Realism in Eudora Welty's A Worn Path
Eudora Welty's "A Worn Path" is a story that emphasizes the natural symbolism of the
surroundings. The main character in the story, Phoenix Jackson, is an old black woman who
seeks out to find medicine for her sick nephew. This story contains a motif, which is the
continuous walking of Phoenix Jackson throughout her journey. She lives in the pinewoods
and faces the challenging experience of walking through the snowy, frozen earth to get to
the hospital in the city of Natchez. Phoenix Jackson is a very caring person, and is in
love with life. Although she is very old, it seems that she has many years ahead of her.
Eudora Welty brings realism into the story describing the realities of being old.
It is Christmas, and Phoenix Jackson has to head out to the city to obtain the medicine
for her nephew. A long time ago, her nephew swallowed lye that burned his throat, and the
medicine is the only thing that relieves his pain. The woods are filled with pine trees
that cast dark shadows throughout the terrain. The darkness that surrounds Phoenix is the
total opposite of her. She is a poor woman, but is very neat and tidy. She appreciates
the small things in life and respects what she has. Although she is old, she has
extremely dark hair, wears a red bandana, and has much "life" within her:
Her skin had a pattern all its own of numberless branching wrinkles and as though a whole
little tree stood in the middle of her forehead, but a golden color ran underneath, and the two knobs of her cheeks were illumined by a yellow burning under
the bark. (87)
It is almost as if she is a part of nature herself, when Eudora Welty describes her as
having a tree within her forehead. ...
... middle of paper ...
...ling to travel through the rugged pinewoods to
get the medicine that cures his illness. All of the things included in the forest
represent natural symbolism that is directly related to the realism of Phoenix Jackson.
The windmill is a perfect representation of the circle of life, and Phoenix has many more
years to live. When Phoenix dies, her spirit of the Phoenix bird will live on in her
nephew who most likely will live a long, happy life.
Works Cited
Hicks, Granville. "Eudora Welty." Critical Essays on Eudora Welty. Ed. W. Craig Turner and Lee Emling Harding. Boston: G.K. Hall & Co., 1989. 259-67.
Howard, Zelma Turner. The Rhetoric of Eudora Welty's Short Stories. Jackson, Miss.: University and College Press of Mississippi, 1973.
Welty, Eudora. "A Worn Path." The Collected Stories of Eudora Welty. New York: Harcourt Brace Jovanovich, 1980. 142-49.
Noelle M. “Symbolism in Eudora Welty’s ‘A Worn Path’” Study mode N.P., Oct 2012. Web. 17 Mar 2014.
In "A Worn Path", a short story by Eudora Welty, the main character, an old colored woman named Phoenix, slowly but surely makes her way down a "worn path" through the woods. Throughout her journey, she runs into many obstacles such as a thorny bush and a hunter. She overcomes these obstacles and continues with her travels. She finally reaches her destination, the doctor’s office, where she gets medicine for her sick grandson back home. Many critics have speculated that this short story represents the love a grandmother shows for her grandson. Others say this story represents life and death, where Phoenix represents an immortal figure. Dennis J. Sykes disagrees with the other critics by saying, "A parallel exists between the journey described and the plight of the Southern blacks after the Civil War" (Sykes). Ultimately, Eudora Welty demonstrates how blacks have been persecuted in a white world.
“A Worn Path” is a short story written by Eudora Welty. It is based on an elderly African-American grandmother named Phoenix Jackson, who goes for a walk to the town of Natchez on a cold December morning to get some medicine for her ailing grandson. This story speaks of the obstacles Phoenix endured along the way and how she overcame them. The theme, central idea or message that the author wishes to convey to his or her readers, in “A Worn Path” is one of determination. Phoenix Jackson is determined to get to Natchez, in order to get medicine for her grandson; she does not let any obstacles get in her way. The theme of determination is shown in many ways throughout this short story.
In the story A Worn Path, Eudora Welty shows an old woman living in a time period where racial prejudice is rampant and out of control. Phoenix Jackson is a grandmother whose only motivation for living is to nurture her grandson back to health. The strength of love may make people do or say unusual and implausible things. The central idea of this story is that love can empower someone to over come many life-threatening obstacles. The idea is shown when an old woman conquers all odds against her to show her everlasting love for her grandson. Throughout the story Phoenix Jackson has to overcome many types of obstacles that hinder her in her devotion to help her grandson.
Fairy tales portray wonderful, elaborate, and colorful worlds as well as chilling, frightening, dark worlds in which ugly beasts are transformed into princes and evil persons are turned to stones and good persons back to flesh (Guroian). Fairytales have long been a part of our world and have taken several forms ranging from simple bedtime stories to intricate plays, musicals, and movies. However, these seemingly simple stories are about much more than pixie dust and poisoned apples. One could compare fairytales to the new Chef Boyardee; Chef Boyardee hides vegetables in its ravioli while fairytales hide society’s morals and many life lessons in these outwardly simple children stories. Because of this fairytales have long been instruments used to instruct children on the morals of their culture. They use stories to teach children that the rude and cruel do not succeed in life in the long run. They teach children that they should strive to be kind, caring, and giving like the longsuffering protagonists of the fairytale stories. Also, they teach that good does ultimately defeat evil. Fairy tales are not just simple bedtime stories; they have long been introducing cultural moral values into young children.
Fairy tales are one of the longest lasting forms of literature. Though now they bring to mind classic movies engendered by Disney, many of these stories were first passed on in an oral manner, meant to convey a message, moral, or lesson. Alison Lurie’s “What Fairy Tales Tell Us” covers a broad range of classic tales, discussing how under the guise of an entertaining story comes life lessons we would all do well to follow. To begin this paper, some of the tales Lurie examines in her article will be looked at and critically examined beyond what she discusses. This will then move the text towards its remaining sections, which will take Lurie’s ideas and have them applied to folk and fairy tales that have not yet been contemplated; for the purpose
Welty, Eudora. “A Worn Path.” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 4th Compact Ed. Upper Saddle River: Prentice Hall, 2008, pp. 95-100.
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
This article explains how culture in media taking fairytales as vital of which many see it as of no importance or irrelevant. Many debate that fairytales are real fantasy pure sense; others view them as a helpful branch of life. Critically they approach them knowing the effect of the whole idea on children’s social life.
In conclusion, the extent to which a specific fairy tale meets Zipes’ definition varies dependent upon its adaptability and acceptance by society. Some fairy tales are harder to manipulate and their plot is insufficient to reflect society’s values so not all fairy tales are institutionalised. Thus, the manipulation of Little Red Riding Hood throughout its history and its adaptability to a myriad of usage passes Zipes’ definition of ‘institutionalisation’.
'A Worn Path' is the tale of the unstoppable love and care of a grandmother for her grandchild. Phoenix Jackson is Eudora Welty's main character and protagonist in A Worn Path.? Phoenix is an old, frail woman who attempts to proceed on a long and treacherous journey through the woods to Natchez. Phoenix strives forward despite frequent obstacles in her way that include her own failing health and her grandchild's slim chance of survival. As she takes this prolonged trek across the woods, many of her characteristics are revealed. Her tenacity, senility, and consideration that she displays throughout her long worn path emphasize her character.
For centuries, fairytales have been used for instruction; to teach children what is expected of them as they age and what terrors behold them if they do not comply with the guidelines laid out for them by their culture/society. Many of the tales were purposely frightful in order to scare children away from strangers, dark corners, and traveling off the beaten path into the dark thicket. Charles Perrault first began writing fairy tales in the late 17th century to educate his children. The morals of those tales often center on what is expected of young women; that they should remain ‘pure’ and ‘docile’. He wrote the tales in a time period when fairytales or ‘jack’ tales were looked at as instructional lessons. They were also widely told around the fire, as entertainment, for adults. Angela Carter adapted Perrault’s classic tales in the 1970’s; changing the victim...
“The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest.”(Walter Benjamin). For generations fairy tales have brought happiness to hundreds of people. Through childhood to adults, people still enjoy the mysteries of fairytales. In society, fairytales are a great way of connecting
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