Rabbit Proof Fence Cultural Trauma

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Cinema has become a powerful resource to entertain people, but also inform the audience of mishaps that have or are happening in society. The film Rabbit Proof Fence was based on a true story of Molly, Gracie, and Daisy who were “half-castles” that were taken away from their parents at a young age to be forced to learn a different language and culture. Using “Twenty-Five Indigenous Projects” by Linda T. Smith and Dr. Marie Yellow Horse Brave Heart’s Historical Trauma analogy with this film, people are able to connect and understand Indigenous more clear. Using the concepts testimony, historical trauma, and protecting, individuals are able to incorporate their knowledge to the suffering that Indigenous people had to struggle to protect themselves …show more content…

In the image Riggs is taking Molly, Daisy, and Gracie by force to be sent to an institution with all “half castles” to learn the morals of White society. This memory became a trauma to these women and are probably able to remember everyday how they felt not being able to escape by the person who actually took them away. Towards their journey in returning to Jigalong, Gracie was tricked in believing that she would be able to take the train back home. Molly and Daisy went to the train station to convince her to return walking with them, but Riggs captured her. Dr. Maria Yellow Horse Braveheart concept of historical trauma is connected to this film in how these women are using the media to release their trapped pain and at the same time educating people about the effects of wanting Indigenous people to change. Sharing this grief, they are able to acknowledge that their discrimination was not correct and their suffering can be heard by more people who care about social justice. Molly and Gracie gave hope to their community. In many cases people have suffered throughout their lifetime the same or even worse scenarios. By sharing their traumatic memory, they are able to give motivation to those who strive to make a change in their community and at the same time connect to those who are non-ingenious who cannot relate to their suffering, but can acknowledge that parts of history were

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