Playing the Piano

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Playing the Piano

"'natural phrasing' and `from the heart' are prized attributes of song, singing that way requires rehearsal, preparation, and getting in touch with whatever it is inside singers and getting in touch with whatever it is inside singers that, by a neural kink or the grace of God, enables them to turn themselves into vessels of musical sound."

On an Alumni Weekend at Milton Academy, I was practicing on a grand piano in the orchestra room. After about two hours of warm-up and practicing, the sun went down and the room became dark. Suddenly, an alumna walked in to confess that she was listening to me for the past thirty minutes. She said how much she liked Chopin's Nocturnes and my playing. She asked me whether I was planning on studying music in college.

To her disappointment, I said, "No, I just play to enjoy the moment."

After thanking me, she left to join her classmates for dinner. I was dissatisfied with my playing that day. I apparently had been playing a piece delightful to her ears, but I could not get into the mode of playing naturally for some reason. To me, my playing sounded clumsy and rigid. You cannot guarantee that you will play the way you like every time you sit at a piano. There are days when your fingers are stiff and days

you may not be able to express your interpretations so well. When your finger hits a wrong note or when your fingers cannot play as smoothly as you want, such subtle mistakes can ruin the voice or impression that you are trying to create.

Chopin's Nocturnes are some of my favorite of all piano music I know. In my opinion, Rachmaninov's Piano Concerto No. 2 is the most challenging and rewarding piece to learn. My piano technique, however, is not sufficient to pl...

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...just comes out," my improvisations when "I am one with the music also just flow out of me. There is no right or wrong answer how to play Chopin's Nocturnes, Ashkenazi and Rubinstein play it differently and I just happen to like Ashkenazi's pause between the cadences more than Rubinstein's. Some people must fmd Rubinstein's pause more effective than Ashkenazi's. Although there may be critics, no one will not allow you to play the way you interpret the piece. Music is personal and I think that I will be happy playing piano as long as I enjoy the time playing and creating music. Although it would be great if others find my playing entertaining, it is not as important as being able to enjoy playing the piece. I think what Hawthorne calls the "enjoyment of the reality" an artist possess "when [he rises] high enough to achieve the beautiful" keeps me practicing the piano.

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