Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on Syrian refugee problems
Essay on syrian refugees story
The Syrian conflict and refugees
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on Syrian refugee problems
SEATTLE— Palestinian American architect Rania Qawasma was planning her thesis proposal halfway through her distance learning master’s program in sustainable design at Boston Architectural College (BAC) when she realized she needed to omit her original idea after spending a day with and listening to the concerns of resettled Syrian refugees in Seattle.
Qawasma had initially thought of designing a housing complex that would accommodate refugee families, but realized that the simple details that everyday Americans disregard are essentially some of the biggest challenges these refugees face coming in.
“I know the housing development idea is a good one and it’s still in my mind,” she said. “But I needed to do something right away to ease their transition here.”
Refugees come in not knowing that the
…show more content…
One mother told her that she’d dumped water on the kitchen and bathroom floors to clean, not knowing that there were no drains. Another woman said the smoke detector went off while she was cooking— scaring the whole family. She didn’t have the exhaust hood on.
Another family broke its garbage disposal, an appliance they’d never seen or used before.
After deep contemplation, Qawasma decided to go with what her gut was telling her and began drafting a “neighborhood guide.”
“It’s a way for them to learn about things around their neighborhood easily in graphics, in the least amount of words,” she said.
At first, Qawasma was worried that her thesis would be viewed as unfitting in the architecture field— one that’s usually connected to structure rather than the activity within it.
“But, my theory, which was supported by many professors in the department, was that architecture has the physical side to it and the other side— the operation,” she said. “When you design a building, you need an operation manual that teaches people how to use the [structure] you’ve
Living without loved ones and their precious belongings will make refugees face the point of turning “inside out”. All
There was light inside the container. He looked around. Two dozen anxious faces stared at him. It seemed he wasn’t going to make this part of the journey alone.” This text evidence supports the idea because when you are surrounded by refugees who live a life completely different from yours, it might be okay to them to do something that might never ever be done in your country.
He suggests that the use of “electronic imaging prevents imagining and promotes thinking about architecture rather than bring architects, contractors, clients and critics to think within architecture” (275). Inspired by Frascari, the strategy of technography is encouraged (278). This is a “different way of thinking about the relationship between a [working] drawing and a future building. Rather than “simply Cartesian, technical lines showing edges, corners and joints these technographic drawings reveal both the symbolic and instrumental representations of the future building.. it is to make visible what is invisible”. Ridgway remarks, “The fact that any of this could be considered contentious indicates that extent to which architects have become alienated from the heart of their profession” (279). He asserts, “Part of any technography must be an acknowledgement of the historical context of construction knowledge. This is not only so we can better understand our rich architectural ancestry, but because it re-establishes a connection with the origins of our profession in building” (279). Rather than a “miniature projected representation of an imagined building, details are drawn as poetic constructions themselves, following the logic of drawing and not building and representing the “built detail symbolically, in addition to instrumentally. The symbolic and practical are one and the same thing” (280). “What are the symbolic qualities we are trying to embody in our buildings and how would we represent them in drawings?” becomes the question (278). These drawing “may not be easy or straightforward to understand or interpret.
...’s book accomplishes a lot in its timid three hundred pages, it lacks more examples of modern architecture and historical landmarks such as the ones discussed above. Also, the lack of chronological order is a new approach, but it might not appeal to all readers.
Refugees are a specific type of immigration group. As define in section, “a refugee is someone who has been forced to flee his or her country because of persecution, war, or violence. A refugee has a well-founded fear of persecution for reasons of race, religion, nationality, political opinion or membership in a particular social
Refugees have two basic choices. They can return to their home country, or they can try to settle in another country. Most refugees, however, cannot return home because conditions in their native country have not changed sufficiently to eliminate the problems from whi...
It is often easy to castigate large cities or third world countries as failures in the field of affordable housing, yet the crisis, like an invisible cancer, manifests itself in many forms, plaguing both urban and suburban areas. Reformers have wrestled passionately with the issue for centuries, revealing the severity of the situation in an attempt for change, while politicians have only responded with band aid solutions. Unfortunately, the housing crisis easily fades from our memory, replaced by visions of homeless vets, or starving children. Metropolis magazine explains that “…though billions of dollars are spent each year on housing and development programs worldwide, ? At least 1 billion people lack adequate housing; some 100 million have none at all.? In an attempt to correct this worldwide dilemma, a United Nations conference, Habitat II, was held in Istanbul, Turkey in June of 1996. This conference was open not only to government leaders, but also to community organizers, non governmental organizations, architects and planners. “By the year 2000, half the world’s people will live in cities. By the year 2025, two thirds of the world population will be urban dwellers ? Globally, one million people move from the countryside to the city each week.? Martin Johnson, a community organizer and Princeton professor who attended Habitat II, definitively put into words the focus of the deliberations. Cities, which are currently plagued with several of the severe problems of dis-investment ?crime, violence, lack of jobs and inequality ?and more importantly, a lack of affordable and decent housing, quickly appeared in the forefront of the agenda.
So rational engagement with architecture is a more effective means to comprehend and understand architectural form.
For instance, highly populous and famous cities such as Oslo, New York, Alexandria, and San Francisco hold some of the important architecture projects that have shaped individuals’ lives. Reporter David Owen, in his New Yorker article “Psychology of Space”, argues how the architecture firm Snøhetta utilizes their magic through their projects to build people’s moods, shape their relationships with cities, buildings and other individuals, and create illusions with exhilarating effects. The author’s argument is rhetorically compelling because his arrangement of ideas, selection of words, and supporting evidence maintain his public engaged in the magic of architecture and persuade anyone reading his article that architecture plays a critical role in their lives in numerous
Another casual night: the air is sticky, and the water is scarce, all throughout the country, the sound of gunshots ringing through the air. For most people, this “casual” night is beyond their wildest imagination, but for Syrians, it is an ongoing nightmare. Faced with the trauma of a civil war, Syrian refugees seek protection and a more promising future than the life they currently live in their oppressive country. Many seek refuge in other Middle East countries like Turkey and Jordan, but others search for hope in the icon of freedom, the United States of America. However, in America, there is an ongoing debate about whether or not Syrian refugees should be accepted.
The author explains architecture as an identification of place. Architecture starts with establishing a place. We define ‘place’ as a layout of architectural elements that seem to accommodate, or offer the possibility of accommodation to, a person, an activity, a mood, etc. We identify a sofa as a place to sit and relax, and a kitchen as a place to cook food. Architecture is about identifying and organizing ‘places’ for human use.
As refugees continue to flee their countries, the surrounding countries struggle to cope with the influx of new people into their country. Camps for displaced people hoping to cross into and gain refugee status in neighboring countries can be seen from miles away, as white tents stretch into the distance.... ... middle of paper ... ...
Constantly judged and evolving, the practice of architecture is forever plagued by the future. The future of people, of culture, technology and its resulting implications on the built environment that more often than not, outlives their creators. Much of the conversation surrounding this future architecture currently hinges itself on the creation of new experiences, forms and spatial relationships brought about by technological innovation.
Over the last four years of studying architecture, I have seen the power that it has to shape communities, shape lives, and to create new ways that people interact with each other. The way architecture can help enhance living and allow for creation of new interactions of people is one of the reasons I find the subject so interesting. The way architecture can shape a whole culture and the way that the culture then in turn shapes the architecture is fascinating to me. Architecture is also not a static subject, it is constantly evolving and adapting with time to take on new forms, create new spaces, and to provide commentary on the history of our time on Earth. The depth that architecture has, and the evolution of the subject is something I have fallen in love with through my study of it. However, when I first started out studying architecture, I had no idea of the depth that the subject had, and it was an incredibly daunting realization; however, it was as equally exciting. I have always had a love for learning and architecture has just fueled that fire. Even after completing my bachelors degree, the learning has not stopped. I get to learn something new about architecture daily, and getting to say that is an opportunity I am thankful to have. It is not just about the learning however, its
Behind every architectural work there is an architect, whether the architect is one man or woman, a small group, or an entire people. The structure created by any of these architects conveys a message about the architect: their culture, their identity, their struggles. Because of the human element architects offer to their work not just a building is made, but a work of art, a symbol of a people, a representation, is also created.