More handpicked essays just for you.
Risk planning in construction projects
Risk planning in construction projects
Risk planning in construction projects
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Risk planning in construction projects
As an architect, you have a duty to protect the public. The general public relies on your expertise, and a mistake could have disatours counsequences. Your clients can see you for neglicance, and you could lose everything you have worked so hard to attain. Fortuntanly, you can protect your finances from negligence lawsuits. Who Needs Professional Indemity Insurance? Architects must purchase professional indemity insurance. The insurance is not optional. Before starting a project, your clients want need to have peace of mind. They need to know that the job will be completed according to the specifications that are listed in the contract. However, artictuets an understimate or overstimate an important component of the project. If there are flaws
Billy Wilder’s film Double Indemnity uses a considerable amount of German Expressionism techniques. A crystal clear example of this is at the end of the film when Walter goes to meet Phyllis at her house, when he opens the door a long and sharp shadow appears across the wall. This is a technique used in one of the most famous german expressionism films Cabinet of Dr. Caligari. In order to get this effect, Wilder is using low-key lighting so the shadow is obvious to the audience. In this film, long and sharp shadows as well as inky blackness often appear on the screen, this is a major characteristic of german expressionist films. The mise en scene reinforces the darkness in the style and tone. These films emphasize
Engineers, contractors, and other businesses must be mindful of and knowledgeable of their legal obligations when performing their occupation or supplying a product. Negligence in the design or construction of a product that results in damage or bodily harm, or could result in damage or bodily harm, can result in liability for economic loss under Canadian Tort law. Engineers, architects, and contractors need to be respectful of their duty of care to ensure their product is precisely produced with no danger of negligence.
In Billy Wilder’s 1944 blockbuster hit Double Indemnity, a fast-talking insurance salesman named Walter Neff (Fred MacMurray) visits the home of the seductive Phyllis Dietrichson (Barbara Stanwyck) to renew the insurance policy on her husband’s automobiles. A romantic affair shortly ensues, and Walter is soon coerced by Phyllis into plotting a murder. Walter then comes up with an idea to receive double the amount Phyllis had previously intended, and they eventually deceive Mr. Dietrichson (Tom Powers) by making him sign a double indemnity insurance policy which in return states that the widow will receive full compensation on behalf of the bearer’s death. Mr. Dietrichson’s death is then made to look accidental; however, all does not go according to plan when Barton Keyes (Edward G. Robinson), a diligent insurance investigator conducts an examination of the case file. It is a tale of love and betrayal where Walter and Phyllis inevitably face the repercussions of their actions. The story transitions from the present to the past with the use of flashbacks. The voice of Walter Neff is used as a narrative style in the form of an office memorandum which is integrated throughout the film. The movie opens and ends with Walter as he tells the story of killing a man to Keyes through the Dictaphone. Billy Wilder uses money, a woman and the ability to cheat the system to denote Walter Neff’s motives to commit the perfect crime.
On March 10, 1937, Joseph Lewis and Jack Green started Progressive Mutual Insurance Company. They wanted to provide vehicle owners with security and protection and they thought an insurance company was a good investment for a couple of lawyers who were just getting started. Since its beginning, Progressive has taken an innovative approach to auto insurance. They offered drive-in claims service before any other auto insurance company and in another industry first, they allowed customers to pay their premiums in installments. An appealing option for those who could not afford annual payments. Progressive wanted and still wants to make auto insurance accessible and easy so more people could protect their vehicles.
The construction industry relies on regulations, standards, and codes of practice to ensure safe buildings constructed to a quality standard. In short, they are there to protect consumers, and ensure peace of mind. If it were not so, buildings could potentially compromise user safety, with no repercussions
“The architect’s role and their intellectual responsibility is to fight to maintain their vision and little bits get chopped off all the time, but if they’re only little bits, it’s not too bad.’’
Billy Wilder’s Double Indemnity is one of the best representatives of the film noir era in Hollywood as it contains all the main characteristics of the genre. The general darkness present throughout the movie is embodied in the plot which reveals the moral bankruptcy of the main characters. It is also present in the mise-en-scene choices such as the dark costumes and modest lighting with the great emphasis on shadows. The main character’s voice-over, another important film noir characteristic, brings this darkness to life and communicates it to the audience with brutal honesty. One of the scenes of the film which contains all of these features is the one where the two main characters, Neff and Phyllis, meet for the first time. This scene will be analysed with respect to the main film noir elements and techniques that were used in the making of it – mainly mise en scene, the voice-over and the screenplay.
Adapted from the novella written by James M. Cain, Double Indemnity is a melodramatic film noir that highlights the conflict its characters face through adultery and murder which develops from the dissatisfaction and alienation that arose in the era of modernity as shown in most noir films. Unlike most noir films, Double Indemnity set the bar in terms of structural themes to follow and elements that eventually came to be considered essential in the noir genre. The film was seen to be a full embodiment of what the genre should be. Double Indemnity is an archetypal noir film, which portrays noir elements through its style, the characters, its writers’ backstory and the history of Los Angeles, the city in which it is set. This essay will examine how Los Angeles is integrated not only into the location but also into the storyline of the characters and their motivations but also the filmmakers’ lives. It does this through characteristic noir motifs like “the urban cultural landscape, the lack of rootedness of the characters, and the self-deceptions that center their world” (p. 437) affect the protagonists in the film. Double Indemnity’s use of Los Angeles as its primary location exposes the innate decadence and decay of the city through film noir stylistic elements. Billy Wilder directed Double Indemnity and the film became the archetypal noir film because it embodied all the characteristics of a typical noir film, which include “claustrophobia, paranoia, despair and nihilism” (Place and Peterson, p. 327) course kit source. Los Angeles, the city used primarily as the location in the film becomes not merely a backdrop but a character in the film through its physical and implied characteristics. The context through the stories of Wild...
Architectural drafting plays a big role in our lives. It is the process by which all architectural things around us are made. Drafting the builds before hand in their entirety makes it so you can make sure that you are following all the rules that go along with architecture, say you didn’t draft a building you were going to make and on the construction you decide to make a bedroom with only one access. If there was a fire and you were in that room and that fire spread to your room you would have nowhere to go, and firefighters would not be able to reach you. That would not be a very safe room. You should have had more ways to escape the fire, such as a window. That window would have to be large enough for you to get through of course. Or what if you accidentally built a building that was not structurally sound and it just collapsed. That would not be safe at all. Architectural drafting can prevent this. Obviously architectural drafting goes pretty far back or we would have heard of many buildings collapsing and such.
All in all architects are referred as sort of authors of buildings. They create scenarios for life itself. Even when it comes to the design process an architect places a scenario or a character to develop the design further. As stated by Neutelings Riedijk Architects, “Spaces in a building relate to each other like scenes in a theatrical performance”. Architecture is the telling of a story. The buildings itself are the backdrop of in which life is represented.
When designing any form of construction project, you will be faced with various details to consider in your design. Aspects like location, ground composition, climate, etc. that can all affect the quality and quantity of the products you’d use in your project. Therefore there are various ways for architects to make ethically wrong decisions. For instance, say a construction
Being an architect is a very important thing, you have a large amount of responsibility. You control a large aspect of someone’s life whether it is where they walk in a shopping centre or where they sleep and eat, and that is why it is very important to design for yourself and your client. You have to imagine the space as if you were there, you need it to be
Architectural engineers help plan how a building is constructed so that it will look and function the way it was designed. Their work includes preparing building design and construction documents, cost estimating and construction-related projects. Architectural engineers should be creative, inquisitive, analytical, and detail-oriented. They should be able to work as part of a team and be able to communicate well, both orally and in writing.
“There are no rules of architecture for a castle in the clouds”, fabulously stated by G.K Chesterton. Most architects learn throughout their college experience and career that rules dominate, and at one point feel so restricting that imagining freedom to design without restrictions or hurdles would make things easier. Sadly, rules in architecture are very necessary to not just know but to also try to follow. Through my experience in my internship, I’ve noticed many different aspects of rules and ethics that are followed. Ethical choices and business choices have been constantly displayed through projects. Such as the many obligations to the public, to the client, to colleagues, to the profession and of course the general obligations that come with the field of architecture. These canons are building
The role of the architect is a question that evokes a spectrum of answers from Norman Foster’s definition; ‘Architect is an expression of values… the way we build is a reflection of the way we live.’ [Foster, cited in Tholl, 2014: Online] This debate of who and what an architect should be and do is not a recent one to emerge but has lead many architects and designers as far back as Vitruvius [15BC] to produce documentation on what they believed to be the make-up of an architect. In Vitruvius’ ‘The Ten Books On Architecture’ he quickly establishes two fragments that make an architect, the manual skill and the theory and scholarship.