Pan's Labyrinth Sparknotes

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Pan’s Labyrinth by Guillermo del Toro takes place following the Spanish Civil War in 1944. The film is told primarily through the point of view of young Ofelia, who is soon to become Princess Moanna. Guillermo relies heavily on magic realism to portray the innocent minds of children during the time of conflict. As a spiritual sequel to The Devil’s Backbone, Pan’s Labyrinth displays a first hand account of how children are both directly and indirectly affected by the war. In the film, Ofelia’s mother, Carmen gives birth you a little boy, after the birth of the child the audience is able to see how the innocence of children is restricted during times of adversity. At the beginning of the film, viewers are introduced to young Ofelia and her …show more content…

Finding the rock and placing it in a special place unleashes Ofelia’s transition into the realm of magic realism. After transitioning into the realm of magic realism, Ofelia is lead by Pan, who gives her instructions on how to soon become a princess. Throughout her journey, Ofelia has to complete a series of task in order to prove herself worthy, each of these task also affect her life in the physical realm. At the time Carmen began to get ill. viewers watch as Ofelia overhears her stepfather, Captain Vidal, tell the doctor that if it comes to it the doctor is save the child and let her mother die. As the plot begins to develop it seems as if Ofelia has the power to ensure the safety of herself, her mother, and her unborn sibling. After displaying her faithfulness to Pan, Ofelia is gifted with a mandrake root that eases Carmen’s sickness. Despite still being in her adolescent ages, Ofelia is forced to complete task during the time of one of Captain Vidal’s important dinners. Due to her absence at the dinner, Ofelia was sent to bed without and dinner and therefore fell …show more content…

In the film, Ofelia’s brother was taken into custody by Captain Vidal following the death of Carmen. After Mercedes was fired, the infant had no one to nurture him or give him all the attention he required. The baby was kept separated from his sister and usually kept secluded in the captain’s chamber. At the end of the film, the infant’s mother, father, and sister were all dead and his new maternal figure vowed to never tell him about the lineage of his father. Despite having been the most innocent and helpless character throughout the entire film, the child’s fate was determined by the greed and angry passion that appears during the time of

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