Over the temple of Apollo at Delphi, there are some norms called “maxims” inscribed. These maxims are essentially rules by which society is expected to live. One of these rules is “Nothing in excess”. This maxim attempts to eradicate extremes. Particular actions and the consumption of luxuries should be regulated; one should not consume to the point of greediness. This rule, if broken, does not go unpunished. Mythological figures are inevitably punished for their gluttony, of which there are countless examples. I am going to focus on Prometheus, who stole fire and gave it to the humans that he “made out of earth and water” (Apollo Library 1.7.1), Icarus, who disregarded his father’s orders in order to satisfy his overzealous curiosity, and …show more content…
However, despite Zeus’s supremacy over the secret to life, Prometheus proceeded to create mortal humans. In order to generate this species, Prometheus stole fire from Zeus as a sustainability precaution for the humans. As punishment, Zeus nailed and chained the Prometheus to a mountain where he would be forced to endure a bird pecking away his immortal liver each day. Since Prometheus could regenerate his liver nightly, the bird would continually devour his liver (Apollo Library 1.7.1). The novel Frankenstein by Mary Shelley was originally titled The Modern Prometheus since both Prometheus and Victor Frankenstein attempted to bypass the higher power’s entire jurisdiction over life and death, and create people on their own. Both Prometheus and Frankenstein ended up in dire situations which proves that particular aspects of fate ought not to be meddled with, and people should not disregard their allocations. Not only did Prometheus and Frankenstein suffer the direct consequences of their actions, but they were also left to contemplate whether they were responsible for any damage that may be caused by their creations. While Prometheus was eventually rescued by Heracles, who slayed the bird that had plagued Prometheus, Zeus’s second punishment, Pandora-the first woman, would eternally remain on earth. If Prometheus had denied his insatiable cleverness, he would not have …show more content…
While Heracles did not choose to possess this excessive power, it nonetheless exemplifies the maxim “nothing in excess”. Heracles is much too powerful for a mortal and as a consequence he accidentally murders many people, including all of his own children, due to the lack of control over his strength. In order to be purified of his crimes Heracles must perform ten labours for Eurystheus, the king of Mycenae at the time. Those who punish Heracles intend for him to die while performing these dangerous and presumably impossible tasks, however Heracles manages to complete each labour. After killing Iphitus, who had defended Heracles, he was sold as a slave and ordered to serve Omphale, princess of Lydia, for three years as his purification. Heracles was eventually poisoned by his wife, Deinaria, because she was jealous that he had captured Iole. This event again exemplifies that an individual can have too much of a good thing, since Heracles had already been with multiple women, and eventually one of the partners poisons
Whether atop the baffling Mount Olympus or below in the blank slate of a city being Ingolstadt, a mythological god and a man seek power on their trek to greatness. Both Zeus of the Greek gods in “The Story of Prometheus” and the simple man Victor Frankenstein of the literature work Frankenstein by Mary Shelley, can be viewed as leaders who lost their purpose in their quest for power. Victor possesses more morality in his actions, while Zeus rules with an iron fist and does not care what happens to the ones around him. To understand the beneficial traits and flaws of these characters, one must delve into the stories of their lives. These characters throughout literature show signs of great potential, but also of substantial corruption. Disregarding the feelings of others, along with a
Shelley uses intertextual reference by characterising F’Stein as the “Modern Day Prometheus”. In Greek mythology, Prometheus usurped the natural order by the creation of man. Prometheus was punished for this crime eternally – an eagle eating from his liver; the implications are that nature is having its revenge for upsetting hierarchal order. However, Victor does not question the morality of his actions but instead ponders if he should “attempt the creation of a being like myself. wonderful as man”....
To this day, the story of Pandora fascinates human beings enough to survive in media and culture. However, the modern adaptations of the myth often deviate from the misogynist undertones of Hesiod’s original version. As retaliation for Prometheus stealing fire from Olympus and gifting it to humans, Zeus resolves to afflict mankind with misfortune in the form of Pandora. He instructs Hephaestus to mold a woman out of clay and water, and asks Athena and Aphrodite to give her “painful yearning and consuming obsession”, “a bitch’s mind and knavish nature” and “lies and wily pretenses” (Works and Days, 39). Pandora is given to the misguided and forgetful Epimetheus and, due to her curiosity, releases all the terrible things that trouble mankind. Only hope is left at the end, which becomes trapped in the jar when Pandora replaces the lid. Despite Hesiod’s conclusion that the story proves “there is no way to evade the purpose of Zeus” (Works and Days, 40), it is clear that Pandora taking the form of a woman with negative attributes carries its own, separate significance. Hesiod proves this in the following: “For from her [Pandora] is descended the female sex, a great affliction to mortals as they dwell with their husbands” (Theogony, 20). Hesiod believed that all women were descended from Pandora – a woman he described as being deceitful, troublesome and difficult. By
addressing Frankenstein as a monster. Victor does not desire anything to do with this “wretch”. After seeing the creature he has created, he “[passes] the night wretchedly. Sometimes [his] pulse beat so quickly and hardly that [he] feels palpitation of every artery; at others, [he] nearly [sinks] to the ground through languor and extreme weakness.” (59) Victor acts a coward; he does not face his mistakes and try to fix them. Instead he feels weakened by the disappointment of himself. On the other hand, Prometheus reacts differently to his challenges. Prometheus acts strong minded, he thinks before he acts and trusts nobody. After Prometheus grants the villagers with fire, he “[…] [warns] his brother to beware of any gift that Jupiter might send, for he knew that the mighty tyrant [can] not be trusted.”(4) Prometheus expects consequences for his actions, just as an army general expects an attack from the enemy. Prometheus acts brave in questioning authority and waits ready for battle, if Zeus retaliates for disobeying
Written in 1817 by Mary Shelley, Frankenstein is a novel about the "modern Prometheus", the Roman Titian who stole fire from the gods and gave it to man. The story takes place in several European countries during the late 1700's. It is the recollection of Victor Frankenstein to a ship captain about his life. Victor is a student of science and medicine who discovers a way to reanimate dead flesh. In a desire to create the perfect race he constructs a man more powerful than any normal human, but the creation is so deformed and hideous that Victor shuns it. The creation then spends a year wandering searching for companionship, but everywhere he goes he is shunned and feared. Hating life the creature turns its misery on its creator, killing off Victors family.
Briefly speaking, Heracles is a sane man that is plagued by madness and has his innocence ruined. Heracles himself cause his ruin because of the ruin he has cause so many other people. His personality makes him his own worst enemy which leads to his demise. However, he still possesses qualities of a model son, good friend, and a caring and protective father. Furthermore, the Goddess of madness also protest again the deed that is to be done upon Heracles, showing that even the most mysterious, far-fetched character in this Myth supports the noble Hero.
The very creation of women was set as a punishment to man because Prometheus, son of Iapetos, tried to trick Zeus into eating bones and then, with the tube of a fennel, steals fire to give to mankind. Zeus then proclaimed, "To set against the fire I shall give them an affliction in which they will all delight as they embrace their own misfortune." Out of Zeus' anger came Pandora, the first woman. Zeus ordered Hephaestus to mold women from the earth and water, Athene to dress and adorn her, Temptation to give her necklaces of gold, and Hermes to implant a bitch's mind and a thief's temper. Hesiod describes women as a "precipitous trap, more than mankind can manage." Hesiod states, "even so as a bane for mortal men has high-thundering Zeus created women, conspirators in causing difficulty." And thus the first woman was named Pandora, Allgift,-"a calamity for men who live by bread." And so Pandora and all the evils of the world, except Hope, were released into the world by a punishing Zeus. Hesiod explains how formerly the tribes of men lived "remote from ills, without harsh toil and the grievous sickness that are deadly to men." From Pandora descended the female sex, "a great affliction to mortals as they dwell with their husbands- no fit partners for accursed Poverty, but only for Plenty." An analogy is then used to compare women to drones who, according to Hesiod, feed off hard-working bees all day. Hesiod immed...
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Frankenstein’s entire family and his best friend are murdered by his creation. The monster is abandoned by Frankenstein the moment he was created. Frankenstein’s creation feels that Frankenstein did not do him justice, seeing as he was rejected from society, and therefore vows to get revenge on him. The monster is successful in making Frankenstein suffer throughout the novel by murdering his wife, father, best friend, servant and brother. At one point, Frankenstein admits that he has “turned loose into the world a depraved wretch whose delight was in carnage and misery” (Shelley 63). Prometheus’ creation, humans, also caused Prometheus to suffer. One of the creations, Pandora opened a box which unleashed evil and suffering upon humans. Prometheus was punished by his creation just like Frankenstein is punished by the monster. Due to the similarities between their punishments, it is evident that Frankenstein portrays a modern
In the Bible, the book of Genesis 1:27 states that "God created humankind in his image, in the image of God he created them; male and female he created them." Creating both men and women in His image, God is the only person who can do this successfully, giving us unconditional love and never abandoning us throughout our journey in life. On the other hand, Victor Frankenstein, a young scientist creates a life form due to his love of natural sciences. His desire to create this life form only for an experimental purpose unknowingly leads to disastrous outcomes for both Victor Frankenstein and his creation, the monster. In Mary Shelley's novel, Frankenstein, the protagonist, Victor Frankenstein uses his knowledge where he violates ethical principles by playing God and creating a life form that he is ultimately ashamed of.
Mary Shelley's Frankenstein explores the downfall of certain human characteristics, set to the backdrop of creation, destruction, and preservation. The subtitle denoted by Shelly herself supports this idea, by relating the fact that the title can be viewed as either Frankenstein or The Modern Prometheus. One scholar, Marilyn Butler, also maintains this by noting, "It can be a late version of the Faust Myth"(302). Shelly uses the story of the main character, Victor Frankenstein, to produce the concept of a dooming human characteristic of which Frankenstein states, "I have . . . been blasted in these hopes"(Shelley, 152). The reader finds, as a result of his thirst for knowledge and infatuation with science, Victor creates a living being by whom he has "suffered great and unparalleled misfortunes"(Shelley, 17). Eventually, Victor realizes this self-destructive trait, but he is not able to save himself stating, "I have lost everything, and cannot begin life anew"(Shelley, 16). Although everything in his life that is dear has been lost, Victor is able to convince one in his same position--Robert Walton--to not "lead [his crew] unwillingly to danger"(Shelley, 151). While addressing the concept of characteristic and self-discovery, it is possible to realize that the monster also possesses the characteristics held by both Victor and Walton; except in his learning, the monster is driven to continue to cause destruction. Most important about the thirst for knowledge is that, as a form of human characteristic or downfall, it leads to large, critical pieces of self-discovery. In obtaining these critical pieces, Frankenstein finds satisfaction in j...
Hera caused Heracles to go mad and kill his family. The only way for Heracles to purify himself was to accomplish the 12 labors that was assigned to him by his cousin Eurystheus as the oracle described: “As atonement for the dreadful killings, the oracles put Heracles in to the servitude of his cousin, King Eurystheus, who would impose upon the young hero the Twelve Labors, seemingly impossible tasks” (Reference book 68). Heracles must have completed these difficult trials to help him return to his usual life
Prometheus, the Titan of Greek mythology, was considered to be the most important Titan ever in all the myths. He helped the human race tremendously in his efforts to sustain an easier lifestyle. Mankind had great respect for him because of his advantages and gifts or abilities he gave them. Also, his battle against Zeus as a result of his love for man was very much appreciated. Prometheus was one of the most interesting Greek mythology figures in his time. He was a very kind, loving, generous, and courteous god to mankind. This can be seen through many events in his life including a particular myth that the reader will acknowledge in this research paper.
Mary Wollstonecraft Shelley’s Frankenstein (sometimes also known as The Modern Prometheus) is the classic gothic novel of her time. In this eerie tale, Dr. Victor Frankenstein – suffering from quite an extreme superiority complex – brings to life a creature made from body parts of deceased individuals from nearby cemeteries. Rather than to embrace the Creature as his own, Frankenstein alienates him because of his unpleasant appearance. Throughout the novel, the Creature is ostracized not only by Frankenstein but by society as a whole. Initially a kind and gentle being, the Creature becomes violent and eventually seeks revenge for his creator’s betrayal. Rather than to merely focus on the exclusion of the Creature from society, Shelley depicts the progression of Dr. Frankenstein’s seclusion from other humans as well, until he and the Creature ultimately become equals – alone in the world with no one to love, and no one to love them back. Frankenstein serves as more than simply a legendary tale of horror, but also as a representation of how isolation and prejudice can result in the demise of the individual.
Muriel Spark proclaims one of the most prominent pieces of evidence to show the relationship between Victor and the monster includes the alternate title of the novel, The Modern Prometheus. In the initial chapters, Victor was himself the protagonist, Prometheus, the beloved contributor of fire. Nevertheless, as the monster was created, he had assumed the role of Prometheus. The godforsaken monster recites, “But am I not alone, miserably alone?” (Shelley). The revolt of the monster against his creator is another feature to depict the similarity between the monster and Prometheus; a Titan, who sought revenge against the Gods. The title may imply that the monster is an alternative Frankenstein. Critics have often provided specific examples from the text to support their claims of the relation between Victor and the monster. Primary characteristics shared amongst both figures can include a strong lust for knowledge, arrogance, and ignorance to those around them, an inner darkness that dictates their principles, and a conscience...