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Dante inferno comparative essay
Dante inferno comparative essay
Dante inferno comparative essay
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1. Dante’s Inferno by Dante Alighieri. The first quote is by Dante and the second quote is from Virgil. The significance of the quote is Dante is reading the sign as they enter the gates of hell. It’s a warning sign of doom. Virgil is his guide, so he explains the warning and tells Dante it’s okay and to leave his fear behind.
2. The lliad by Homer. The speaker is Pygamalion. The significance of this quote is Pygamalion at the altar with his gift for Venus. Offering a fainthearted prayer. He is prayer for Venus to be his wife.
3. Medea by Euripides. The speaker is Medea. The significance of the quote is Medea contemplating on whether she should kill her children or not. She asking herself if she’s strong enough to do it.
4. The Prince by Niccolo Machiavelli. No speaker. The significance of this quote is about mortality and human
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The lliad by Homer. The speaker is Thetis, she weeps about her son. She knows they are going to fight and she wants to protect him even though she can’t. She knows that if he goes off to fight that here is a chance he won’t return back home.
6. The Tempest by Shakespeare. The speaker is Prospero. The significance of this quote is
Prospero confronting Caliban for trying to rape Miranda. Prospero is saying that he taught him how to speak and this is how you betray me and my daughter. He calls Caliban ungrateful.
7. Dante Inferno by Dante Alighieri. Dante is the speaker and the significance of this quote is because Dante is saying that Lucifer was once good and if he didn’t betray God and test him that all of this wouldn’t be like this. Being that the three figures that Lucifer is eating are the greatest traitors of all. Basically, Dante is saying that if he didn’t betray God he wouldn’t be put in this position.
8. The lliad by Homer. Achilles is the speaker and the significance of this quote is Achilie is saying that he’s not going to make amends with his enemy. That there will be not agreement but we can fight until one
As Dante and Virgil, Dante’s guide through Hell, approach the Gate of Hell, Dante reads the inscription above the gates:
Schein, Seth L. The Mortal Hero: An Introduction to Homer's Iliad. Berkeley: University of California Press, 1984.
As readers in the modern age, it is sometimes hard for us to examine and understand the words and messages due to the bridge between the ancient classical poems and the modern age poems. In Dante’s inferno poem, it is very challenging to analyze the information in such a rigorously written poem and relate the same poem to the said writer (Williams). Understanding the poem goes beyond the fiery depths of hell and into the real world of Dante and the surroundings that influenced his writing and creativity. The involvement of Dante Allegro in ancient political factions, in his own city state, led to his exile and consequently his demise. His mortality will forever be felt from his work as readers will constantly warn of the rot in the political and church corruption.
He reacts to the inscription by crying out, “Master, I said, these words I see are cruel” (Dante pg.14). By this he shows his fear of the unknown because he does not yet know exactly what he will witness during his descent. One of Dante’s truest displays of fear occurs when he sees the angels. The angels deny the travelers access to the city. Virgil even appears startled and confused by this.
Homer. The Illiad. The Norton Anthology of World Masterpieces: Expanded Edition?Volume I. ed. by Maynard Mack. New York: W.W. Norton & Company, 1995.
In addition, another allegory that Dante describes deal with the Fortune Tellers sent to Hell. Their sin is reversed upon them ...
“What a poltroon, how lily-livered I should be called, if I knuckled under to all you do or say! Give you commands to someone else, not me...” (Iliad, book 1, lines 345-347)
The passage is from the epic the Iliad by Homer. It describes the scene in which Thersites, an ugly representative of the middle class, questions the entire reason for the Trojan War and admonishes Agamemnon for partaking in such a trivial war. Thersites then gets beaten and humiliated by Odysseus for speaking out of turn and the aristocrats reclaim the stage.
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
Homer. "The Odyssey." The Norton Anthology: World Literature. 2nd ed. Vol. 1. New York: W.W.
Inferno is the first and most famous of a three part series by Dante Alighieri known as the Divine Comedy that describes his journey to God through the levels of Hell, Purgatory, and Paradise written in the early fourteenth century. Scholars spanning over nearly seven centuries have praised its beauty and complexity, unmatched by any other medieval poem. Patrick Hunt’s review, “On the Inferno,” states, “Dante’s extensive use of symbolism and prolific use of allegory— even in incredible anatomical detail—have been often plumbed as scholars have explored the gamut of his work’s classical, biblical, historical, and contemporary political significance” (9). In the story, each of the three main characters, Dante, Virgil, and Beatrice, represent
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Alighieri, Dante. "The Inferno." The Divine Comedy. Trans. John Ciardi. New York: First New American Library Printing, 2003.
“This death of mine is of no importance; but if I had left my brother lying in death unburied, I should have suffered”
In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.