When reading The Black Cat, by Edgar Allan Poe, almost immediately you can sense the dark and shadowy nature of the work. Filled with mystery, death and the possibility of the supernatural, this short story is a work of Gothic Literature. A work of Gothic Literature is one that contains at least some of the following qualities: a serious tone; ruins, a castle, or a dark, melancholy setting; scenes involving dungeons, underground passages, crypts, basements or attics; shadows, a beam of moonlight in the blackness, a flickering candle, or the only source of light failing; extreme landscapes, like rugged mountains, thick forests, or icy wastes; omens and ancestral curses; magic and/or the supernatural; a villain-hero or villain who loses the self or self-control; a curious heroine with a tendency to faint and a need to be rescued-frequently; a hero whose true identity is revealed by the end of the novel; and horrifying (or terrifying) events or the threat of such happenings. Poe's work includes many of these aspects of Gothic works. In The Black Cat, Poe creates a tale of strange confusion and morbid mystery. The tone is serious, as the narrator is writing his account of the events the day before he is going die, presumably for his crimes. The narrator, and the villain of the story, begins by saying he is "noted for the docility and humanity of my disposition." This statement is ironic, because as the story continues, we see he is anything but docile and humane. He becomes a driven man, passionate about getting rid of the cat that haunts him. The story takes place in the home of the main character, the climactic events happening in the dark, gloomy basement. The main character, a one-time lover of animals, takes to drinking alcohol, which brings out his hidden cruel personality. He abuses his wife and animals, eventually loosing himself to his rage and committing murder. His one animal that he refused to harm in the beginning, the black cat named Pluto, eventually becomes the target of his entire wrath. As the narrator claims during a particularly cruel encounter, "I knew myself no longer," as his alcohol-induced anger caused him to become someone else, someone he did not recognize. Even after he has tried to kill the cat, or maimed it, it comes back to him, seemingly having the supernatural ability to stay alive, and the crazy desire to stay with him.
Poe carefully details the most brutal scenes of his stories, a quality shared by many of his works. Within “The Black Cat,” three situations stand to illustrate Poe’s message: when the narrator stabs out Pluto’s eye, when the narrator hangs Pluto, and when the narrator murders his wife. Before the first violent act described in the story, the narrator is known to be a drunkard who abused his wife. No matter how despicable this may be, he is still a somewhat ordinary man. Nothing majorly sets him apart from any another, relating him to the common man. However, his affinity towards alcohol, led to “the fury of a demon” (2) that came over him as he “grasped the poor beast by the throat” (2) and proceeded to “cut one of its eyes from the socket.” (2) Poe’s gruesome description of the narrator as a destructive demon, one who was awakened by alcohol, connects his behavior to the common working-class man. Alcohol is a legal drug that can be obtained by many, and when consumed in excess leads to the uncontrollable madness that ensued. The descriptions of the act plants fear into the hearts of the readers, especially those who have consumed alcohol, of ever becoming such a
“The Black Cat” is a short story about a man is dealing with alcohol problems, which cause him to lose his temper more frequently. One of the first cases of the man’s lashing out happens towards the beginning of the story. The man returns home, very intoxicated, and proceeds to cut one of the cat’s eyeballs out. Poe states “I took from my waistcoat-pocket a pen-knife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket!” The use of deep description by Poe in this instance allows the reader to fully imagine the actions done by the man to the cat. He gives many small details like “grasped the poor beast by the throat,” to really readers to see what he wants them to. Additionally, as the story moves forward, the man is not done with the cat. He then proceeds to murder the cat he has already cut an eye out of. Poe explains “One morning, in cold blood, I slipped a noose about its neck and hung it to the limb of a tree.” Poe paints a striking picture for the reader to see, and to feel the full impact of the action taken in the story.
Poe is a very complicated author. His literary works are perplexed, disturbing, and even grotesque. His frequent illnesses may have provoked his engrossment in such things. In 1842 Dr. John W. Francis diagnosed Poe with sympathetic heart trouble as well as brain congestion. He also noted Poe's inability to withstand stimulants such as drugs and alcohol (Phillips 1508). These factors may have motivated him to write The Tell-Tale-Heart, The Cask of Amontillado, and The Black Cat. All of these stories are written in or around 1843, shortly after Poe became afflicted. His writing helped him to cope with his troubles and explore new territory in literature. Poe's interest in the supernatural, retribution, and perverse cause them to be included in his burial motifs; therefore sustaining his interest. There is a common thread laced through each subject, but there is variation in degrees of the impact. The supernatural is the phenomena of the unexplained. With this comes an aura of mystery and arousal of fear. Death in itself is the supreme mystery. No living human being can be certain of what happens to the soul when one dies. It is because of this uncertainty that death is feared by many. These types of perplexing questions cause a reader to come to a point of indifference within one of Poe's burial motifs. One is uncertain of how the events can unfold, because a greater force dictates them. Reincarnation in The Black Cat is a supernatural force at work. There is some sort of orthodox witchcraft-taking place. The whole story revolves around the cat, Pluto, coming back to avenge its death. One can not be sure how Pluto's rebirth takes place, but it is certain that something of a greater force has taken hold. The cat's appearance is altered when the narrator comes across it the second time. There is a white spot on the chest "by slow degrees, degrees nearly imperceptible…it had, at length, assumed a rigorous distinct outline…of the GALLOWS" (Poe 4). Foretelling the narrator's fate a confinement tool appears on the cat's chest. This also foreshadows the cat's confinement in the tomb. It reappears like a disease to take vengeance on a man that has committed horrid crimes. "I was answered by a voice within the tomb! --By a cry, at first muffled and broken, like the sobbing of a child, and quickly swelling into one long, loud and continuous scream, utterly anomalous an...
Poe uses the narrator’s perverse desires to harm the cat to emphasize his masculine declination. The narrator blames the cat for his actions rather than taking responsibility for his own perverse desires. The narrator states that “the hideous beast whose craft had seduced me into murder, and whose informing voice had consigned me to the hangman” (2501). The narrator is unable to place the blame on himself because he does not possess masculine qualities, which would allow him to take responsibility for his actions. The cat is used to symbolize feminine desires as a black cat is commonly associated with witches, sorcery, and evil. Women were commonly associated with witches and black cats in the eighteenth century. The narrator feels inferior to his wife, which contributes to his increasing feminine qualities. Thus, the cat adds to the narrator’s perverse desires which propels him to lose masculine
Edgar Allen Poe was an English short-story writer whose work reflects the traditional Gothic conventions of the time that subverted the ambivalence of the grotesque and arabesque. Through thematic conventions of the Gothic genre, literary devices and his own auteur, Edgar Allan Poe’s texts are considered sublime examples of Gothic fiction. The Gothic genre within Poe’s work such as The Tell-Tale Heart, The Black Cat, and The Raven, arouse the pervasive nature of the dark side of individualism and the resulting encroachment of insanity. Gothic tales are dominated by fear and terror and explore the themes of death and decay. The Gothic crosses boundaries into the realm of the unknown, arousing extremes of emotion through the catalyst of disassociation and subversion of presence. Gothic literature utilises themes of the supernatural to create a brooding setting and an atmosphere of fear.
A common theme that is seen throughout many of Edgar Allan Poe’s text, is madness. Madness that will make the whole world turn upside down and around again. Madness that takes over somebody’s life. Madness and eye imagery is present in both “The Black Cat” and “The Tell Tale Heart” by Poe where madness is at first a fairy tale but then ends with a crash back to reality.Both stories share components of murder and insanity, and are very similar, not at first glance but if looked at more closely.
Key Elements of Gothic Literature Jasmine Giles People enjoy reading gothic literature due to its heart rate exciting nature. Without having to engage with any real danger, it is common for the reader to feel anxiety and impaitence when reading gothic fiction. In order for the reader to feel these emotions, the author uses certain elements, such as a gloomy setting and old-fashioned dialoge. In the stories “The Black Cat” and “The Tell Tale Heart”, by elgar allen poe, and “The Landlady”, by Roland Dahl, there are many similarites that remanticize the idea of horror and mystery. Some elements, however, bring out the disbolical horror of gothic literature: the setting, characterization, and the motif of suspense.
This short story easily achieved the effect that Poe was looking for through the use of description of setting, symbolism, plot development, diverse word choice, and detailed character development. In most cases, the setting is usually indelible to a story, but “The Black Cat” relies little on this element. This tale could have occurred anywhere and can be placed in any era. This makes the setting the weakest element of “The Black Cat.”
for dark, mysterious, and bizarre works of fiction. His works sometimes reflected his life experiences and hardships he tried to overcome. Examples of the troubles in his life include alcoholism, having his works rejected over and over, being broke, and losing his family, even his beloved wife to tuberculosis. There is no wonder why his works are so dark and evil, they were taken from his life. A theme is defined as the major or central idea of a work. Poe’s short story, “The Black Cat”, contains six major themes that are discussed in this paper. They include the home, violence, drugs and alcohol, freedom and confinement, justice and judgement, and transformation.
Gargano, James W. “’The Black Cat’: Perverseness Reconsidered.” Twentieth Century Interpretations of Poe’s Tales. Ed. William L. Howarth. Englewood Cliffs, NJ: Prentice Hall, 1971. 87-94. Print.
The presence of the two cats in the tale allows the narrator to see himself for who he truly is. In the beginning the narrator explains that his “tenderness of heart made him the jest of his companions”. (251) He also speaks of his love for animals that has remained with him from childhood into manhood. However, Poe contradicts this description of the narrator when he seems to become annoyed with the cat that he claims to love so much. While under the influence of alcohol the narrator is “fancied that the cat avoided his presence”(250) and as a result decides to brutally attack the cat. This black cat symbolizes the cruelty received by slaves from whites. The narrator not only “deliberately cuts one of the cats eyes from the sockets” (250) but he also goes on to hang the cat. Once the narrator successfully hangs the cat the tale begins to take a very dark and gothic-like turn. The racism and guilt of the narrator continues to haunt him once he has killed the black cat. Th...
Edgar Allen Poe is known for his dark theme poems and short stories. When one does read one of Poe 's works the reader gets a glimpse of Poe 's reality. His uses of metaphors and dark themes have made him very popular. He writing style has Gothic themes as well as suspense and horror themes as well. His use of very dark metaphors cast a dark and gloomy presence that shows the reader the mind and world of the narrator telling the story. Edgar Allen Poe 's use of dark themes in “Black Cat” helped him convey the very dark nature of his works in which helped him shape the reality of the stories.
Analysis of the Role First Person Narration Plays in Edgar Allen Poe's Poem The Black Cat
Edgar Allen Poe’s short story The Black Cat immerses the reader into the mind of a murdering alcoholic. Poe himself suffered from alcoholism and often showed erratic behavior with violent outburst. Poe is famous for his American Gothic horror tales such as the Tell-Tale Heart and the Fall of the House of Usher. “The Black Cat is Poe’s second psychological study of domestic violence and guilt. He added a new element to aid in evoking the dark side of the narrator, and that is the supernatural world.” (Womack). Poe uses many of the American Gothic characteristics such as emotional intensity, superstition, extremes in violence, the focus on a certain object and foreshadowing lead the reader through a series of events that are horrifying and grotesque. “The Black Cat is one of the most powerful of Poe’s stories, and the horror stops short of the wavering line of disgust” (Quinn).
No matter which critical interpretation is used, it is evident that Poe's "The Black Cat" is a unique story that relies on key aspects, such as graphic violence and sensational imagery, to heighten the reader's perception toward the limits and depths of the human mind.