more humanized. This is apparent with a handful of characters being portrayed better than others. One can investigate each individual character to correlate such a pattern. The characters are, in no particular order: Curly, Hatfield, Gatewood, Peacock, the stagecoach driver, Dallas, Lady Mallory, and of course Ringo.
This is because many considered the winning of the West a glorious achievement and a major step forward for American society. Early movies and television shows in the 1940s/50s tended to demonize the Native Americans in order to justify the events of Westward expansionism. However, in recent decades most historians have rejected this perspective and stripped the historical event of its romance, instead going on to unearth the casualties and environmental costs of American expansion, particularly in the case of the Native Americans. For example, historian Stephen Aron focuses on the stripping the American West of its myths on issues such as the people involved and the environment in ‘The American West: A Very Short Introduction’. There were several reasons behind the Indians failure to resist American expansion, most significantly their poor economic standing, weak politics, minor socialisation and declining
Who has seen Pocahontas or The Lone Ranger by Disney? They are very interesting movies with fun plots to follow, but do they portray Native Americans accurately or do they follow the stereotypes about Native Americans? Disney tries not to follow the stereotypes about the Natives, but looking closely at the two movies, Pocahontas and The Lone Ranger, there are multiple stereotypes. These movies teach children the stereotypes of Native Americans and they grow up thinking that the stereotype is the truth about Natives. By having media follow the stereotype about Native Americans it teaches society the wrong things about Natives, like all Natives are aggressive or redskin. This is not always true. Media, like Disney, teach society stereotypes about
La Jetée takes place in a post-world wasteland, set in a dystopian future, which follows the story of an unnamed hero who is sent back in time in search of a solution to replace the world’s decreasing stocks of food, medicine, and energy. La Jetée in its entirety, can be defined as a philosophical fiction which tackles themes of time, memory, and perception. Considered being more of a photo novel than a film, La Jetée is comprised almost entirely of still images. These black and white images are infused with transitions as well as an active soundtrack, and a narrator telling the story of what the images mean.
...views of these people and what they are expected to be, is taken away as the viewer realizes that the life of the natives is very common and understandable. This film almost goes to prove that often the reason that a certain group is tagged by prejudice views, is because little is known about where they are coming from, how they live or what they are experiencing in life. The film Dances With Wolves does a good job of proving that often our stereotypical views of others are inaccurate, and that the Native Americans of the west were not all that different from the whites that also inhabited the plains.
The entire movie is littered with anxiety. The movie makes you anxious as to what may happen next. This primary example is the scene where Skeeter ask Aibileen to tell her personal stories for the book Skeeter is writing. This rose a very serious anxiety in both women. Skeeter also found other maids to also share their personal stories. This scenario caused extreme anxiety because in that day and time if you were to publish or talk about what the maids have to endure, you could be prosecuted or maybe even killed.
The movie starts by showing the Indians as “bad” when Johnson finds a note of another mountain man who has “savagely” been killed by the Indians. This view changes as the movie points out tribes instead of Indians as just one group. Some of the tribes are shown dangerous and not to be messed with while others are friendly, still each tribe treats Johnson as “outsider.” Indians are not portrayed as greater than “...
In Thomas King’s novel, The Inconvenient Indian, the story of North America’s history is discussed from his original viewpoint and perspective. In his first chapter, “Forgetting Columbus,” he voices his opinion about how he feel towards the way white people have told America’s history and portraying it as an adventurous tale of triumph, strength and freedom. King hunts down the evidence needed to reveal more facts on the controversial relationship between the whites and natives and how it has affected the culture of Americans. Mainly untangling the confusion between the idea of Native Americans being savages and whites constantly reigning in glory. He exposes the truth about how Native Americans were treated and how their actual stories were
The Film Reel Injun introduced the world showing films that’s current and numerous clips of classics. This shows the action of distorting which means misleading the impression of Native people from the silent film era of today. Over time, Hollywood shaped the whole image of Native American people. Some people that were highly performed educated on films had personal interviews. This is what made Reel Injun unique. We witnessed Native and Non-Native Americans perspectives. The filmmaker a Cree, Neil Diamond revealed a great way of showing the portrayal of Native Americans in such a way that it distorted the US history and affected the Native Americans. He grew up in an isolated
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
Johnson, G. (n.d.). Retrieved from http://www.imagesjournal.com/issue06/infocus/western.htm Nichols, B. (2010). Engaging Cinema: An Introduction to Film Studies. (1st ed.). New York,
One of the many commonalities that James Fenimore Cooper’s The Pioneers have with the 1962 film How the West Was Won is its emphasis on the frontier settlement. While both are descriptive of the frontier settlement, the plot of How the West Was Won is focused more on the settlers’ lifestyles than The Pioneers. An example of this is the fourth segment of the film titled The Railroad, whose overall theme focuses on the effects the westward expansion has on the environment. In this case, the Arapaho Indians oppose the presence of new settlers via the railroad because of their desire to hunt the buffalo herd. This theme becomes apparent in the mise en scene of the aftermath of the Arapahos’ retaliation attack on the nearby town. The main shot has