Parliament Funkadelic Research Paper

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Parliament Funkadelic is a blend of rock, funk, and soul. It began in the late 1950’s in Newark, New Jersey, and they have since been dubbed P. Funk. Headed by George Clinton, Parliament Funkadelic also included Bootsy Collins, Eddie Hazel, Garry Shider, and Bernie Worrell. The band’s name comes as a result of being a catchall for the multiple bands in George Clinton’s stable. In the beginning, Funkadelic and their records leaned toward heavy guitar, rock, and psychedelic funk whereas Parliament favored more toward Motown-influenced music which featured more jazz like sounds, horns, and gospel singing. George Clinton Decided to take both and mix them together to create their own unique sound. In the late 60’s George Clinton was …show more content…

After regaining the rights to use the name “The Parliments” George instead merged the two, at this time consisting of over 50 musicians, to become Parliament Funkadelic. It was soon after this that they began to define the Funk genre. Not only was their album full of unexpected goodness, their live shows managed the same with 4 hour jam at incredibly loud volumes, some even included George Clinton performing without clothes. These shows were spectacles, large and eye catching, featuring such events as a giant spaceship landing on stage, with Clinton inside it to emerge in elaborate alien make up, or Bootsy Collins doing a part in the show that featured amphibious characters that could dance underwater and not get wet. During the 1975-1979 years both Parliament and Funkadelic began to experience success with high ranking single and album releases in both the R&B and Pop charts. Many of the members went to do side projects, also finding success under George’s guidance. The albums from Parliament at this time began to take conceptual themes such as science fiction and afro-futurism featuring complex political and sociological themes …show more content…

Their fame only continues to grow as their music is all inclusive and has broken several cultural and age barriers. The sound of Parliament Funkadelic is instantly recognizable in that not only has the band been features on many shows, commercials, and movies, but they have gained not a small bit of fame in their own right. When listening to their music you can instantly pick out some of the influences such as James Brown and Sly Stone. In their shows their visual influences could be seen as they brought the same theatricality of David Bowie and KISS to the arena of Funk, making each concert a visual smorgasbord of color, action, and costumes. The sounds of the brass horns are in the forefront of the music, as is the thrumming of the bass followed closely by the distorted sounds of the guitar. Vocally, the background vocals are competing with the main resulting in a mixture of sound that somehow comes out sounding like a well-rehearsed chorus. All of these factors have been brought together and have resulted in a sound that is at the same time reminiscent of the greats of Funk and is a sound completely unique in its own right.

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