Portrait Of Two Children By Jean-Joseph Vaudechamp

1443 Words3 Pages
bulb-icon

Recommended: Aesthetic movement in the 19th century

Portrait of Two Children, Probably the Sons of M. Almeric Berthier, comte de LaSalle 1841 by Jean-Joseph Vaudechamp is currently at the Dallas Museum of Art. An extensive description of the image above including medium, dimensions, technique, style, composition, and content is, as noted. The medium that is used is oil paint. The dimensions overall are 46 inches by 35.24 inches. The technique used is oil on unprimed canvas. The style of the work is specified as an American art painting. The composition of the work may be broken down into eight parts. Unity, balance, movement, rhythm, focus, contrast, pattern, and proportion. The unity in this work all belong together, and there is nothing that is creating an awkward configuration. The balance …show more content…

The focus of the work is on the highlighted faces of the children, especially on the eyes, nose, lips, and jaws. The contrast viewing the light usage is medium to high between the colored clothing and the deep muted background including black and green tones. The pattern of the work can be seen in the pants of the boys and the vertical lines following from the top to the bottom of the shirts allows even more symmetry to be formed. The proportion of the children are accurate to the form of what the human face should have, yet there are no strong gender trait differences between male and female (creating androgynous children), thus it is required to read the title description in the art piece. Androgynous children is a widely seen reoccurrence through artwork during this period so it is common for the differences of gender in children to be few. There are equilateral triangles found in the frame of the faces (using the bottom lip to the eyes as a guide) and there is no abnormality to the shapes of the bodies seen. It is important to note the lower legs and feet are cut out of the portrait and may change the real proportions that may …show more content…

The audience would therefore be adults or patrons of the arts and would not include children in this event. This audience would include individuals of high society and individuals within the court at that period of time or individuals who hold particularly high ranking within the social ladder. This audience would be able to distinguish that these boys were fashionable and stylish along with following the French Napoleonic decadence world that would be desired in New Orleans,

Show More
Related

  • Abraham Rattner: The Double Portrait

    424 Words  | 1 Pages

    The double Portrait ( Happy Birthday, Dear Eshter) was created by Abraham Rattner in1974. It’s an oil paint on Masonite and the size of artwork is 29.5 x 28 in. This painting has two figures who are Rattner’s second wife, Eshter and Rattner himself. The scene is Rattner is painting the portrait of Eshter and Rattner, himself is half of the paining. Rattner is stadning foreground. He is holding paint pallet by left hand and he is facing sideway. Eshter is painted in the painting frame, thus she is a kind of slightly background position. This was a part of her birthday gift from Rattner. The year painted for this double portrait was their 25th wedding anniversary after they married in 1949 and he was 81 years old. He painted on Masonite which is made from a mixture of wood fibers that have been broken down and molded into a board using heat, pressure and the natural adhesion

    Read More

  • Un Coq Pour Chango: The Oracle And The Green Bird

    634 Words  | 2 Pages

    Large and medium sizes of the forms dominate over small in the painting. The arrangement of the objects in this art piece is mostly centric. However, even though it is central, it is not symmetrical. The painter also touched the left edge of the burlap and the right bottom corner of it; this helps viewer’s eye to enter the painting smoothly, move around and escape from it. The asymmetry of the arrangement creates the sense of imbalance. Lam uses basic lines and shapes in the composition. Nevertheless, the painter creates wonderful light movement inside the figure with wavy shapes, which directs viewer’s eye from the top to the

    Read More

  • Analysis Of Rue Transnonain

    795 Words  | 2 Pages

    The most emphasized part of this image is the man lying on top of the child and leaning against the bed, part of the body being directly in the center and seems to take up the most space, this is where the eye tends to linger. The negative space is made interesting by including a turned over chair, and rumpled sheets on a bed and other homely objects, which indicates that this is set in a home. The contrast that is shown in this artwork is through the use of value since Daumier used implied light, the brighter and darker areas create a contrast against each other. While this piece is not symmetrically balanced, it is balanced asymmetrically. It is asymmetrically balanced through a man and most of a bed being placed in the center, on the right is a small child, the upper torso of an older looking man, a chair next to him, and the rest of the bed; on the left of the man is most of what seems to be a woman, and other less detailed furniture. There is a sense of repetition through the positive shapes of the people lying on the floor, this is also shown through the use of line that creates the entire lithograph. This provides a sense of cohesiveness and unity throughout the

    Read More

  • Visual Analysis Bouuerau

    546 Words  | 2 Pages

    The visual elements in this painting are shape, color and light. The shapes and contours of the mother and child are life like.

    Read More

  • Subject Placement in American Gothic, The Third of May, Acrobat’s Family, and Waterseller

    1097 Words  | 3 Pages

    Besides bright or dim colors, and fine or rough brush strokes, artists use centralized composition to convey their interpretations in "The Acrobat's Family with a Monkey," "Amercian Gothic," "The Water-Seller," and "The Third of May,1808.”

    Read More

  • Art Analysis: Faith Ringgold's Art

    1134 Words  | 3 Pages

    The type of balance is considered asymmetrical. There is also no distinct pattern in this piece. Another detail to this artwork is that everything is in proportion. The only rhythm and movement found is that the young girl in the sky looks as if she is flying. A strong contrast found is, again, the bright floral border compared to the dark picture inside.

    Read More

  • Art Analysis: Olive Trees By Vincent Van Gogh

    917 Words  | 2 Pages

    What I see in this piece is peacefulness. Stokes of the paintbrush are perfect to make it look whole. With the sun shinning down making the colors pop out even more. The olive trees glowing in the suns light with the mountains behind it. It is a piece I could look at for a long time with out getting bored. The colors of the piece just make it look so complete. With the lines of the

    Read More

  • Aaron Douglass Song Of Towers Analysis

    735 Words  | 2 Pages

    The visual devices used were concentric circles and rectangular buildings I stated the visual art elements were intertwined with the principles of design. The tall rectangular shapes portrayed skyscraper towers in New York City. Industry was portrayed through the smoke and the man with the suitcase stepping up the cog wheel. I saw a man figure in the middle playing a saxophone and assumed he was the subject matter. There was a use of gestural lines to create form of a 3-D effect with the buildings, as well as the smoke floating in the air, the people figures, the shadows, and the wheel of life. There were uses with the secondary hue green, which has value starting with a light green by the statue of liberty in the concentric circles darkening with each circle. The green cool color with a use of a neural color of brown for the buildings was how the picture was portrayed. Great space was used for overlapping objects, like the people and buildings. The buildings had a two-point perspective due to the angles they are pointing at. Symmetrical balance was achieved with the use of colors, line, and shapes (to take up space). There was a sense of movement with the man holding the briefcase, which looked like he was walking up stairs. Unity and Variety were accomplished using the use of color, shape, line, etc. The painting is

    Read More

  • Georges Seurat - Hi Painting

    1600 Words  | 4 Pages

    ... study for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem actually real. The spatial quality is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective centre is on the right, despite the fact that the composition is laid in rows parallel to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orange dress and her mother are on the same level, that is, actually at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal eye level would actually be on different horizontal lines; first at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a modern lifelike painting rather than an academic history painting.

    Read More

  • Art of the Americas and the Pacific

    1471 Words  | 3 Pages

    My friends, after traveling through the Asian continent and Japan, I continued on to the Americas. The art in the Americas has three regions, North America, Central America, and South America. Each region has a very distinct aspect to their forms of art. All cultures have some kind of art. Being curious about art, I have collected samples from five different areas. The following works of art are very different from European art, but there are still some similarities. The similarities of the human spirit are evident in the following images.

    Read More

  • Vincent van Gogh, Houses at Auvers, 1890

    615 Words  | 2 Pages

    This painting consists of three parts, with curving lines distinctly separating each of the parts. The foreground details a brick house with a thatch roof and a person walking along a path, the mid-ground depicts houses further away and the undulating greenery, and the background highlights the break between earth and sky with the tree line. The main objects in the Houses at Auvers are blocky houses, with a path cutting through the landscape and a person on the path. This...

    Read More

  • Wayside Madonna

    948 Words  | 2 Pages

    The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...

    Read More

  • The Life and Accomplishments of Gustav Klimt

    843 Words  | 2 Pages

    ... though employing a familiar subject (the female form), shows the transformation from busy mosaics with gold embellishments to a brighter palate of colors and the use of stronger, bolder lines. The piece exemplifies his versatility as an artist.

    Read More

  • The Betrayal of Christ Depicted in the Italian Paintings by Duccio and Giotto

    945 Words  | 2 Pages

    In addition, to the composition of the painting, the balance is also a dynamic factor. Both Ducci...

    Read More

  • Analysis of Thomas Birch’s painting An American Ship in Distress

    738 Words  | 2 Pages

    Overall the artist does make a unified scene in this composition. Birch used these principals of design to make his composition more effective like balance, movement, repetition and unity. The composition seems balanced because most of the subjects in the painting are all equally distributed and proportioned.

    Read More

More about Portrait Of Two Children By Jean-Joseph Vaudechamp

Open Document