Poe's The Cask of Amontillado: A Psychological Analysis of Characters
Widely regarded as E. A. Poe's finest story, "The Cask of Amontillado" depicts a deed so horrific that for many it defines evil. Edmund Clarence Stedman said of Poe's writings: "He strove by a kind of divination to put his hand upon the links of mind and matter, and reach the hiding-places of the soul". Even though 20th century theories of psychology would not be formulated until many years after Poe's death, he nevertheless delved into the realm of abnormal psychology instinctively and perhaps never with a more terrifying outcome than in the character of Montressor, a man so bent upon revenge that he walls his enemy up in a crypt and leaves him to die. Is Montressor a madman, or is he evil personified? Is Fortunato merely the unfortunate victim of a deranged murderer, or did he entice Montressor to commit the deed? By applying 20th century psychological guidelines, one can speculate that Montressor is not insane per se but is afflicted with a malignant narcissistic disorder which, when aggravated by Fortunato's egotism and naiveté, drives him to commit his violent act.
Fortunato is depicted from the outset of the tale as arrogant and egotistical. Montressor begins his narration by saying, "The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult I vowed revenge" (240). Though the exact nature of the insult is not made known, there are numerous examples of subtle slights by Fortunato throughout the narrative. Perhaps Fortunato is unaware that his comments are frequently demeaning but his remarks make him seem arrogant and uncaring. Early in the story, he indicates his belief that Montressor is not a true connoiss...
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...y points to a mental disorder but is not indicative of insanity as we define it. Did Fortunato's perceived insults drive Montressor to commit his crime? Perhaps they did, or perhaps Montressor needed little incentive. However, one thing is certain. If evil can be defined as the death or absence of a soul, then to look upon Montressor must surely be to glimpse the very face of evil.
Works Cited
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Stedman, Edmund Clarence. Scribner's Monthly, Vol. XX, May-Oct. 1880, pp. 107-124. Reprinted in Nineteenth-Century Literature Criticism, Vol. 16. GALILEO. .
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In Edgar Allen Poe's “ The Cask Of Amontillado”, Montresor, the narrator is insane. “The Cask Of Amontillado” is a story of revenge. Montresor is mad at Fortunato because he said an insult about Montresor. He got so mad that he plotted an extremely good plan to kill Fortunato. At the end of the story Montresor did eventually go to the catacombs and kill him, but nobody has found out that he is dead and it has been 50 years ago. Montresor is insane because he is pleased by the sound of other people's misfortune and suffering and he wants revenge over an insult.
Montresor’s actions can then be explained due to Antisocial Personality Disorder. “A person who has this disorder overlooks the rights of others, is incapable of loyalty to others or to social values, is unable to experience guilt or to learn from past behaviors, is imperious to punishment, and tends to rationalize his or her behavior or to blame it on others" (MacKenzie). Antisocial personality disorder affects a person and their ability to function properly in society. Montresor had Antisocial Personality Disorder since he acted irrationally and blamed his action on Fortunato. Montresor kept justifying his actions and convincing himself he was doing what was right. By Montresor refuses to recognize his actions he further showed that he had Antisocial Personality Disorder. Montresor also was unable to ever feel remorse to Montresor and did not have any guilt. For these reasons presented, it can be justified that Montresor suffered from Antisocial Personality Disorder. This diagnosis would help justify to the reader his strange behavior and his desire to seek revenge on Fortunato. By analyzing the characteristics of Antisocial Personality Disorder, it explains Montresor’s desire for revenge, manipulation and lack of empathy for
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
Montresor proves not to mess with someone's feeling. He explains, “I must not only punish, but punish with impunity” (Poe 372). Fortunato does not know that he is going to die, yet Montresor and the reader do know, making the situation dramatic irony. By punishing him with impunity he is going to get revenge that he has wanted now for years ever since he did wrong to Montresor and now that he finally gets the chance of course he will seek revenge on Fortunato. And it is dramatic irony because Fortunato is oblivious to the situation. Montresor proves that one should be careful on what they say. He speaks, “I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation” (Poe 372). Montresor is saying
Vengeance and pride are fundamentally important to this short story. From the inception of the tale it is clear that the narrator is a proud, vindictive man; opening with, “the thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge,” the narrator immediately alerts the reader to the dark aspects of his own character. Because “insult” and not “the thousand injuries” caused the narrator to “vow” revenge, the reader can infer Montresor is prideful because, although he already had conflict with Fortunato, insult was what made the tense situation unbearable for Montresor––so much so that he vowed to take action. Use of the word “vow” is significant because it indicates that the grievance was meaningful in the mind of Montresor, allowing for the reader to more easily identify with the actions to be revealed throughout the course of the story; if the reader believes that Montresor was provoked in a profound way, ...
"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.
Poe, Edgar Allen. "The Cask of Amontillado." In An Introduction to Literature, by Sylvan Barnet, William Burto and William E. Cain, 180-185. New York: Pearson Longman, 2006.
In the story when Montresor tells Fortunato, ‘’Drink,’’ presenting him the wine, not as friendly but as him knowing that if he kept drinking that it would just lead to the demise of him. As Montresor knows that Fortunato cannot turn down a drink, he led him down to the cellar where all his prized wines are and made him a drink. This is a mental illness, because he is planning for his demise of Fortunato and to get back for revenge. This story had a lot of issues that were involved in the 1840’s, alcoholism was a big thing in society, at that point and drinking was better viewed in that era than today’s era.
Poe, Edgar Allan. "A Cask of Amontillado." Literature: Reading, Reacting, Writing. Ed. Laurie G. Kirszner and Stephen R. Mandell. Orlando: Harcourt, 1997. 209-14.
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In the Cask of Amontillado, our narrator’s situation is one he is quite happy being in. Our narrator is Montresor, an Italian man rich with pride, and you quickly learn through his narration that he is intelligent, conniving, and extremely sinister. Throughout the story, everything Montresor does is motivated by one thing, his own thirst for vengeance. Montresor explains his actions are a result of Fortunato constantly abusing him and finally going too far, but he never explains anything Fortunato has done to insult him. When we meet Fortunato, he is extremely friendly towards Montresor, albeit a little intoxicated, so much that he makes Montresor’s story of “a thousand injuries” seem unbelievable (Cask 1). Compared to Gilman’s narrator whose spiral out of control was triggered by her forced seclusion from the outside world, it seems that Montresor’s insanity come from inside his own head. There is no evidence that suggest any attempts by Fortunato to belittle or insult Montresor in any way. I believe that Montresor may have been jealous of Fortunato’s success in life, and that is what drove him to vengeance. For example, on their way to the catacombs Fortunato makes a hand gesture of the Masons, a secret brotherhood, which Montresor doesn’t understand. Fortunato ask if Montresor is a Mason and for him to prove it, and Montresor lies and shows his trowel (Cask 5). This proves that
Comparing the Narration of The Cask of Amontillado and The Black Cat by Edgar Allen Poe
Poe, Edgar Allan. "The Cask of Amontillado." Reading and Writing about Literature. Phillip Sipiora. New Jersey: Pearson Education, 2008.
Poe, Edgar Allan. “That Cask of Amontillado.” Ibiblio. U of North Carolina at Chapel Hill, N.d.