Populism And The Film: Corner In Wheat

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Populist leader, Mary Elizabeth Lease, in speech given in 1890, once said, “We will stand by our homes and stay by our fireside by force if necessary, and we will not pay our debts to the loan-shark companies until the government pays its debts to us. The people are at bay; let the bloodhounds of money who dogged us thus far beware.” Populism was a third-party that emerged at the end of the 19th century in opposition to rising industrialization and commercialization of American society, especially agriculture. While populism never achieved political majority, it was one of the most formidable third-parties that ever formed in the United States, and its platform became the rallying point of many poor Americans, especially poor whites, against …show more content…

Attention was drawn to the party along with its platform through the new emerging medium of film: Corner in Wheat is a film that offers populist interpretations of current-events and frustrations with the government and traders through its use of editing techniques and portrayals of …show more content…

For many decades, these farmers and producers were considered the heartland of America, but now, suddenly, they were facing a technological revolution that forced them into debt and “modernity” at an expeditious rate. D. W. Griffith depicts these emotions of anxiety and anger in Corner in Wheat through the usage of parallel editing. While parallel editing is usually used to create suspense, as Griffith did in his film Birth of a Nation, it also serves a second purpose in Corner in Wheat: mirror the audience’s own emotion. Griffith took the people's thoughts and feelings about the state of the nation and reflected it onto film. Utilizing pathos (an appeal to emotion) allowed Griffith’s film to proliferate across a broad audience, even the wealthy who, in the Populist’s eyes, were wildly out of touch. The audience realizes the film’s implicit moral argument as they assess the relationship of the contrasting shots of the poor wheat farmers versus the trade dealers in their high-society ivory towers. Switches between image and text

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