Patricia Yaeger's Speech

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Yaeger Summary Patricia Yaeger’s analysis of The Awakening by Kate Chopin reveals to the readers that Edna’s “emancipatory moments are contained in those unstable instances of self-questioning and dialogue with herself” (Yaeger 205), further leading to her eternal vocal and physical entrapment through the ocean. Yaeger thoroughly expresses this idea through her confliction of men’s speech versus women’s speech and how they differ vastly. As Yaeger explains, Edna feels as though she is trapped inside her own head and cannot express her true thoughts and desires to anyone, as no one would bother to listen. She senses that she speaks in a “language which nobody understood” (212) and felt this struggle most intensely with the men in her life. …show more content…

This unsavory feeling Edna experiences causes her to question herself and the emotions she has towards these different men and women, creating one of Yaeger’s “emancipatory moments” (205). Continuing to strengthen her argument, Yaeger points out that Edna lacks the language she requires to fully understand the awakening she is facing, which Robert provides to her what she cannot express herself. She claims that “Edna’s language is inadequate to her vital needs,” and “Robert Lebrun has served as an iconic replacement for that which Edna cannot say” (218). By giving Edna falsified fantasies of the life they could live together, Robert opens her mind to question all the aspects of her life, especially her marriage, and deepens her awakening. She does not have the capacity of mind or resources to fully understand her self-awakening, and drowns herself in the ocean, whose voice was the only one that would listen to her. Yaeger exemplifies how Edna’s internal questioning ultimately leads to her emancipation of the physical world and her welcoming into the …show more content…

Treu initially discusses the likelihood of Edna’s “suicide” to be due to the many voices she encounters throughout the novel. He argues that the voices of her friends, lovers, children, and the ocean all drive her self-awakening to the brink and cause her to commit suicide. A possible situation as any, Treu comes back to counter his initial argument with the claim that it was plainly “her need to be free … which leads her to ‘revolt against the ways of Nature’” (28). He then goes on to quote many valuable critics on their variety of endings to this ominous novel, arguing each outcome to be quite probable. Instigating this discussion brings the readers back to his initial intention; to invigorate intellectuals with the wide variety of outcomes for Edna to help prompt discussion about this controversial topic. Treu applauds Chopin for her denial of the conclusion of Edna, “had she wanted to, she might have ended the novel with a funeral scene, complete with ideological clarification in the form of weeping friends” (34). Instead, Chopin purposefully left the readers with the opportunity to take the ending and create for themselves what

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