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Othello characters analysis
Othello characters analysis
Othello characters analysis
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Othello’s Universality of Appeal
The Shakespearean play Othello has enjoyed popularity on the stage and in print for 400 years. What are the features which enhance this quality among readers? And what detracts?
Does the playwright’s use of “double time” contribute to its universality of appeal? In The Riverside Shakespeare Frank Kermode explains the advantages of “double time” to Shakespeare:
“Double time” is a classical topic of Othello criticism; one of its uses is to remind us that the play, more largely considered, is characterized by a kind of imaginative duplicity. Thus one can isolate a plot of monumental and satisfying simplicity without forgetting that the text can be made to support very different interpretations. The richness of the tragedy derives from uncancelled suggestions, from latent subplots operating in terms of imagery as well as character, even from hints of large philosophical and theological contexts which are not fully developed. (1200)
Additional reasons exist for such a broad appeal. Kenneth Muir, in the Introduction to William Shakespeare: Othello, explains in broad terms the basis for the play’s universality of appeal:
If, however, the interpretation offered above is sound, Othello is clearly not without universal significance, for, apart from its dramatization of the difficulty of discovering reality behind appearance, its two main characters exemplify opposing principles which together constitute the human psyche. Othello believes in love, in complete commitment, in nobility, in vocation, and in absolutes. Iago believes in nothing, and least of all in other human beings. (39)
More reasons for the play’s popularity appear. A. C. Bradley, in his book of literary criticism, Shakespearean Tragedy, describes the modernity of the drama as a reason for its popularity:
One result of the prominence of the element of intrigue is that Othello is less unlike a story of private life than any other of the great tragedies. And this impression is strengthened in further ways. [. . .] But Othello is a drama of modern life; when it first appeared it was a drama almost of contemporary life, for the date of the Turkish attack of Cyprus is 1570. The characters come close to us, and the application of the drama to ourselves (if the phrase may be pardoned) is more immediate than it can be in Hamlet or Lear. Besides this, their fortunes affect us as those of private individuals more than is possible in any of the later tragedies with the exception of Timon.
Endoplasmic Reticulum, Golgi Apparatus, and Lysosomes. (2013). In Scitable Nature Education. Retrieved December 09, 2013, from http://www.nature.com/scitable/topicpage/endoplasmic-reticulum-golgi-apparatus-and-lysosomes-14053361
...e. The play Othello focuses on the tragedy of the main character Othello to point out flaws in a generally good character; it teaches the readers valuable lessons to becomes better human beings by not making the same mistakes as Othello does in the play.
In the Shakespearean tragedy Othello the number and description of themes is open to discussion. With the help of literary critics, we can analyze this subject in detail.
Built on a broad base of multiple themes, Othello is one of William Shakespeare’s most popular tragedies. Let’s sift through the themes and try to rank them in significance.
Nick Potter states: “Othello is a tragedy of incomprehension, not at the level of intrigue but at the deepest level of human dealings. No one in Othello comes to understand himself or anyone else.” Within Shakespeare’s Othello, no character fully understands themselves of one another. This is especially true in human dealings, where the intentions of characters and how others interpret them are often misaligned. Conflict, and eventually, tragedy arises in Othello due to the incomprehension between characters, as well as within the characters themselves. From the reader’s perspective, it is tragic to understand the reality behind all the incomprehension, since the characters are oblivious to what the readers are aware of.
Drugs have very harmful effects on the user and the people with whom the user interacts.
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad." Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant. His difference is not constructed as “otherness.” Othello, by his nature, is not an “otherized” character. Besides being the dark-skinned Moor, Othello varies in no real way from the other characters in the play. Further, Othello and Iago can be seen as two sides of the same destructive coin. With Iago as a foil and subversive adversary, Othello is not faulted for the indiscretions he commits. It is the invention and projection of otherness by various characters in the play, especially Iago, which set the stage for the tragedy of dissimilarity which is to ensue.
Watkinson, A. "Othello: The Ironic Interdependence of Othello and Iago." Novels for Students. 5 November 2004. http://www.enotes.com/othello/743/print
Cellular membranes are complex mixtures of proteins and lipids. Cell membranes are composed of a phospholipid bilayer, consists of two leaflets of phospholipid molecules and their fatty acid chain form the hydrophobic interior of the membrane bilayer; and proteins that span the bilayer and/or interact with the lipids on either side of the two leaflets. Transmembrane proteins are the type of membrane proteins which span the entire length of the cell membrane. They are embedded between the phospholipids and provides a channel through which molecules and ions can pass into the cell. They enable communication between cells by interacting with chemical messengers. Membrane proteins were classified into two comprehensive categories- integral and
The cell is the fundamental structural unit of all living organisms. Some cells are complete organisms, such as the unicellular bacteria and protozoa; others, such as nerve, liver, and muscle cells, are specialized components of multi-cellular organisms. Cells range in size from the smallest bacteria-like mycoplasmas, which are 0.1 micrometer in diameter, to the egg yolks of ostriches, which are about 8 cm (about 3 in) in diameter. Although they may differ widely in appearance and function, all cells have a surrounding membrane and an internal, water-rich substance called the cytoplasm, the composition of which differs significantly from the external environment of the cell. Within the cell is genetic material, deoxyribonucleic acid (DNA), containing coded instructions for the behavior and reproduction of the cell and also the chemical machinery for the translation of these instructions into the manufacture of proteins. Viruses are not considered cells because they lack this translation machinery; they must parasitize cells in order to translate their own genetic code and reproduce themselves.
Othello: Summary." emotes: Othello. Ed. Penny Satoris. Seattle: Enotes.com Inc, October 2002. eNotes.com. 18 April 2011. .
Shakespeare’s famous play Othello is a play of love that has turned bad by the unfounded jealousy of the protagonist character Othello. Arguably the contribution of Othello’s susceptibility to manipulation, his weaknesses and the manipulation of other characters tactics such as Iago each contribute to the downfall of Othello. However, to the extent of which each is more significant varies and this is what will be analysed in this essay.
It’s a boundary that separates the inside from the outside of a cell. The cell membrane is structured by a blend of protein and lipids. It controls the motion of substances from coming in and out of a cell. Making sure the particles stay inside so nothing can get it and damage it. Ironically it isn’t a solid structure, it’s a container made of smaller molecules.
Of the 38 plays Shakespeare has produced over his lifetime, his tragedies are the most heart-wrenching, horrifying productions the theater has ever seen. In these tragedies, there are gruesome ideas such as lethal love, megalomania, and the absolute corruption of heroes that were originally considered to be wholesome. The latter theme can especially be seen in the play Othello. In this tragedy, there is an ongoing theme of corruption in a considerable amount of characters in the play, the most significant change being in Othello. Othello undergoes a shocking transformation, as he starts off as the storybook hero, a reputable soldier who illustrates great passion towards his wife, but transforms to become a twisted
Plate tectonics is a theory in earth science about plates that ride on the asthenosphere. These plate tectonics carry continents and ocean basins. There are seven major plate tectonic plates and many minor plates. There are two types of tectonic plates: oceanic and continental plates; continental plates have a density of 2.7 g/cm^3 but oceanic plates have a density of 3 g/cm^3.The area at which these plates meet are called plate boundaries. There are three types of plates boundaries that we have identified: convergent plate boundary, divergent plate boundary, and transform plate boundary.