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Public perceptions influenced by the media
Racism in the media essays
How does the media influence how we perceive our society
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As members of the audience, we are constantly bombarded by messages from the media. Once we receive these messages, we then interpret the messages and give them meaning. Sociologists refer to this process as the social construction of reality (Croteau, Hoynes, & Milan, 2012, p. 8). The media plays an important role in what messages we receive, and this can alter the meanings we develop in order to construct our reality. One form of media that has a major part in this process are television programs. Television programs relay many messages to the audience, and an important aspect of these messages is how the program portrays race and ethnicity. The depictions of race and ethnicity in television shows has an effect on how we interpret these …show more content…
Like Grey’s Anatomy, Quantico offers a diverse cast that also includes other underrepresented races such as a Middle Eastern and an Asian Indian character. The show is also the first of its kind, because it is the first American television drama to star an Indian actress as the lead (Bhagwati, 2015). This is an important aspect of the show because, “Asians often are used as "background color"—assigned to such minor roles as waiters, cooks, servants, laundry workers, peasants, or gardeners” (Mok, 1998, p. 186). Quantico, however, has an Asian actress as the lead role, and she is depicted as hardworking, tough, and determined. Additionally, Quantico uses its unique cast to challenge stereotypes regarding race and ethnicity. For example, the show jumps back and forth from the past, during the FBI training, to the present, when the training is complete. During the present, a bomb was set off at Grand Central Station, and the suspect is the lead character Alex Parrish, played by Priyanka Chopra. Although the suspected terrorist is still a foreigner, the show challenges the stereotype of the Middle Eastern or Arab as the terrorist. The show features Middle Eastern twins, Nimah and Raina Amin; however, Quantico does not depict them as terrorist suspects. Gerhauser states, “In the United States, mass media seems to feature Arab-American and Muslims consistently in a negative light. The portrayal of these negative images takes place by constructing an image of Islam in conjunction with terrorism, violence, extremism and hatred toward America” (Gerhauser, 2014, p. 7). Because of the tragedy of 9/11, this stereotype of Middle Easterners being affiliated with terrorism and violence has been spread with the help of mass media. Quantico breaks this notion by casting a Middle Eastern actress and not depicting her as the suspect of a terrorist act. Quantico
Eye witness accounts of events are not always accurate. The accounts depicted by depend on how witnesses read the situation. The same is true when interpreting the depiction of race and/or ethnicity in media productions. Because situations gain meaning through the process of social construction (the interpretation of a situation based on one’s knowledge), the same event can be viewed and internalized by witnesses who render opposing viewpoints. This analysis will compare the depiction and rejection of socially constructed stereotypes relative to race and ethnicity in three situation comedies: All in the Family, The Jefferson’s and The Cosby Show.
Omi claims that media and popular culture are two of the main culprits for the dissemination of a segregation ideology through music, movies and TV shows (Omi 114). According to Omi, media has the “ability to reflect the dominant racial ideology” and to “shape that ideology in first place” (Omi 115). These two sentences imply that Omi is not just blaming on media, but also on white people, who dominate communications and provide a better image of themselves in order to maintain the status of dominant culture. Moreover, Omi uses the concept of “representation” to claim that even the popular culture, which was supposed to be created by the people, brings segregating ideology on itself and do not contribute to the celebration of cultural diversity (Omi 120). Omi explains this belief of “representation” as a tool of segregation when stating that jokes and songs “reinforce stereotypes and rationalize the existing relations of social inequality” (Omi 121). Media and popular culture are outsiders, meaning that are not racist themselves, but according to Omi they are the main incentive to
The media, through its many outlets, has a lasting effect on the values and social structure evident in modern day society. Television, in particular, has the ability to influence the social structure of society with its subjective content. As Dwight E. Brooks and Lisa P. Hébert write in their article, “GENDER, RACE, AND MEDIA REPRESENTATION”, the basis of our accepted social identities is heavily controlled by the media we consume. One of the social identities that is heavily influenced is gender: Brooks and Hébert conclude, “While sex differences are rooted in biology, how we come to understand and perform gender is based on culture” (Brooks, Hébert 297). With gender being shaped so profusely by our culture, it is important to be aware of how social identities, such as gender, are being constructed in the media.
While Mexican Americans were considered white by law, the documentary A Class Apart sheds light on the struggles and eventual triumph of Mexican Americans in the their journey for racial equality within the United States. Following the Mexican War, Mexican Americans were subjected to a Jim Crow style of discrimination. Despite retaining U.S. citizenship, Mexican Americans were treated as second class citizens. Frustrated by social, political, and economic disenfranchisement, Mexican Americans sought the assistance of the United States Supreme Court, in what would become a landmark case, to secure the full rights afforded to them as United States citizens.
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
"Fed Up (Soechtig, 2014)." narrated by Katie Couric, focuses on the growing link between sugar consumption and the obesity epidemic. The film aggressively attacks the food industry, advertising, and the government who, it claims, all contribute to the U.S. sugar-dependent, obesity problem. The film sets out to prove the government, and food industry is knowingly causing an increase in the amount of obese children. It reserves its most critical comments for government advisory panels who make and enforce food and health policy, and its failure to properly regulate the food industry. They claim lobbyists for the sugar board have been instrumental in the removal of negative statistics from research papers worldwide. Instead
Woll, Allen L and Randall M Miller. Ethnic and Racial Images in American Film and Television: Historical Essays and Bibliography. n.d. Print.
... model for how the entertainment and media industries depict black people must change. Despite the progress that blacks have worked toward since the days of slavery, society continues to give in to the monetary benefits of producing self-disparaging entertainment and media. It is not only up to the directors, editors, producers and writers to establish this change, but it should also be the demand of the people, or the consumer. If the images of black people in the media are improved the outlook within the community will improve as well. Not only will positive goals and achievements become more realistic for black people if the media outlets discontinue their practice of equating blacks with aggression, lawlessness and violence, but a greater good will also result for whites, which would be represented by a true autonomy and equality in American society.
As a group, we believe that popular culture does in fact perpetuates stereotypes. Television is a main source of information of popular culture. Television has forever changed how humans have interacted with another and introduce a world of diversity and knowledge. But with this profit, television has also harbored negative aspects. As a group, we studied how racial stereotypes are portrayed in television. In the history of television, different racial and ethnic groups have been widely underrepresented and television itself has been overwhelming represented by white figures. And when racial groups are presented on TV, the characters are often played in limited roles based on stereotypes. A stereotype isn’t necessarily untrue, but it is an assumption based on an incomplete and complex ideas that are oversimplified into something that isn’t what it meant to be, and it’s usually negative. For example, African Americans are often depicted as violent or involved in some kind of criminal activity. Their characters often portrays a person who is always sassy and angry or that isn’t intelligent and won’t succeed in life and inferior to whites in some manner. Asian characters are
“The media serve as a tool that people use to define, measure, and understand American society” (Deo et al., 149). Thinking of the media as a tool for the American people also extends into the realm of race and ethnicity. The United States has had a long and difficult history pertaining to the racial and ethnic identities of the many different people that reside within and outside of it’s borders. That history is still being created and this country still struggles with many of the same problems that have plagued this area since before the founding of the U.S. As stated above, the popular media has a large impact on the way that race and ethnicity are understood by people, especially when considering the prevalence of segregation in the U.S.
In his documentary Classified X, Martin Van Peebles describes three areas where African-Americans could be receive some sanctuary from the racism that pervaded almost all Hollywood films. These three places were: the Hollywood version of an all-Black film, the church, and entertainment. Black culture and music is prominent in mainstream society, but the people behind this culture don’t always receive recognition and respect for their creations. Mainstream White pop culture excitedly consumes and appropriates Black culture, but disrespects the source.
In the new millennium, the concepts of racial diversity in multiculturalism have become part of the fabric of American discourse. Consequently, the television industry faces an increased pressure from advocacy groups to better reflect the nation’s demographic reality. Many observers of American popular culture believe that multicultural television fare presented when children are most likely to be viewing this critical to advancing acceptance of racial and ethnic diversity in the United States. (Wilson, Gutierrez & Chao) Being a show designed for younger audiences, Everybody Hates Chris is able to address racial stereotypes to young audiences and possibly impact the way younge...
Currently there is a long-standing debate dealing with the effects of media. Some believe that the media is just something to indulge or watch and that it has no significant affect on people while others say that has a powerful pull on society as a whole. Research indicates that bias in media articles leads to minorities and women being portrayed in a stereotypical or harsh manner (Hazell and Clarke 3). This leads to African Americans being seen as individuals fit for “lower status occupations,” (Hazel and Clark 7). Black men were also seen as hostile, intimidating figures mainly working as athletes or musicians while women were portrayed as domineering, overly expressive people (Hazel and Clark 9).
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?