CARNATION slovenian: NAGELJ [nág|elj] is widely cultivated in Slovenia and red carnation in particular is considered the national flower. The formal name for carnation,dianthus, comes from Greek for "heavenly flower"
Red carnation is often embroidered as part of national costume. National folk song clearly states symbol od red carnation: love and blood as a symbol of life so it was often given to young women from men. Carnation together with heart is esential element of Slovenian national decor. You can find it on bonnet, farmhouse stoves, and embroidered on traditional tablecloths.
Straditional Slovene house windows were often decorated with poted carnations, so these hanging flowers became symbolic, still often seen on Slovenian windows.
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Discovery Channel reported about first documented proteus eggs. Few months after that „baby dragons“ were born, causing international media boom.
LJUBLJANA DRAGON
Slovenian: LJUBLJANSKI ZMAJ [ljubljánsk|i zmáj]
The Ljubljana dragon may have its origins in the legend of Jason and the Argonauts. Greek hero Jason and his Argonaut comrades stole a golden fleece. On getaway they found themselves at the River Danube instead of going to their homeland Greece. They went on, up the Danube, Sava and stop at the source of the Ljubljanica and overwintered here. In spring took the boat Argo apart and carried it on their shoulders to the Adriatic coast. On their way near Ljubljana, the Argonauts came across a large marsh lake where lived a terrible dragon. Jason killed it after a heroic struggle.
But there are other stories about Ljubljana dragon. According to frescoes and statues St.George is often seen standing or riding while killing the dragon with a spear. It represents the ancient ancestral beliefs that the new religion – Christianity – defeated. Alternatively, in Slavic mythology the dragon represents the god Veles, opponent of the thunder god Perun. In the Slavic religion, Perun was worshipped on a hill; Veles lower down, under the hill.
CARNIOLA
Often times, an inanimate object can be as important and sometimes more important than the characters of the story. In Louise Erdrich's "The Red Convertible," the car played an equally important role with that of the characters, but for different reasons.
The Revised Children’s Manifest Anxiety Scale (RCMAS-2) is a revision of the Children’s Manifest Anxiety Scale (CMAS) created by Cecil Reynolds and Bert Richmond in 1985 (Reynolds & Richmond, 2008). The RCMAS-2 includes an updated standardization sample, improved psychometrics, and broadened content (Reynolds & Richmond, 2008). Although these revisions occurred, the brevity, elementary reading level, and content-based item clusters were retained, offering an updated and effective tool for understanding and treating anxiety in school-aged children (Reynolds & Richmond, 2008).
To begin, the flowers represent the racism and prejudice that lies within the tight community of Maycomb, Alabama. One instance of the flowers being used as symbolism is when Camellias
Lehner, Ernst, and Johanna Lehner. Folklore and Symbolism of Flowers, Plants and Trees. New York: Tudor. 1960
To what lengths would you go for a loved one? Would you destroy something in hopes that it would save them? That 's what Lyman Lamartine did in hopes to fix his PTSD afflicted brother. "The Red Convertible" was written by Louise Erdrich in 1974 and published in 2009 along with several other short stories. Lyman, and Henry, are brothers. The story starts by telling us about how the two brothers acquired a red convertible. Henry ends up being drafted into the Vietnam War, and comes back home suffering from PTSD. One day the pair decided to take a drive to the Red River because Henry wanted to see the high water. Ultimately, the story ends with a cliff-hanger, and we are left wondering what happens to the boys. The symbolic nature of the red convertible will play a key role in this literary analysis, along with underling themes of PTSD and war.
Symbols are one of those most important things to a story. They share the meaning of themselves, as well as the meaning for something else. Symbols usually make the important ideas stick out as well as make the reader have different ideas of what is actually being said. One of the many symbols in “Paul’s Case” is flower’s. From violets to carnations, the flowers Paul talks about are ones of many meanings. The flowers represent a continual motif, expressing Paul’s character.
Cold Potato: that when the potato is cooled to 2-5 degrees the production of oxygen will be slowed as the catalase in the potato will become less active due to the molecules getting less kinetic temperature from the heat.
In the early 16th century the Netherlands experienced what was called “tulip mania” this was the beginning of the nations love for flora and foliage (Taylor 13). The result of this impressive flower invasion was a society that took a historical turn from which the results still remain today. Flower merchants, botanists and floral still life artists, were occupations that were an accurate reflection of the Netherlands demands (Brown). An interesting example of a life that was effected by, and devoted to the archiving of the flower craze was Rachel Ruysch (1664-1750) the 17th century Dutch flower painter. Rachel Ruyschs’ career straddled the 17th and 18th century, and her stunningly accurate floral pieces reflect the maturing, yet evolving art of floral still life painting (“Rachel Ruysch: Bibliography”). Ruyschs’ Still Life with Flowers on a Marble Tabletop (1716) is an excellent example of a painting that appropriately represents the genre of art that was created solely through specific societal events.
Dragons are very popular mythical beings because they are capable of flying, swimming, and walking on land. This makes a Dragons attack much easier because he can exploit the weaknesses of his victims by using earth’s natural elements earth, air, fire, and water. Dragons have sharp teeth and a tongue shaped like an arrow. These creatures can breathe fire, but some cultures believed they spit ice or another venomous substance. All a dragons power is in its long, scaly tail.
The American Renaissance introduced an individualistic approach to viewing society and human nature that focused on equality and the inherent goodness of all mankind. The period ushered in the beginning of widespread movements toward race and gender equality. Out of Sentimental Romanticism came several very successful female writers who used emotional appeals to relate the plights of women to readers. The Transcendentalists who held a philosophical understanding of equality based on human nature rather than characteristics of individuals, asserted that all people are equal by nature, yet didn’t particularly concern themselves with inequality of women. In thought, the Dark Romantics shared the same belief in equality as the other groups of Romantics.
It is in gaining a sense of our identity that we find a place to belong. This is presented in Episode 4, Stand Up, of the television series Redfern Now, directed by Rachael Perkins.
The dragon is one of the four divine beasts from Japanese mythology (the other three being the kirin, phoenix, and turtle). It is frequently the emblem of heroes and emperors.
All dramatic productions feature the elements of drama. Following a viewing of the scene ‘Someone’s crying’ from the 1993 movie ‘The Secret Garden’ three of the elements of drama have been assessed. Role, character and relationships have been utilised in ‘The Secret Garden’ to create anxiety and suspense, enticing the viewer to solve the mysteries the Secret Garden presents. The protagonist in the scene is a young girl, around the age of ten who during the night leaves her room to explore her residence. The protagonist narrates the scene; she begins by stating that the ‘house seems dead like under a spell’. This makes the viewer anxious and fearful for the safety of our young protagonist. The protagonist is brave. She pushes open a door and
Women have battled for centuries to be equivalent to men. In “The Color Purple," Alice Walker illustrates the theme of women’s heartache, racist acts, and complications of a day to day woman. The Color Purple took place during a demeaning era to not only African American women but African Americans in general were treated inhumane. African American women submitted themselves to controlling men due to the belief of that’s how it should be. During this time, women were used for manual and sexual labor. They were referred as one’s property, hardly spoken of or treated like human-beings. Women faced lack of self-love and identity therefore the definition of love was clouded.
“Dragons. Four fully grown, enormous, vicious-looking dragons were rearing on their hind legs inside an enclosure fenced with thick planks of wood, roaring and snorting- torrents of fire were shooting into the dark sky from their open, fanged mouths, fifty feet above the ground on their outstretched necks.” (p286)