Recitatif is an example of postmodernism because both the reader and writer create meaning in the story. Morrison deliberately keeps things vague - she does not say which girl is black and which girl is white, or her clues are vague at best - “A black girl and a white girl meeting...and having nothing to say.” (Morrison 8). The story is also choppy and fragmented - it only focuses on the points in time where Twyla and Roberta interact with each other, and does not talk about any events other than those interactions. In addition, while Morrison does create some meaning in her writing - “But you were right. We didn’t kick her...But, well, I wanted to...It was just that I wanted to do it so bad that day-wanting to is doing it.” (Morrison 14),
In “Recitatif,” by Toni Morrison, racial divides are implemented throughout the story due to circumstance and place. The setting or other characters involved in the story or the actions they take often closely relate to how the two girls feel towards one another. Throughout their lives, Twyla and Roberta vary on whether or not they should be friends with one another due to racial divides, although it is not ever explicitly stated.
In the novel Beloved, Toni Morrison focuses on the concept of loss and renewal in Paul D’s experience in Alfred Georgia. Paul D goes through a painful transition into the reality of slavery. In Sweet Home, Master Garner treated him like a real man. However, while in captivity in Georgia he was no longer a man, but a slave. Toni Morrison makes Paul D experience many losses such as, losing his pride and humanity. However, she does not let him suffer for long. She renews him with his survival. Morrison suggest that one goes through obstacles to get through them, not to bring them down. Morrison uses the elements of irony, symbolism, and imagery to deal with the concept of loss and renewal.
Toward the end of Beloved, Toni Morrison must have Sethe explain herself to Paul D, knowing it could ruin their relationship and cause her to be left alone again. With the sentence, “Sethe knew that the circle she was making around the room, him, the subject, would remain one,” Morrison catches the reader in a downward spiral as the items around which Sethe makes her circles become smaller in technical size, but larger in significance. The circle traps the reader as it has caught Sethe, and even though there are mental and literal circles present, they all form together into one, pulling the reader into the pain and fear Sethe feels in the moment. Sethe is literally circling the room, which causes her to circle Paul D as well, but the weight
With all the different types of literature we have in our world we also have a similar amount of interpretations of those pieces of literature. Each interpretation is as valid as another. Literature not only allows the writer to create a wonderful world and a story, it allows the reader to fully embrace the story and find meaning out of it. There are also many different types of literary criticisms. These criticisms are vehicles or guidelines for us to use to understand the reading in a very specific matter and really pinpoint the issues and overall theme of the story. This brings us to the Toni Morrison short story “Recitatif”. This short story encourages an African American or ethic criticism style of understanding it. The driving
The difference of color is seen through the eyes, but the formulation of racial judgement and discrimination is developed in the subconscious mind. Toni Morrison’s short story “Recitatif (1983)” explores the racial difference and challenges that both Twyla and Roberta experience. Morrison’s novels such as “Beloved”, “The Bluest Eye”, and her short story “Recitatif” are all centered around the issues and hardships of racism. The first time that Twyla and Roberta met Twyla makes a racial remake or stereotype about the texture and smell of Roberta’s hair. Although they both were in the orphanage because of similar situations, Twyla instantly finds a racial difference. The racial differences between Twyla and Roberta affects their friendship, personal views of each other, and relationship with their husbands.
The Civil Rights Movement marked a crucial moment in United States history. African Americans fought for their right to be treated equally and to put an end to discrimination and segregation. Toni Morrison’s short story “Recitatif” features two girls of the opposite race and how their friendship was affected during this time period. The United States has come a long way since the days of slavery, but African Americans’ rights were still not being fully recognized. As a result of this the Civil Rights Movement developed to peacefully protest for equality. Toni Morrison’s short story, “Recitatif”, takes place during the Civil Rights era of the United States to show the reader how stereotyping, discrimination, and segregation affected two girls,
In 1983, Toni Morrison published the only short story she would ever create. The controversial story conveys an important idea of what race is and if it really matter in the scheme of life. This story takes place during the time period of the Civil Rights Movement. The idea of civil rights was encouraged by the government but not enforced by the states, leaving many black Americans suffering every day. In Morrison’s short story Recitatif, Morrison manipulates the story’s diction to describe the two women’s races interchangeably resulting in the confusion of the reader. Because Morrison never establishes the “black character” or the “white character”, the reader is left guessing the race of the two main characters throughout the whole story. Morrison also uses the character’s actions and dialogue during the friend’s meetings to prove the theme of equality between races.
Toni Morrison makes a good point when, in her acceptance speech upon receiving the Nobel Prize in Literature, she says, “Narrative . . . is . . . one of the principal ways in which we absorb knowledge” (7). The words we use and the way in which we use them is how we, as humans, communicate to each other our thoughts, feelings, and actions and therefore our knowledge of the world and its peoples. Knowledge is power. In this way, our language, too, is powerful.
The stakes are very clear. The narrator is trying his best to live a traditional, stable life. Although white America may consider him to be an “outsider,” the narrator still strives to be upwardly mobile, to create a stable family environment even within the slums of Harlem. Sonny, however, has no interest in such things. If the narrator is an outsider to “traditional” America, then Sonny is the outsider of the outsiders: jazz music, in combination with his heroin use, makes him an outcast within the black community of his time. Nonetheless, Sonny stands by his choices. He sticks with jazz music and leaves Harlem, leaves the projects; and he does not return until he has cycled through heroin addiction and become clean again.
In the story, “Recitatif,” Toni Morrison uses vague signs and traits to create Roberta and Twyla’s racial identity to show how the characters relationship is shaped by their racial difference. Morrison wants the reader’s to face their racial preconceptions and stereotypical assumptions. Racial identity in “Recitatif,” is most clear through the author’s use of traits that are linked to vague stereotypes, views on racial tension, intelligence, or ones physical appearance. Toni Morrison provides specific social and historical descriptions of the two girls to make readers question the way that stereotypes affect our understanding of a character. The uncertainties about racial identity of the characters causes the reader to become pre-occupied with assigning a race to a specific character based merely upon the associations and stereotypes that the reader creates based on the clues given by Morrison throughout the story. Morrison accomplishes this through the relationship between Twyla and Roberta, the role of Maggie, and questioning race and racial stereotypes of the characters. Throughout the story, Roberta and Twyla meet throughout five distinct moments that shapes their friendship by racial differences.
In the 500 word passage reprinted below, from the fictional novel Beloved, Toni Morrison explains the pent-up anger and aggression of a man who is forced to keep a steady stance when in the presence of his white masters. She uses simple language to convey her message, yet it is forcefully projected. The tone is plaintively matter-of-fact; there is no dodging the issue or obscure allusions. Because of this, her work has an intensity unparalleled by more complex writing.
So often, the old adage, "History always repeats itself," rings true due to a failure to truly confront the past, especially when the memory of a period of time sparks profoundly negative emotions ranging from anguish to anger. However, danger lies in failing to recognize history or in the inability to reconcile the mistakes of the past. In her novel, Beloved, Toni Morrison explores the relationship between the past, present and future. Because the horrors of slavery cause so much pain for slaves who endured physical abuse as well as psychological and emotional hardships, former slaves may try to block out the pain, failing to reconcile with their past. However, when Sethe, one of the novel's central characters fails to confront her personal history she still appears plagued by guilt and pain, thus demonstrating its unavoidability. Only when she begins to make steps toward recovery, facing the horrors of her past and reconciling them does she attain any piece of mind. Morrison divides her novel into three parts in order to track and distinguish the three stages of Sethe approach with dealing with her personal history. Through the character development of Sethe, Morrison suggests that in order to live in the present and enjoy the future, it is essential to reconcile the traumas of the past.
To survive, one must depend on the acceptance and integration of what is past and what is present. In her novel Beloved, Toni Morrison carefully constructs events that parallel the way the human mind functions; this serves as a means by which the reader can understand the activity of memory. "Rememory" enables Sethe, the novel's protagonist, to reconstruct her past realities. The vividness that Sethe brings to every moment through recurring images characterizes her understanding of herself. Through rememory, Morrison is able to carry Sethe on a journey from being a woman who identifies herself only with motherhood, to a woman who begins to identify herself as a human being. Morrison glorifies the potential of language, and her faith in the power and construction of words instills trust in her readers that Sethe has claimed ownership of her freed self. The structure of Morrison's novel, which is arranged in trimesters, carries the reader on a mother's journey beginning with the recognition of a haunting "new" presence, then gradually coming to terms with one's fears and reservations, and finally giving birth to a new identity while reclaiming one's own.
In the 1950s, authors tended to follow common themes, these themes were summed up in an art called postmodernism. Postmodernism took place after the Cold War, themes changed drastically, and boundaries were broken down. Postmodern authors defined themselves by “avoiding traditional closure of themes or situations” (Postmodernism). Postmodernism tends to play with the mind, and give a new meaning to things, “Postmodern art often makes it a point of demonstrating in an obvious way the instability of meaning (Clayton)”. What makes postmodernism most unique is its unpredictable nature and “think o...
Postmodernism attempts to call into question or challenge the notion of a single absolute unified master narrative without simply replacing it with another. It is a paradoxical, recursive, and problematic method of critique.