Popular Literature: The Consequences Of Popular Culture

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Popular culture consists of the cultural patterns and expressions which are recognized and reflected by the society. Speculative fiction which includes genres of speculation like science fiction, fantasy, horror, futuristic utopia/dystopia, alternative history and cyberpunk is a staple of popular interest and consumption. In the wake of advanced breakthroughs in science and technology, the speculative explores the ‘what if?’ through its exploration of life in its myriad forms. It is a combination of art and recreation and is comprised of a variety of elements that attract the fancy of the people. As an integral part of popular culture, it reflects the values of the society and draws from the common beliefs, shared values, fears and superstitions. …show more content…

It incorporates the daily interactions, needs, desires and cultural moments that make up the everyday lives of the society. It finds expression in day to day practices such as cooking, fashion, newspapers, magazines, television, mass media and the many facets of entertainment such as sports, music, dance and literature. Thus popular culture becomes “culture actually made by people for themselves” (Williams 111). In the essay “Notes on Deconstructing the Popular”, Stuart Hall defines popular culture as all the cultural activities of the people, or their “distinctive way of life” which is considered as popular within social context, and is popularly accepted within the society in any particular period (449). Popular Culture also accommodates cultural texts and practices which fail to qualify as the high or elite culture. This residual nature makes it a site of struggle between the marginalized and the dominant groups in society, where forces of incorporation and resistance against them come into …show more content…

The protagonist Tan-Tan and the other inhabitants of the planet Toussaint have descended from ancestors who had left Earth to forge a new society free from the racist premises inextricably bound up in terrestrial communities. Toussaint is run by an Internet-like information system, known as “Granny Nanny”, invented by the Marryshow Corporation. Each person on the planet is injected with nanomites at birth that allow them a mental access to Granny Nanny. This access takes the form of an eshu, functioning as the local Artificial Intelligence that becomes a mental voice within the head, and performs multiple tasks and provides information upon request. Tan-Tan spends her childhood in Cockpit County, until her father, Antonio, poisons his wife’s lover during Toussaint's annual Jonkanoo Carnival. Knowing he will be punished by the all-seeing Granny Nanny, he escapes with Tan-Tan to the penal dimension, New Half-Way Tree, where Granny Nanny cannot reach him. At New Half-Way Tree, a douen (the lizard-like sentient species that is native to the planet) named Chichibud, leads them into the nearest human settlement, Junjuh. At Junjuh, Tan-Tan’s life takes a disturbing turn when her father begins to exploit her sexually. This traumatic experience causes a split in her personality. Tan-Tan becomes

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