Modernist Transformation in T.S. Eliot's 'Prufrock'

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T.S. Eliot’s “The Love Song of J. Alfred Prufrock” (commonly referred to as “Prufrock”) poem marked a time period in literary history where the Nineteenth century Romantic era collided with the Twentieth century modernist approach. “Modernist literature is characterized chiefly by a rejection of 19th-century traditions and of their consensus between author and reader” (Baldick 159). This collision, which led to a change between the traditional form of writing, helped to shape the new poetic aspects that lie within “Prufrock.” T.S Eliot’s "Love Song of J. Alfred Prufrock" embodies the common characteristics displayed throughout all modernist poetry, being that: “modernism is a reaction against the modern” (Menand 1). For T.S. Eliot, this poem …show more content…

For symbolism, the underlying messages are presented through a series of specific words and details written such as color: “The yellow fog that rubs its back upon the window-panes / The yellow smoke that rubs its muzzle on the window-panes” (15-16) or creatures, comparable to the crab Prufrock yearned to be: “I should have been a pair of ragged claws / Scuttling across the floors of silent seas” (73-74). Throughout “The Love Song of J. Alfred Prufrock,” these symbols reveal more about Prufrock’s character. The heavy description of “yellow fog” and “yellow smoke” resemble much of his mind: cloudy. As well as the use of the color yellow, a color a part of “the secondary group” described as “derivative and restrictive” (Ryan 141), links to cowardice, thus enhances the notion perceived by Prufrock’s character. Such words related to “silent” make it clear that Prufrock longs to be alone, isolated from the rest of the world, wishing to escape it all. Overall, the idea of symbolism displays the character’s life which in turn showcases that the poem is indeed related to

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