Peter Lorre is also the standout from both films. Even though this was his first English speaking film and he had to learn many of his lines phonetically, Lorre proves to be one of Hitchcock’s best villains, leaps and bounds better than the 1956 version’s Edward Drayton. He’s so wonderfully devilish in the part, and I feel as if Hitchcock should’ve considered recasting him. I really have praised the original a lot. At a brisk 75 minutes, there’s no waiting for great juicy suspense, even if it minimizes on plot development. This is not so in the ’56 version, but there is much to admire about the remake and value over the original. Hitch really allows his characters breathing room in the remake, and he peppers in a lot of humor into the film.
In “1984,” Orwell portrays Winston’s secret struggle to undermine the totalitarian rule of Big Brother and the Party in Oceania. The different government agencies, such as the Thought Police and Ministry of Love, exercise unrestricted totalitarian rule over people. Winston actively seeks to join the rebellion and acquire the freedoms undermined by the Party. On the other hand, Heinlein’s brief narrative, “The Long Watch,” depicts a contrasting struggle championed by Dahlquist against the power hungry Colonel Towers and the Patrol. In his struggle to prevent the total domination of the world by the Patrol, Dahlquist chooses to sacrifice his life. Le Guin’s “The Ones who walk away from Omelas,” illustrates a communal form of injustice tolerated for the benefit of the entire city but necessitating the inhumane imprisonment of a child. He portrays the ambiguity of human morality and the individual struggle to determine right from wrong. The authors address social change and power in different ways, reflective of their individual perceptions. Hence, in each narrative, the author illustrates the individual’s role in effecting social change and the conditions under which such change becomes possible.
Good evening and welcome to tonight’s episode of Learning Literature. Tonight we will be celebrating the 20th anniversary of Gattaca by analysing the techniques text producers employ to construct representations of social issues relating to marginalised groups. We will focus on two classic pieces of literature, Ken Kessey’s, One Flew over the Cuckoo’s Nest, as well as Andrew Niccol’s Gattaca. Through a range of techniques, the text producers have included representations of freedom and independence, power, as well as discrimination in each of their respective texts.
Although I will always love the original, the script, the movie was so fun to watch. We got know why lady bracknell is who she is since she apparently was a dancer and got life by having a baby. We found out instead of hugging miss prism got engaged to dr. chasuble which was interesting. Although I want to say what the real change was in the movie compared to the script you got have to watch the movie all the way through. It will be the biggest surprise of your
The book of Nightjohn and the movie of Nightjohn are very different from each other.
I think that the opening of the film was not as good as the opening of
The movie did many things really well, such as the sets, the plot line, and the scenes they changed. The directo...
As the good prince of Arragon, Denzel Washington did a superb job, and as Claudio, the love-struck innocent, Robert Sean Leonard performed great just as he has done in any other theatrical movies that I have seen him in.
The movie is, most likely, done well enough to intrigue its intended audience. It captured the theme and story line of the book. It falls short, though, when compared to the beautiful, sensitive and contemplative prose of Natalie Babbitt. One could only hope that a viewing of the film will lead the watcher to try the book and be delighted all the more.
The original film has a lot of things going for it. It has a lot of comedic heavyweights in it, like Ted Knight, Bill Murray, Rodney Dangerfield, Brian Doyle-Murray, and Chevy Chase. The film is a winner with all of its quotable dialogue, great characters, and slapstick humor. In the sequel, only Chevy Chase returned after a lot of pushing on the studio 's part. It was a needless sequel that should not have been made.
In the novel Big Fish by Daniel Wallace, we are told the story of Edward Bloom, a man of many adventures, who is somewhat of a myth. Big Fish is a collection of the tall tales Edward tells his son about his life, and also of the effect his tales had on his son. The novel comes from an American author from Alabama, while the movie comes from Hollywood and is directed by Tim Burton, who is also American. This story is not an ancient sacred text, so the story’s function(s) is to entertain and to make money.
With the help of superb editing, sound, mise en scene, and cinematography, this film cannot be topped. The fist scene of the movie creates an atmosphere that helps the viewer know that he/she will enjoy this wonderful classic. Throughout the movie there are surprises and fun that makes this a movie that people will want to watch again and again. Gene Kelly said it best when he said, "Dignity, always dignity. " That is what this movie has from beginning to end, dignity.
Although there are similarities and differences in the novel and the movie, I liked that Gene was crazy because he caused Finny. Both works of art demonstrated a good representation of the true message from John
The novel “The Sign of the Four”, written by Arthur Conan Doyle is about Sherlock Holmes and his partner, Watson. The book follows them throughout their adventures, however, only the beginning will be discussed. What could possibly have sparked much interest in Doyle’s works that film adaptations from 1954-2010 by various movie directors? Was it the resolute mindset of Sherlock Holmes? Was it his uncanny detective work? His professional use of drugs? Or perhaps was it his ideology? Such beginnings are what writers like K.M. Weiland excels in; to craft an irresistible lure for their audience of fish. Doyle’s book introduces us to a multitude of questions and concerns, which according to Tim O’Brien is meant to “not explain or to resolve, but
V for Vendetta is a graphic novel written by Allan Moore. It is a story full of comedy with V as the protagonist who is out to fight and destroy the government and affects innocent people. The novel was later adapted into a film and directed by James McTeigue and written by Wachowski Brothers.
...asbeth, just in time for the new century. Even with changes to the legend, the movie still delivered a brilliant, exciting story. After reading the short story and watching the movie I appreciated the short story better. Even though the movie is very exciting, bloody, and sexy the short story is more mentally appealing. Washington Irving I believe wanted the reader to have a wonderful but short and to the point adventure. Irving succeeds again to give his readers both intrigue and a mind boggling experience.