The author claims that the pemchint that is one of the music-related artifacts was being used by Dodecan hunters to repel dangerous wild aminals. The author basis his claim on various assumptions. However, closely scrutinizing each of the assumptions reveals that none of them lends credible support to the claim.
Firstly, the author states that Archaeologists used the artifact as a musical instrument as when whirled in the air, the artifact used to create pleasant tones. Although the assertion clears that Dodecan people had been using the artifact for musical purposes, one cannot conclude that the same device has served multiple purposes until stronger evidence to validate the multipurpose use of a pemchint. Therefore, this assumption has no
The Kunz Axe is a votive axe that is associated with the Olmec culture. It was found in the hills of Oaxaca, Mexico by George Kunz in 1890. The axe appears to be dating around 800-500 BC, which is part of the Middle Formative period. Although this artifact is considered an axe, it does not mean that this was its function. The votive axe appears more of a sculpture and it is “more likely that it was used in ritual settings” (Milner Library, n.d.). The material that was used to made this artifact is jade. Because the artifact was made out of jade, it is believed that it was “reserved for the adornment of gods and royalty” (The Met, n.d.). The Kunz Axe has a blue green color and it is about eleven inches high. It appears to depict a human with
the native cultural practices of the use of the pipe. Herb than was able to find true
Petrified Forest National Park is located in the Painted Desert in northeastern Arizona taking up 93,532.57 acres of its land. Before the national park was established, it was founded as a National Monument on December 8, 1906 when President Theodore Roosevelt signed the proclamation. Years later, the Congress passed a bill and established it as a national park on December 9, 1962. Centuries before Petrified Forest National Park was preserved as a national park, the land was preoccupied by the Paleo people. At the onset of the end of the last Ice Age, hunter-gatherers, people who lived by hunting game and only gathering edible plants, roamed the Southwest from 13,500 to 8000 B.C. Although these people enjoy meals consisting of meat and vegetables, they don’t raise livestock and grow crops. During these years of hunting and gathering, the region was cooler with a grassland environment, and people gathered wild plants for food and hunted bison and other large herd of animals. The types of bison these people hunted are now extinct. Nomads used a device called an atlatl to throw their weapons, such as spears and darts, to hunt. By 4000 B.C., during the archaic culture, the climate had changed and became similar to the one of the present. This period of hunting, gathering, and farming had lasted from 8000 to 500 B.C. In contrast to the time of the Paleo people, the climate was warmer, people extended their access to different types of food, and people began to farm and grow their crops. Due to the extinction of animals of the past, people had to expand their source of food, and they had to include many different species of plants and animals into their meals. Two hundred twenty-five million years ago, trees fell and were washe...
This provides powerful insight into the role Bigfoot like creatures played in Native American cultures. Some tribes were not afraid of the creatures, considering them kind and helpful, while peacefully coexisting with them. Other tribes found them to be more violent and dangerous creatures. The fact that these tribes called the animals Stick Indians or Brush Indians seems to suggest that the creatures were simply other tribes they did not get along with opposed to a village of mythical creatures. Some examples of Bigfoot like creatures in Native American tribes include the Chiye – Tanka, the Lofa, the Maxemista, and the popular Sasquatch. The Chiye – Tanka was the Bigfoot like creature of the Sioux Indians (“Native American,” n.d.). This animal
The way it is created is what brings man to believe that it has been around a while. “The didgeridoo is made from irregular eucalyptus tree branches or trunks, such as the stringybark and the woolybutt, about 3.25-5 feet long and has a conical bore that is hollowed by termites” (What is 1). Then it is completely sealed and the mouthpiece, made of beeswax, is molded on. Some of the designers will paint different tribal symbols and colors (usually bright colors) all along the sides of the horn to give it a more native look. The pitch of the didgeridoo depends on the length and shape it is made into. It is supposed to replicate the sounds of earth or nature. “The Aborigines would go out into nature and listen to these sounds and would try to play these sounds with as much accuracy as possible with the didgeridoo” (1).
In the 17th Century the French Horn began to become an important brass element to music composers. The Instrument began as an invention based on early hunting horns and has origins first being used in late 16th Century, Western Europe Operas. These horns were monotone until 1753 where a German musician of the name Hampel, invented a use of moveable slides in varying lengths to change the key of the horn. In 1760 it was further developed by the discovery that placing your hand over the bell of the French Horn, lowered the tone called stopping. The St...
The Native American Graves Protection and Repatriation Act established Indian nations as the owners of Native American cultural objects, including human remains, which were found on Federal land. It requires that the American Indians provide substantial amounts of information to validate their claims. However, only federally recognized tribes are recognized under this act, so if you are an unrecognized tribe good luck claiming anything that belongs to you. After this, the existing anthropological literature will be consulted. In some instances, Indians will disagree with the literature and take steps to correct it. Indians are also likely to provide additional information that had not yet been documented. The interpretations will be written from the perspective of the claiming tribe, how they view the world, and their perception of significance of objects in religious ceremonial rites. While some might raise the question of scientific objectivity, no one will deny that this perspective had often been lacking in the literature. These interpretations are bound to bring about new insights which will challenge earlier assumptions (5).
Throughout the 150 year history of Bigfoot many concerns have raised, the most in number have been from Native Americans. The Karok Indians tell of an “upslope person” who lurks far up in the mountains (Gaffron, 22-24). Some medicine men have told stories of “snow-walkers” that haunt the Forrest depths (Short). The creatures North American habitat covers over 125,000 square miles of forest, contained in the states of Oregon, Washington, and California, constituting a large number of Native American tribes to encounter and frighten (Gaffron, 22). This phenomenon is not just a Native American one told by medicine men, and tribe leaders, Bigfoot plays an enormous role in the ancient folklore of such civilizations as, the Russians, Greeks, and Anglo-Saxons (Brunvand). These civilizations have been around for hundreds of years, and have been telling stories of Bigfoot long before any one; they hold the true key to Bigfoot’s history.
Bibliography:.. Bibliography 1) Bloch, Raymond. The Etruscans, New York, Fredrick A. Praeger, Inc. Publishers, 1958. 2) Bonfante,. Larissa. Etruscan Life and Afterlife, Detroit, Wayne State University Press, 1986. 3) Grant, Michael.
encountered it. The Native Americans were able to use every part of the animal killed from the hide to
“The Wildman in many manifestations, forms part of the culture and mythology of almost every society since records begin.” (Shakley, 1983). The first documented record of Bigfoot was in the Epic of Gilgam...
In compiling this text, Henderson uses the stories and histories gathered from Mi’kmaq families and elders, blending them with European documentation of the events and peoples discussed which have been critically analyzed us...
Before the use of synthetic materials in the development of guitars, a guitar was defined as being an instrument having “a long, fretted neck, flat wooden soundboard, ribs, and flat back, most often with curved sides” (citation). The oldest known guitar-like instrument that displayed these features was the string instrument a Hittite bard was holding in a stone carving, showing how much guitar-like instruments had already gained popularity within societies of the past.
the story in the Phillip Whitten and David E. K. Hunter anthropology book of No
The reaction essay is based upon Horace Miner’s article “Body Ritual Among the Nacirema,” published in Wiley-Blackwell’s, in conjunction with the American Anthropological Association, journal American Anthropologist. The essay will consist of two sections: an article summary and a reaction discussion.