Divinity and Identity: Symbolism in Early America

Like stained glass images adorning Catholic Cathedrals across the world, Americans told the story of their nation with symbols of divinity. In early America, citizens represented themselves with in art and alluded to the values important to the young republic. Even in the architecture of the country’s capital there are references to their self assigned role as a classical Greco-Roman empire. A newly born nation in the late 18th century was discovering what the country was to represent. Over time, the early American’s developed their national identity through symbols of divine conception, classicism, and patriotic ideals of liberty.

The conception of America, like Jesus Christ, was believed to be immaculate. Illustrations depicting biblical images show how early Americans romanticized their origin. In Benjamin Franklin’s reverse design

Although Washington wears no divine crown, he maintains an unquestionable authority. He is the general of the ship, and the general of America. The image portrays a wide array of characters. An androgynous individual sits beside an Indian, a black man, and a men of the frontier. They all row under an American flag that had yet to be created. Adorned in their hodgepodge of makeshift uniforms, the boat is not just carrying the crew to victory, but toward liberty. This is the grand idea of the American Revolution. To most Americans, the Revolution wasn’t a Civil War, but a war against tyrants. Romancing the war in this way is tempting. Instead of a civil war with lukewarm popularity, a fight with a cruel antagonist for liberty makes for a better story. Yet, what this symbolic painting misses is that not all were sailing toward freedom. Sadly, unlike the mythical boat, the black man was actually rowing towards years of bondage; and the Indian removal from his land. Nonetheless, the painting is inspiring. It shows what America could be at its