The use of recurring symbols in the unsettling text, One Flew Over the Cuckoo’s Nest (1962) and the influential film, V for Vendetta (2005) serves to reinforce an array of different concepts including; ideas are bulletproof and the idea of escaping danger. Symbols are (also) used as constant reminders of two imposing ideas in the two texts. The symbols used to represent the concept that ideas are bulletproof are the two protagonists in each text, V (Hugo Weaving) and McMurphy. In order to constantly remind the audience of a certain idea, James McTeigue uses the letter V in V for Vendetta and Ken Kesey uses the fog which constantly surrounds Bromden in One Flew Over the Cuckoo’s Nest. Finally, aspects of nature are used throughout both texts in order to symbolize the idea of emancipation from over-arching threats.
Mc Teigue and Kesey use the characters V and McMurphy as recurring symbols to convey the concept that ideas are bulletproof. The character V is both physically and mentally strong, “Behind this mask there is more than just flesh. Beneath this mask there is an idea... and ideas are bulletproof.”, the symbolic potential of V is made unquestionably aware to the audience, V is explicitly shown as the vessel of the idea. Similarly, Kesey uses McMurphy’s character as a symbol of the same concept, “that crummy sideshow fake lying there on the Gurney” Bromden is referring to McMurphy’s body, Scanlon calls it “fake” therefore denying the fact that McMurphy has passed. This shows that even though McMurphy is not physically present, his legacy still lives on in the patients’ minds. The idea which he represented of breaking free from the conforms of the corrupt authority at the hospital is stronger than him. Therefore, reinforcing...
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...cipation in a similar fashion to Bromden. Kesey parallels this fear with the symbol of the “black rock”, as during the exposition of the text the hospital is described by Bromden as “black machinery, humming hate and death and other hospital secrets”. In both texts nature symbols are used to represent a liberation from the main threats. These being, the Norsefire political party in V for Vendetta and Nurse Ratched’s abuse in One Flew Over the Cuckoo’s Nest.
Within their texts, McTeigue and Kesey use recurring symbols to show the three different concepts of; the strength of an idea surpassing it’s physical embodiment and becoming a detached entity that can survive on its own, a constant reminder representing inflicting ideas between the texts and the pivotal moment at which the central characters in each text are able to transcend the dominant and omnipresent perils.
The marginalised groups in both texts, the ‘mentally ill’ as well as the genetically inferior are constantly seen trying to gain control of power. For example, in Cuckoo’s Nest, McMurphy, the novel’s protagonist, is seen to have the primary goal of trying to change the power dynamics at the mental ward in favour of the patients. McMurphy is often seen pushing the boundaries of the ward rules in order to show that Nurse Ratched’s power is nothing more than an illusion. Kessey showed this through the motif of glass. Glass is commonly referred to in the novel, and Is symbolic of the divide between those with, and those without power. When McMurphy smashed through the nurse’s window to get a pack of cigarettes, it was representative of McMurphy breaking through the invisible divide and shattering the illusion of power the Nurse held over the ward. Similarly, in Gattaca, a shift in the power dynamic can be seen when Vincent fakes his identity to progress from the underclass of society to become one of the elites. These shifts in power are representative of the struggle and hardship that marginalised groups in society have had to overcome. This is also seen through the symbolic nature of the scene when Eugene drags himself up the staircase in Gattaca. The staircase itself is in the shape of a double helix, the shape of DNA. This climb symbolises him overcoming the limitations society has placed on him due to his
Kesey through changing the structure of power in a society showed the similarity between the oppressed and the oppressor. This was a demonstration of the corruption of power, and a push back to the era. It symbolized an era of radical thinking of changing the power structure, but he advocated making all equal. In addition it exemplified the communist views of the era and the oppressive regime of those with absolute control. One Flew over the Cuckoo’s Nest advocates the quest for equality in a time where disparity in power was great.
Every novel embodies symbols that impute different elements of the plot and characters, though some symbols are right at the surface while others must be dug up from the core. The author of How To Read Literature Like a Professor, Thomas C. Foster, discusses symbols in his novel and states “They are what provide texture and depth to a work; without them, the literary world would be a little flat” (243). A symbol that is prevalent in The Shipping News, written by Annie Proulx, is the knot, as visually displayed all throughout the novel. The Shipping News discusses social and emotional change, along with growth, which all can be symbolized by the knot. While knots habitually symbolize conjointment, the implications of knots in this book symbolize strengths and weaknesses, past and present, as well as emotional and social change.
Power and control are the central ideas of Ken Kesey’s One Flew over the Cuckoo’s Nest. There are examples of physical, authoritative and mechanical power in the novel, as well as cases of self-control, and control over others. Nurse Ratched is the ultimate example of authoritative power and control over others but R.P. McMurphy refuses to acknowledge the Nurse’s power, and encourages others to challenge the status quo. The other patients begin powerless, but with McMurphy’s help, learn to control their own lives. Many symbols are also used to represent power and control in the book, such as the ‘Combine’, ‘fog’, and the imagery of machines.
Ken Kesey incorporates figurative language into his novel, One Flew Over The Cuckoo’s Nest, to illustrate the struggle to overcome the comfort of inaction, that ultimately results in the great benefit of standing up for one’s self. When McMurphy decides to stand up to Nurse Ratched, there is “no fog” (130). Kesey’s metaphor of the fog represents the haze of inaction that hovers over the patients of the ward. With the oppressive Nurse Ratched in charge, the patients are not able to stand up for themselves and are forced to be “sly” to avoid her vicious punishments (166). When the patients avoid confrontation with the Nurse, they are guaranteed safety by hiding in the fog, complaisant with their standing. The fog obscures the patient’s view of the ward and the farther they slip into it, the farther away they drift from reality.
The use of theme in One Flew Over the Cuckoo’s Nest by Ken Kesey brings upon the ideas of misogyny, sexual repression and freedom, and salvation from an omnipotent oppressor, through the story of Chief Bromden, who lives in an insanity ward. Even from the beginning pages of the novel, the reader is introduced to such characters as Nurse Ratched, or the “Big Nurse,” who is said to be the dictator of the ward and acts upon the ward with the utmost control. Another branch of the theme of oppressors and salvation that relates to Nurse Ratched, as well as Randle McMurphy, is the idea that they are both representatives of figures based in Catholicism. Sexual repression and freedom is seen with the ultimate punishment in the ward, a lobotomy, being stated as equivalent to castration. Both of the operations are seen as emasculating, removing the men’s personal freedom, individuality, and sexual expression, and reducing them to a child-like state. All of these different pieces of the theme relates to a powerful institution that, because of the advances of the time, such as technology and civil rights for women, is causing men to be common workers without distinctive thoughts that must fit the everyday working mold of the 1950s.
There are more clues and subtle hints that reinforce these statements, most correlating to her mental illness and self-perception. The statements made through the use of said symbolism turns this story into an interesting viewpoint of a psychological breakdown.
In the novel Lord of the Flies William Golding uses many forms of symbolism to point out the underlying conflicts in their society. By using these symbols he makes the reader not only think about the problems that arise in the book, but also hints towards problems in our society today. The story uses the conch, fire, and the glasses to reference other meanings in the story. These symbols play a crucial part in the story in which they provide the reader with information that isn’t directly stated but is inferred.
Symbolism is strongly represented through Kaplan’s short story. The symbols represented are the ocean, the killing of the doe and the woods. Visiting the ocean for the first time at the Jersey Shore was new for Andy. Since then she had been awfully frightened of the ocean. She believes the ocean to be a huge, vast that constantly moved, keeps shifting
One Flew Over the Cuckoo’s Nest written by Ken Kesey in 1962. This novel is based on the experience Ken Kesey had during his time working in a mental institution as an orderly. Ken Kesey’s novel is a powerful critique of early 1960’s American society. The three main techniques that Kesey uses to create the Tragic form. In this novel Kesey has used the three main technique to create an inevitable conflict and outcomes that is similar to tragedy. The three main literary techniques that Ken Kesey uses are narrative structure, foreshadowing and symbolism. In this essay I will explore how Kesey uses these three techniques to form the Tragic form and shows how McMurphy gets lobotomized in the end but still wins the war against the Big Nurse.
This is showing the aftermath of how McMurphy's actions affect others as well as that McMurphy's desires are outweighed by the desires of those around him.Realization was made by McMurphy he noticed that the patients looked at him for guidance, they expected McMurphy to put up a fight to keep them from unfair circumstances.
In the first half of the novel, Kesey uses a wonderful device to show oppression that makes the reader feel as if they themselves are going insane. Bromden describes it best. “She’s got the fog machine switched on…and the more I think about how nothing can be helped, the faster the fog rolls in,” (Kesey 101). This fog is not literally there, but instead appears when Kesey wants to create an atmosphere that is disparaging. This dark tone is also emphasized through Bromden’s nightmares. In one of the dreams, the hospital turns into a hot industrial factory where the noise of cold, hard, unyielding machinery is almost deafening, (78-82). During the dream, one of the old Chronics, Blastic, is Hung on a hook and sent away into the machines. The strange thing is that he actually does die. Bromden’s dream is actually a metaphor for the quick disposal of those who do not survive the nurse’s treatment. It is as if she does not want any evidence that her patients are not recovering. So, the effect the reader is left with is one representative of how unceremoniously a death is dealt with in the hospital.
There were no heroes on the psychiatric ward until McMurphy's arrival. McMurphy gave the patients courage to stand against a truncated concept of masculinity, such as Nurse Ratched. For example, Harding states, "No ones ever dared to come out and say it before, but there is not a man among us that does not think it. That doesn't feel just as you do about her, and the whole business feels it somewhere down deep in his sacred little soul." McMurphy did not only understand his friends/patients, but understood the enemy who portrayed evil, spite, and hatred. McMurphy is the only one who can stand against the Big Nurse's oppressive supreme power. Chief explains this by stating, "To beat her you don't have to whip her two out of three or three out of five, but every time you meet. As soon as you let down your guard, as sson as you loose once, she's won for good. And eventually we all got to lose. Nobody can help that." McMuprhy's struggle for hte patient's free will is a disruption to Nurse Ratched's social order. Though she holds down her guard she yet is incapable of controlling what McMurphy is incontrollable of , such as his friends well being, to the order of Nurse Ratched and the Combine.
While reading short stories, two stood out: Ernest Hemingway’s Hills Like White Elephants and Raymond Carver’s Cathedral. The themes in both stories are powerful and convey strong messages that really pose existential thoughts. Not only is each story’s theme attention grabbing, but so is the common and reoccurring use of symbolism throughout the stories. They did not just use the Element of Fiction symbolism, but even used one common symbol. Ernest Hemingway’s story Hills Like White Elephants and Raymond Carver’s story Cathedral each contain existential and similar themes such as talking versus communicating and looking versus seeing, as well as demonstrating creative and comparable symbolism throughout.
The first theory used to analyze this magazine is the semiotic theory, developed by C.S. Peirce. This theory is used to find the meaning of signs and claims it is all in the meaning of the signs used. “A sign refers to something other than itself – the object, and is understood by somebody.