Persepolis is full of creative and interesting visuals but the 2 images on page 102 are the most interesting as they seem to look very similar but both have a very different meaning. The protagonist is a young girl who lives in Iran and experiences very hard times in Iran as the story is also placed during the revolution of Iran. For her the Iranian revolution is a very hard time since some family members die and very many of her friends leave Iran to not risk living during the dangerous time at Iran. In the visuals on page 102 the author Marjane Satrapi uses a lot of artistic elements that seem to enhance the story. In this essay we will analyse Happiness, Hope and Violence in the two pictures on page 102.
Firstly we see that the painter
Throughout Satrapi’s memoir visual text is used to give the readers a visual or image to perceive the effects of the war. On page 3, Marji explains how the veil became an obligation for young girls to wear on their heads, and in the visual shown, these youngs girls are revolting against the government by using their veils as toys. Another effective visual in Persepolis, is the image on page 15 of the citizens running and their bodies burning because the government had set the cinema on fire; it creates a visual that pulls at the reader’s heart strings. This visual represents the suffering of citizens during the war because of their own government. Satrapi’s visuals create pathos within the memoir.
In the graphic novel, Persepolis, the main character, Marjane, faces many coming of age moments. Each one of these change her in a way that impacts her view on the world around her as her and her family strive for a better life amongst a war that hinders their ability to follow their beliefs. Marjane learns to forgive, experiences pain and suffering, and changes her opinions on God and her own views on religion forever. Marjane’s life has been filled with hard times, but also glorious moments as well.
Persepolis is a inspirational story written by Marjane Satrapi in the perspective of a young girl’s life during a powerful, historical moment in Iran. The Islamic Revolution was a life-changing moment that impacted her view on the world around her and her innocence shaping her into the woman she is today. Not many people understand what it feels like to feel pain, hurt and abandonment as a child from major and minor things. The author writes this story and decides for it to be a graphic novel to allow the not only young readers, but also for those who do not understand what happens everyday in the world they live in. Satrapi uses all rhetorical stances, ethos, pathos, and logos to show problems, purpose and emotions.
The Persopolis is the autobiographical graphic nove l by Marjane Satrapi that describe her childhood up to her early adult in the Iran during and after Islamic Revolution. This comic is all in black and white. According to Wikipedia, the title of novel, Persepolis,is from the ancient captial of Persian Empire, Persepolis. I am analyzing the visual elements of Pride of Baghdad, race and cultural identify, racism, & stereotype play a significant in The Lady and The Tramp, and describe the Marjane archetype and personality.
Persepolis is a graphic novel depicting the life of author Marjane Satrapi’s life throughout the Islamic revolution, starting from her childhood. At one point in the story, the Shah of Iran has left the country, and Marjane’s parents think that they will have new freedoms. Later, however, the country is bombed and fundamentalists occupy the United States embassy. After these events, Marjane is ultimately forced to leave the country without her parents to live in Europe. This was foreshadowed in arguably the most significant panel in Persepolis, the 7th panel on page 43. It features Marjane and her parents, sitting in the family’s living room, the news on a television in the background. They are discussing the fact that the Shah recently left Iran to live in Egypt. Around the panel’s frame is a serpent-like creature. In this panel, Marjane Satrapi uses the frame, and contrasting facial expressions and dialogue to show that the Shah is not the only problem in Iran, foreshadowing the unexpected events of unrest that fill the rest of the story.
The story Persepolis uses the medium of graphic novel and the perspective of a child to convey her message. The events of Persepolis are very dark and in some
In the graphic novel, Persepolis, by Marjane Satrapi, Satrapi’s childhood was highly impacted by American culture. The purpose of this paper is to analyze the effect of American culture on Satrapi’s view of the Iranian Revolution.
Colonialism has a severely negative impact on those being affected due to unknown cultures and systems being infiltrated in their country. In the first chapter of “The Complete Persepolis” by Marjane Satrapi, the author starts off with the Islamic Revolution and the changes it brought to her immediate surroundings. This reminds me of colonialism and the changes it brings to the colonized country. Colonialism started with the expedition of the Portuguese and Spanish to discover new wealth. Since then, the drastic after effects of colonialism are still felt today by the affected group. In the 20th century, colonialism plays a part in why some cultural groups are the way they are today. In conclusion, the change the Islamic Revolution did to Marjane’s immediate surroundings is similar to how colonialism affected the colonized countries.
Persepolis 2: The Story of Return is anchored around how Marji is affected by the social injustice that occurred during the Islamic Revolution. Growing up as “a westerner in Iran and an Iranian in the West,” (Satrapi 274) changes and molds her into the young woman she is at the end of her journey. In this second chapter of Satrapis life she moves away from the comfort of Iran and finds a life in Vienna. Marji desires to find her purpose and identity during her brief time here and faces many battles with language barriers, people and herself. Marjis past from Iran haunts her and instills the idea that she needs to make something of herself while in Austria. Finding that Austria took her down a darker path where the light was scarcer and the
Even in our present time we can see how culture principles and characteristic drive can cause conflict. Within a society, an individual does not exist. If an individual does exist, then they are no longer a part of the society causing rebellion. In I and Thou, Buber explains that the self becomes either more disconnected or more unified through its relationships to others. The film Persepolis is an adaption to Marjane Satrapi’s The Complete Persepolis coming-of-age graphic memoir. It involves a young Muslim girl name Marjane as she comes of age within the environment of the Iranian Revolution. The film explores the actualization of Marjane through allegory to show how she must construct her identity within a foundation of westernization, religion, and gender.
In Persepolis, Marjane Satrapi draws a clear line between formal and informal education. For Marji, her informal education gained through observing those around her helps her answer life's big questions, like how to express ideas and thoughts. Her formal education also is able to teach her about the world around her. Marji’s books on Marx and Darvishian allows her to see the world from a different perspective. When all of these educational forms come together, Marji starts to develop her own personality and identity. Along the way, Marji naturally starts to see how much power educators have in shifting certain narratives due to their bias. Throughout Persepolis, although Marji’s formal education helps her obtain a more worldly perspective
There are many times when problems in a country affect one's life. Persepolis by Majarne Satrapi recounts the coming-of-age of a girl during a period of war. Utilizing a graphic novel to illustrate, Marjane recalls the struggles of her family and herself living in warfare. For instance, in Persepolis, Marjane's external conflict result in her internal conflict.
One aspect I found particularly interesting in the readings was the use of specific perspectives in validating and adding a personal connection to the events of the novel. Particularly, in Persepolis, the whole graphic novel follows the viewpoint of a young child as she matures. The topics that are dealt with throughout the story can be extremely heavy, such as the discussion of torture and imprisonment. However, as the narration is articulated through the voice and eyes of a child, the events are described in a more personal, yet ordinary way. For example, Marjane, though perturbed by some stories of torture, seem to think of her access to these stories as a platform for her to brag to her friends, which is how that particular arc ends. By
Persepolis shows the damages caused by a country at war through the forcing of religion on its people. Religious disagreements, death, stress and early maturity drives the people to uprisings. Satrapi shares her experiences so the hardships she experienced will be understood by those of other cultures and not have to be endured by others.
Persepolis, a graphic novel by Marjane Satrapi, is not a run-of-the-mill comic book. It is written with purpose. Satrapi wrote and illustrated this book to show Americans that their perspective of her home country, Iran, is askew. She believes Americans are too focused on the “fundamentalism, fanaticism, and terrorism” (Satrapi ii), of the nation and that they forget to notice the normality and humanness of it. Since these two perspectives have vast differences, Satrapi wants to change their minds. Thus, it is crucial that she effectively communicate this humanness of Iran to the literary audience in America. Since the literary devices in a work are needed to correctly convey a message, she found it necessary to include these and manipulate them in her favor. Satrapi uses the innocence of a child along with morals in her pictures and a relation of cultures to effectively communicate her message. It is necessary to examine how she manipulates such literary devices in order to gain a full understanding of the text.