Political Allegory In The Crucible And The Second Red Scare

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Arthur Miller, in his article “Why I Wrote The Crucible”, elaborates on the political allegory he incorporated into his drama. Showing parallels between the Salem witch trials in The Crucible and the Second Red Scare, Miller dismisses the opposing argument that resists the idea of an allegory because of the false existence of witches contrasting the reality of communism. He proves that the foundation of fear in the two situations were analogous, for it was the dominating factor perpetuating both conflicts. Analyzing Miller’s argument and drawing evidence from The Crucible, it is proven that fear was the basis of the witch trials within The Crucible as well as the congressional hearings during the Second Red Scare. From this fear stemmed the …show more content…

In both situations, fear and absolutism were influential in these accusations. “The Red hunt . . . was becoming the dominating fixation of the American psyche. . . . [S]tudios . . . agreed to submit artists’ names to the House Committee for ‘clearing’ before employing them. This unleashed a veritable holy terror among actors, directors, and others, from Party members to those who had had the merest brush with a front organization” (Miller, “Why I Wrote The Crucible”). Chiefly due to fear of punishment, innocent names were revealed, which not only fueled the belief that communists were penetrating society, but it also perpetuated the apprehensive searches for these wanted people, even stretching to the casting for movies. As a result, these accusations labeled many people as traitors to the United States, and with this label, careers and reputations were ruined. Likewise, The Crucible’s witch trials were perpetuated by false accusations, and the theory of absolutism was also prevalent. As Giles Corey stated in the court to save the life of an individual, “I cannot give you his name. . . . He’ll lay in jail if I give his name” (Miller, The Crucible 96-7). For his silence, Giles Corey was held in contempt of court and ultimately was pressed to death for staying mute. Like Giles Corey, those who showed resistance against the trials were interpreted to be an immoral threat to authority. Just as individuals who had “the merest brush” with communists during the Second Red Scare, those who denied their involvement in witchcraft or refused to reveal names were jailed or executed. Some people took advantage of these accusations by mentioning a person’s name in order to seek personal vengeance upon them or to gain their property once they have been jailed. In both The Crucible and the Second Red

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