Chaucer’s book The Canterbury Tales presents a frame story written at the end of the 14th century. It narrates the story of a group of pilgrims who participate in a story-telling contest that they made up to entertain each other while they travel to the shrine of Saint Thomas Becket at Canterbury Cathedral. Because of this, some of the tales become particularly attractive for they are written within a frame of parody which, as a style that mocks genre, is usually achieved by the deliberate exaggeration of some aspects of it for comic effect. Chaucer uses parody to highlight some aspects of the medieval society that presented in an exaggerated manner, not only do they amuse the readers, but also makes them reflect on them. He uses the individual parody of each tale to create a satirical book in which the behaviours of its characters paint an ironic and critical portrait of the English society at that time. Thus, the tales turn satirical, ironic, earthy, bawdy, and comical. When analysing the Knight’s and the Miller’s tale, one can realise how Chaucer mocks the courtly love convention, and other social codes of behaviour typical of the medieval times.
“The Knight’s Tale”, for example, uses the concept of a knight not only to parody the concept of the hero, but also to question the well-established courtly love convention. This last concept refers to a set of ideas about love that was enormously influential on the literature and culture of the medieval times for it gave men the chance to feel freely. Also, it gave women the opportunity to be an important element in the story – not only decorative. However, when scrutinizing the tale, the readers can realise that all the aspects of a knight’s love are exaggerated and conveyed throu...
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...ished in real society. It is through of the eyes of Chaucer the pilgrim, and through his tendency to use long words, complicated sentences and paragraphs, attractive mannerisms of expression and absurd situations that the parodist features can be easily identified and then analysed. Expressions like “men should not be too serious at a game” shows how everything is being softened so as not to bother anyone, but amuse them and invite them to read, for later inspire the sense of criticism – satire. Chaucer the poet is “therefore a man who takes it upon himself to correct censure and ridicule the foolishness and vices of society and thus to bring contempt and mockery upon anomalies from a desirable and civilized norm”. Thus, Chaucer’s collection of parodies actually conveys a satire: a protest, a sublimation and refinement of anger and indignation of the medieval times.
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as courtesy through satire. In the fourteenth century, courtesy embodied sophistication and an education in English international culture. The legends of chivalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, as is revealed in his cultural status, but he also retained an anecdotal humor about courtesy. One must only peruse his Tales to discern these sentiments, for Chaucer’s view of courtesy can seem shocking and, all together, obscene at times, it’s the similarity of the differences that make Chaucer’s tales superior. An example of this can be seen through Nicholas’ attempt at “courting” Alison versus Arcita and Palamon’s endeavors at courting Emily. Nicholas' anxious and lewd behavior, in conjunction with his explicit sexual connotation, demonstrates Chaucer’s more farcical side; where as, the manner in which Arcita and Palamon court Emily can seem more satirical. In the Miller's Tale, Chaucer juxtaposes courtly love with animalistic lust, while in the Knight’s tale, the subject of chivalry is held with much higher regard, and used as a florid, glorious attribute. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
When someone is trying to prove a point or make a statement, what do you think is the most effective was to do so? Do you think using sarcasm is an efficient way to do so? Do you think that by using sarcasm you will just anger the party that you’re trying to get your point across to? What if the person or group of people doesn’t understand what you’re trying to say or still doesn’t agree with the point that you’re making? Chaucer, a very controversial writer, uses sarcasm, or satire, to get his points and views across in a very alarming way. What Chaucer did in the mid 1350’s was very controversial and had a lot of repercussions, although many of them could be seen as good.
The elements of courtly love operate at several levels simultaneously in The Knight of the Cart; they are expressed by the behaviors of Lancelot, Queen Guinevere, Meleagant and other characters in the story. Two vividly deployed elements are the concepts of loyalt...
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as curteisye through satire. In the fourteenth century curteisye embodied sophistication and an education in French international culture. The legends of chilvalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, and he reveled in his cultural status, but he also retained an anecdotal humor about curteisye. One must only peruse his Tales to discern these sentiments. In the General Prologue, he meticulously describes the Prioress, satirically examining her impeccable table manners. In the Miller's Tale Chaucer juxtaposes courtly love with animalistic lust, and in various other instances he mentions curteisye, or at least alludes to it, with characteristic Chaucerian irony. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
Upon reviewing three versions of Chaucer’s The Canterbury Tales done as children’s storybooks, one can see that Chaucer’s tales are essencially timeless and can be enjoyed today as they were in the Middles Ages. While the amazing poetic skill of Chaucer’s work is not included in the modern children’s versions, which are written in simple prose, the key plot points are kept, unbowdlerized even for young readers.
Medieval and Renaissance literature develops the concepts of love and marriage and records the evolution of the relation between them. In Chaucer's Canterbury Tales, Christian love clashes with courtly love, as men and women grapple with such issues as which partner should rule in marriage, the proper, acceptable role of sex in marriage, and the importance of love as a basis for a successful marriage. Works by earlier writers portray the medieval literary notion of courtly love, the sexual attraction between a chivalric knight and his lady, often the knight's lord's wife. The woman, who generally held mastery in these relationships based on physical desire and consummation, dictated the terms of the knight's duties and obligations, much like a feudal lord over a vassal. This microcosm of romance between man and woman was anchored by the macrocosm of the bonds among men and their fealty to their lord. The dominance of women and fealty to the leader in courtly love contrasts with the dominance ...
In the story, Chaucer, the wife tells a tale about a knight and a young girl. This knight rapes a young girl, and when everyone in the village found out the knight got in serious trouble. They told the knight in order to be a free man, and have all the women he wants he has to complete a quest. The quest was that he had one year to answer a question. The question was whether or not he can find out what all women want. The knight though that this was going to be an easy question to answer, and he said instead of it taking him a year he could most likely find the right answer within a matter of days. So the knight set off on his quest and after asking a few women what they want he now knew that this question was not going to be as easy for him to figure out then what he thought it was going to be. The three satiric messages would be: the wife’s tale, the use of humor, and wrongful punishment.
First, it is essential to know the definition of parody as “the imitative use of the words, style, attitude, tone and ideas of an author in such a way as to make them ridiculous. Its purpose may be corrective as well as derisive” (Cuddon, 660). What Chaucer wants to prove in the course of the tales is that how ridiculous is the society showing certain behaviour codes using irony or simply mocking of the stereotypes that people believed important in that epoch.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
The tales of King Arthur and many of their numerous characters are well known in literature. The Arthurian world is one of the great myths of modern times. Those great pieces of literature have many common themes, one of them being courtly love “L’amour Courtois”. This paper talks of courtly love as seen in King Arthur’s world especially examining “Yvain or the Knight with the Lion” and “Lancelot: or the Knight of the Cart”. Furthermore, one of the goals is to show how that courtly love could be seen in today in our world.
...irony, the corruption he believes can be found in the Church, pointing at its common tendency in this time to take advantage of the people through its power. He also shows through the Pardoner that perhaps immoral people cannot guide people to morality, through subtle lines such as “For though myself be a ful vicious man,/ A moral tale yit I you telle can” (GP 171-172). Through Chaucer’s portrayal of the Pardoner in this tale, the audience is able to see that the Pardoner is a self-absorbed, greedy man that mirrors what the author thinks of the Church, and that the Pardoner is the exact opposite of what he preaches, which also points towards the supposed corruption of the Church. The irony found throughout this work serves the important purpose of bringing attention to the dishonesty and fraud Chaucer believes can be found in the Roman Catholic Church at this time.
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.
The Prologue to The Canterbury Tales is a masterpiece of satire due to the frequent use of verbal irony and insults towards the characters and their roles in society. A major source of Irony is Chaucer’s representation of the Church. He uses the Prioress, the Monk and the Friar, who are all supposed to be holy virtuous people to represent the Church. In his writing he suggests that they are actually corrupt, break their vows and in no way model the “holiness” of Christianity.
Geoffrey Chaucer was a on a mission when he wrote The Canterbury Tales. That mission was to create a satire that attacked three major institutions. Raphel displays, “Medieval society was divided into three estates: the Church (those who prayed), the Nobility (those who fought), and the Patriarchy. The General Prologue to The Canterbury Tales is an estates satire.” Chaucer wanted to shed light on the institutions that were taking advantage of the everyday man. Chaucer does this by making up tales about certain people that she light to the undercover world of the institutions. In The Canterbury Tales, Chaucer uses satire to attack the Church, the Patriarchy, and the Nobility.
we see how Chaucer the pilgrim has been swayed and convinced by what the other pilgrims tell him. So much so that he reports qualities that are often the opposite of the true personalities of the characters he is describing. This ambiguity reveals a very clever sort of irony on behalf of the writer - while Chaucer the pilgrim is easily drawn in by their deliberate misrepresentations, it is up to the readers to see how wrong he is and draw their own, more accurate, conclusions. It shows many of the pilgrims to be very different people than those symbolised by the ideal qualities they want others to see.