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The relationship between Desdemona
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Othello's Lack of Perception and his Tragic Stature
Othello's lack of perception does to some extent diminish his tragic
stature in some parts. However it is reclaimed again, perhaps towards
the end when we see how Othello has been deceived. As quoted by
Aristotle "Othello is too trusting." It is his naivety that leads to
his downfall.
At the beginning of the play, Othello is described as a "bombastic",
lascivious man as Iago comments on this. However this is contradicted
when he makes his appearance in Act 1 Scene 2. We see a sincere
nobleman with cool-headedness, quite the contradiction to how we see
him later.
Othello's perception of Iago emphasizes his tragic stature at first in
the play. Some critics may see him as quite foolish for being so
trustworthy in Iago.
However, Iago appears to trigger off a jealousy that was already
embedded in Othello. As he fears if he "love her not chaos will come
again."
Iago can manipulate this, and it could be argued that Othello himself
brought on this tragedy again, for having no faith in Desdemona by his
quickness to judge when he talks of a "monstrous" thought that Iago
must have. He is quick to assume that something is very wrong about
his wife when Iago quotes "Ha! I like not that".
As we see Othello's jealousy going into overdrive, I think this is
when his stature begins to diminish. It's his perception of Iago being
"Honest Iago" that sends him into a jealous frenzy. He trusts Iago
with all his heart, he loved Desdemona with all his heart but yet he
trusts Iago over her despite her protests. However it is his love for
her also that is causing this chaos.
Shakespeare portrays a darker side to Othello as he talks about
killing Desdemona, in some ways he is talking and even thinking like
Iago. Although he does re-think his actions, one word from Iago
influences him again. At this point we don't particularly see him as a
tragic hero as his way of thinking seems far to corrupt.
Othello is such a gullible character with so much trust in the wrong people. He trusts Iago before he trusts his own wife, Desdemona; he let Iago get into his mind. Iago arises any doubt Othello has for anyone he ever trusted making them all seem untrustworthy. More then anything Iago uses pathos to appeal to emotion. “ But I will wear my heart upon my sleeve For daws to peck at. I am not what I am” (Othello, Shakespeare, Act I Scene I Line 65-66). Iago talks about being open and honest; although this is not true it makes the other characters feel secure. Othello is a strong character, but Iago is his downfall. Blinded by jealousy and questions Othello will no longer trust Desdemona nor Cassio, because of this he will meet his
In William Shaspeare play Othello, Iago make Othello believe that Desdemona is having an affair with Cassio. He does by taking advantage of any situation to make of Othello doubt. Iago make Othello thing a lot of crazy thing on his head, Othello got so jelous leading him to kill his own wife, Desdemona, satisfying iago obseccion for revenge.
Othello as A Tragedy of Outsiders The most obvious way of being an outsider in Othello is through being a foreigner, and a non-Venetian. Othello and Cassio are both outsiders in this sense, Othello is a black man, a "Moor", and Cassio is a "Florentine". Othello begins in Venice, in Shakespeare's time the great commercial centre of the western world. Venice was the place of great hustle and bustle, merchants and tradesmen from other lands were commonplace, and yet we see throughout the play how Othello and Cassio are ridiculed. Cassio is degraded as he is from Florence; Iago calls him "a great arithmetician".
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
really does believe Iago. That makes Othello responsible for Desdemona's death. For example, When Othello sees Cassio talking to Desdemona, Iago winds him up. says he should beware of jealousy, the ''green eyed monster''. This explains to us that from now on you have to take on jealousy as well.
5.2.221-26. Her confession then confirms that Desdemona was faithful and did not deserve to die and as a result she shows one that love can be foolish and nave. Her love and loyalty to Iago causes her to deceive her friend and this ends with both women being killed because the love they possessed for too foolish men. Othello is responsible for murdering Desdemona. Iago is.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabethan era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success on the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that caused his downfall is jealousy.
In order to get what he wants, Iago will do anything. This includes insulting Desdemona, an innocent young woman who does not intend to harm anyone. Her sorrow at her divided loyalties shows this. Like her husband, Desdemona deals with situations carefully. Othello is the opposite of Iago in that he does not pride himself on killing people.
That’s Othello’s weakness that Iago deems as useful. Othello’s love turns to jealousy. The question is how sympatric is Othello to the reader. Othello feels betrayed. But Othello loses his look of a gullible, good guy when he decides he wants Cassio and Desdemona dead. The rage of his jealousy turns the character of Othello the readers know on its head and creates a different look. Only during and after the death of Desdemona can the reader see the good that was once in him. Othello shows regret and kind of a sense of torment. Clearly parts of him doesn’t want this to happen. And after the death of Desdemona he sees the misplaced change and rage he had. When Othello hears of Iago’s disseat he changes back to the good Othello that was present in the start of the play. He might be filled with regret and a new rage for Iago, but is morals seem solid
In conclusion, I feel that Othello is to blame for his downfall completely because he could have prevented the deaths of three people including him from happening by not letting rumours and assumptions getting the best of him and having faith in his wife. If he had even bothered to ask Desdemona if any of what Iago said about her was true, he could have seen what a distasteful man Iago really was and not have been fooled and driven to insanity and Desdemona could have at least justified herself properly. He must have had the same doubts in his head from the beginning of the relationship as he instantly believed the lies, because if he hadn’t, he would have questioned Iago more than once. Jealously is a powerful motive.
In the play “The Tragedy of Othello” by Willian Shakespeare, Othello Changes from an intelligent and confident person to a senseless and insecure person. This change in his personality occurs mainly because: Iago plans to ruin his relationship with Desdemona, he was an Outsider, he had bad judgement when it came to trusting people and failed to see reality, his negative thinking about himself and his relationship with Desdemona.
From the beginning, Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically, become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all one piece. His trust, where he trusts, is absolute.
Iago is gaining more influence over Othello after this point `as Othello is becoming more trusting of him, Iago is putting himself in a place of knowledge and power. The critic leavis also agrees that Othello has no one to blame but himself for his actions,
The first trait that led to Othello’s downfall was his easily manipulated conscience. Throughout the drama Othello let Iago control him as if he was a puppet under his master’s hands. When Iago first brought up the idea that Desdemona