Prejudice Toward A Blind Man In Raymond Carver's Cathedral

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First published in 1983 by Raymond Carver, “Cathedral” tells the story of a man, who in his ignorance, holds a prejudice towards a blind man who comes to visit in his home. While most of Carver’s short stories have hopeless plots, the ending in “Cathedral” is enlightening and optimistic. The plot is rather simple and upon first glance only tells a straightforward story. But once the reader takes a closer look, he sees the irony and meaning behind the simplistic story line. While the blind man has no physical vision, it is his heart that can “see” almost on spiritual levels. Through the drawing of the Cathedral with the blind man, the narrator, who has full physical vision, obtains spiritual vision in matters of love and purpose in life. Raymond …show more content…

His wife worked for the blind man, known as Robert, ten years ago. During the past ten years, the wife and Robert have been exchanging audiotapes. The narrator is baffled as to how the blind man and his wife have such a close relationship. He says, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (James 494). When his wife asks him to listen to a tape that Robert had sent, the narrator reluctantly agrees and they sit down to listen. They are interrupted by a knock on the door but the narrator doesn’t seem to mind- “I’d heard all I wanted to” (James 495). The prejudice that the narrator shows towards the blind man shows his own transcendent blindness. Miwar Obaid notes that, ”The narrator is distant from his wife and seems very alone and negative. He is unsympathetic to his wife and the blind man” (6). When Robert arrives, the narrator is uncomfortable and finds himself …show more content…

When attempting to describe a cathedral to Robert, the narrator discovers he cannot describe the essence of it. His situation serves as an example of his life- there is no depth or purpose. Eventually, after ending up on the floor drawing a cathedral with Robert, he is able to comprehend the fullness in the drawing. With Robert’s hand guiding his own, the narrator comes to a “realization that there is more to life than an unrewarding job and marriage, self-imposed isolation and views predicted on third party sources instead of real life experience” (Caldwell 4). With his eyes closed, the narrator sees more as a blind man than he does with his eyes open. “But I had my eyes closed. I was in my house. I knew that. But I didn’t feel like I was inside anything” (James 504). Once the drawing is completed, the narrator feels a sense of freedom that he has never felt. Tracy Caldwell describes it as, “the real accomplishment was not in the product but rather in the process of creating” (4). This experience in the early morning hours transforms the narrator’s outlook on life. Prior to drawing a cathedral with Robert, he was blind to any purpose in his life. Obaid states, “the narrator lacks sight into the wonder of things, the potential for magnitude in

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