P. D. James The Children Of Men

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A world where a child hasn’t been born in twenty five years, is a world with no future - devoid of the necessary motivation to drive the people to create, innovate or advocate for change. The most shocking aspect of the 1992 text, The Children of Men, by P.D. James, is indeed the realisation of the future's contingency on the present, evident through the circular nature of society’s inability to improve due to the discontinuation of humanity’s future. The nostalgic attitude, crazed addiction for children and the reversion to beliefs and ritualistic behaviour demonstrates the regression of society’s thinking. The Children of Men, by P.D. James is a dystopian text, exploring the effects of a world in the grips of sudden infertility since 1995. …show more content…

In The Children of Men, the protagonist is an embodiment of society and like the larger public, is depicted as someone stuck in the past. This is evident in the diary excerpts which make up much of the book, the reminiscent tone highlighting Theo’s desire for a simpler time, preceding the abnormalities of humanity’s doom. His nostalgic attitude is also reiterated in the ironic choice of profession - a history teacher, who“interprets the past to understand the present and confront the future” and the uniformity of his life, shown in the tedious listing of his “assuaging satisfactions” - “books, music, food, wine, nature” and his Sunday routine, where he would normally go for “a good pub for an early lunch, an interesting church to visit, a detour to take in an attractive village”. Even the government approves of this passive behaviour, the “state-provided, carefully measured hour of sensual pampery” used to retain the semblance of youthfulness. Society’s sentimental attitude indicates it’s lack of development and apathy to moving away from the past, negating the chance of an improved future due to their irresponsible …show more content…

The strangeness of the entire situation convinced people of a “superstitious awe, of witchcraft, of divine intervention.”, their beliefs evident in “the old gods reappeared, terrible in their power”. Just as Christianity’s power had begun to wane in James’ era, 2021 Britain had the Church of England “moved from the theology of sin and redemption to a less uncompromising doctrine: corporate social responsibility coupled with a sentimental humanism.” The cross was an “uncomfortable symbol” representing “the barbarism of officialdom and of man’s ineluctable cruelty” and instead, had reverted to a “popular” symbol of a “golden orb of the sun in glory”, presumably representing other deities that embody the sun in history. While there was a shift to older theology, groups called the “Painted Faces” had reverted to “ritual savagery” - ambushing and terrorizing travellers. Their actions were primitive - painting their faces, dancing around the vehicle of the trapped passengers before killing and cutting off the hair of the victims, braiding it as their trophy. The whole scene was likened to a barbarian tribal ritual from the torches, their top-knots, stomping feet and savage beating that left the battered mess of a victim. The reversion to these older practices again affirms society’s inability or perhaps lack of desire for improvement and instead, have regressed. Again,

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