Ray Carver's collection "Where I'm Calling From"
After reading more than a dozen of Ray Carver’s short stories from his collection Where I'm Calling From, I have to ask the question, "Where was Carver calling from?" On the surface, his stories seem very simple. They are about people with average jobs such as hotel managers, waitresses, salesmen, and secretaries, who live unsophisticated, mediocre lives. Below the surface, however, there is always more to be discovered if the reader is willing to put forth a little bit of effort. Carver obviously put a lot of thought into his stories. The least that we, as readers, can do is scratch the surface a little, or better yet, dig deep into his words to see what he is really trying to say to us. This is a task that is easier said than done.
One story that does not seem quite as difficult as some others to interpret is "They’re Not Your Husband." Carver actually tells us quite a bit about Earl and Doreen if, once again, we are willing to look for the hidden clues. Earl is a salesman who is currently unemployed. He is looking for work, and he does find a sales job, but not a paying one. When he overhears two of his wife’s customers commenting on her "fat ass" (Magee), and saying, "Some jokers like their quim fat" (Carver 45), Earl realizes who his next sales pitch will be aimed at. Not wanting to be considered a joker, he decides to "sell" Doreen on the idea of losing weight (Magee).
Using his sales tactics, Earl cautiously presents his "product" to Doreen. At first she is surprised because he has never brought up her weight before, but Earl is able to convince her that she should go on a diet without upsetting her. "‘All right,’ she said. I’ll try. For a few days I’ll give it a try. You’ve convinced me"’ (Carver 47). After hearing this, Earl replies, "I’m a closer" (Carver 47). Earl feels that he has successfully closed the deal but if we keep digging, we see something more. John Magee, in his article on "They’re Not Your Husband" for The Explicator, says, "Drop the c from 'closer’and 'loser’ emerges, which is what Earl is" (2). Earl is a loser because he thinks that the way his wife looks says something about him. He hopes that if he can successfully help Doreen begin to look better, he may start to feel better about himself.
Baldwin gives a vivid sketch of the depressing conditions he grew up on in Fifth Avenue, Uptown by using strong descriptive words. He makes use of such word choices in his beginning sentences when he reflects back to his house which is now replaced by housing projects and “one of those stunted city trees is snarling where our [his] doorway used to be” (Baldwin...
"John William Waterhouse's Ulysses and the Sirens." John William Waterhouse's Ulysses and the Sirens. N.p., n.d. Web. 14 Feb. 2014.
Carver tells the story in first person of a narrator married to his wife. Problems occur when she wants a friend of hers, an old blind man, to visit for a while because his wife has died. The narrator's wife used to work for the blind man in Seattle when the couple was financial insecure and needed extra money. The setting here is important, because Seattle is associated with rain, and rain symbolically represents a cleansing or change. This alludes to the drastic change in the narrator in the end of the story. The wife and blind man kept in touch over the years by sending each other tape recordings of their voices which the narrator refers it to being his wife's "chief means or recreation" (pg 581).
The time span this book occurred in is from July 2006 to April 2007 in Charleston, South Carolina. Portraying as a homeless man, Shepard starts off in Crisis Ministries, a homeless shelter that would have “the resources necessary to get him [me] back on his [my] feet,” (Chapter 1, page 9) which was a great kick-starter for his project. Shepard would move into an attic of one of his boss's, George, friend, Mickey, because it was the “best all-around deal that he [I] was going to find,” (Chapter 11, page 137) and because he wanted to leave Crisis Ministries, due to Shepard accepting that the Crisis Ministries was unacceptable to consider to stay in. Afterward, Shepard bought an apartment with his co-worker, Derrick's, cousin, Bubble Gum, because Shepard “wanted something more permanent.” (Chapter 12, page 167) At the end of his story, Shepard ends his project short and moved back to his childhood home of Raleigh, North Carolina because “his [my] mom’s cancer returned and with even greater aggression (Chapter 16, page 203).
Thirdly, the setting of the story is set in Salinas, California. Ironically, the author was born in Salinas. It is the time of the Great Depression and middle-class has been hit hard. The story begins in Weed, a California mining town.
Maggie and Jimmie, siblings whom Cranes uses as protagonists, live in deplorable and violent conditions. The setting is America West, during the industrialization era. The change from agricultural to industrial economy led to many casualties, including Maggie and Jimmie’s parents. They found themselves in periphery of economic edifice where poverty was rampant. Now alcoholics, they are incapable of offering parental care and support to their children. This leaves the children at the mercies of a violent, vain, and despondent society that shapes them to what they became in the end. Cranes’ ability to create and sustain characters that readers can empathize with is epic though critics like Eichhorst have lambasted his episodic style (23). This paper will demonstrate that in spite of its inadequacy, Cranes Novella caricatures American naturalism in a way hitherto unseen by illustrating the profound effect of social circumstances on his characters.
George Saunders, a writer with a particular inclination in modern America, carefully depicts the newly-emerged working class of America and its poor living condition in his literary works. By blending fact with fiction, Saunders intentionally chooses to expose the working class’s hardship, which greatly caused by poverty and illiteracy, through a satirical approach to criticize realistic contemporary situations. In his short story “Sea Oak,” the narrator Thomas who works at a strip club and his elder aunt Bernie who works at Drugtown for minimum are the only two contributors to their impoverished family. Thus, this family of six, including two babies, is only capable to afford a ragged house at Sea Oak,
Spanning from 1095 to 1212 C.E, the Crusades were an effort made by medieval Christians to regain their holy lands back from the Muslims. There were five crusades in total going in order from the First Crusade to the Children's Crusade. A few were effective in their own respects although these Crusades proved costly to the European Kingdoms as a result of large losses of life. This paper will explore these crusades and explain why some succeeded whereas others failed.
Contrary to many commonly held notions about the first crusade, in his book, The First Crusade and the Idea of Crusading, Jonathan Riley-Smith sets out to explain how the idea of crusading thought evolved in the first crusade. In his book, Riley-Smith sets out five main arguments to show how these ideas of crusading evolved. Firstly, he argues that Pope Urban’s original message was conventional, secondly that a more positive reaction was drawn from the laity (due to the ideas surrounding Jerusalem), thirdly, that the original message of crusading had changed because of the horrible experiences of the first crusaders, fourth, that due to these experiences the crusaders developed their own concept of what a crusade was, and lastly, that these ideas were refined by (religious) writers and turned into an acceptable form of theology. Riley-Smith makes excellent points about the crusade; however, before one can delve directly into his argument, one must first understand the background surrounding the rise of the first crusade.
The article discusses the need for these early Chicago saloons as a neighborhood commune for those men who labor long hours only to come home to poverty and despair of a desolate household. Melendy focuses on the mental, physiological, and moral nature of these workingmen. He points out that this saloon culture allows it’s patrons to develop these traits by interacting with their peers—others facing the same despair. These establishments are described as the “workingman’s school. He is both scholar and teacher” (Melendy pg. 78). Patrons gather at the bar, around tables and in the next room amongst games of pool, cards, and darts to discuss political and social problems, sporting news, and other neighborhood gossip. Here men, native and immigrant, exchange opinions and views of patriotism, brotherhood, and lessons in civil government. Melendy describes this atmosphere as cosmopolitan, and articulates that these businesses advertise this issue in their names. For example one of the downtown saloons was entitled “Everybody’s Exchange.” The saloon’s customers experienced a buffet of nationalities upon which was not so for those of poverty in previous decades. Saloons also served as disguises of corruption as Melendy illustrates by declaring “...
Comparing ?Everyday Use?, ?Sonny?s Blues? and ?The Cathedral?, one can conclude that they share a common meaning. Although all three stories consider poverty as their theme, each chooses to elaborate it in a different manner. In fact, ?Everyday Use? emphasizes on the state of extreme poverty in which certain people live. On the other hand, ?Sonny?s Blues? contributes to the theme by describing the poverty of spirit of Harlem?s ?inner kids?. Carver?s ?The Cathedral?, however, prefers to explore the notion of poverty as a state of one?s mind rather than the environment in which one lives.
Several centuries after they ended, the Crusades are remembered as wars that were fought and lost in the name of God. The efforts and means utilized and maintained to continue to wage a battle for more than one hundred years is memorable nonetheless. While we say that these wars were fought in the name of God, it is simply not that easy to define. The causes for the Crusades cannot be traced to an isolated event but rather several factors that operated together to create a climate of religious fervor to fight for the name of God. Power, piety, zeal, determination are words we can use to define some of the reasons that drove men to establish a war with another race of people, in which little was known. The Crusades are a story as much about the nature of man as they are the nature of politics and religion. The religious reasons led to social and economic ramifications that changed the political landscape forever. We see the Crusades as religious wars but a closer inspection reveals that they were fought for various reasons with
John Grisham’s book, ‘A Painted House’ places the reader within the walls of a simple home on the cotton fields of rural Arkansas. Within the first few pages, the author’s description of the setting quickly paints a picture of a hard working family and creates a shared concern with the reader about the family’s struggle to meet the basic needs of life. The description of the dusty roads, the unpainted board-sided house, the daily chore requirements and their lack of excess cause the reader a reaction of empathy for the family. Although the story takes place in a dusty setting very unfamiliar to most readers, the storyline is timeless and universal. Most everyone has a desire to meet the basic needs of life, embrace their family ties, and make others and ourselves proud. The crux of this book is that it does an excellent job in showing the reader through other’s examples and hardships to persevere and never give up.
After reading Sonny’s Blues and Cathedral by James Baldwin and Raymond Carver respectively, it is easy to distinguish similarities and differences when comparing them to the other stories previously read. We discussed in class the structures, settings, forms and themes of these stories, in which we often found imprisonment was a recurring topic. On the contrary, the two stories assigned for Thursday differ from the others in some aspects like the narrator, style and some themes.
Powell, J. M. (2009, April). The Catholic Historical Review. THE CRUSADES IN RECENT RESEARCH , pp. 313-319.